1. Entrée - 2. Fugue - 3. Menuet - 4. Passepied - 5. Air - 6. Final- Concert En Quatuor by Jeanine Rueff is a piece for four Saxophones (Bb Soprano Eb Alto Bb Tenor Eb Baritone). This edition features all the scores including the conductor's. Very difficult it is dedicated to the Marcel Mule Quartet. Divided into six parts and lasting 17'30 minutes this work is really melodious and contains a fugue minuet and a passepied: 1. Entrée - Largo (4/4) 2. Fugue - Allegretto (2/4) 3. Menuet - Andantino (5/4) 4. Passepied - Allegreto (3/8) 5. Air - Largo (4/4) 6. Final en forme de Rondo - Presto (2/4) Jeanine Rueff composed numerous pieces for Saxophones often used in contests as well as many pieces for Saxhorn Clarinet Horn and Cornet.

En deux volumes- German-Jewish composer Moszkowski is not a familiar name for the majority of pianists. Popular in his day however the composer's salon music was much acclaimed and his book of 20 Petites études for Piano is not one to dismiss. Moszkowski showed talent from an early age and went on to study at the Dresden Conservatory in 1865. With significant experience and expertise his 20 Petites études for Piano is full of well-informed creative studies. From allegro and semiquaver passages to cantabile and lyrical motifs the contents of this Maurice Moszkowski book provide key exercises whichcannot be missed by aspiring pianists.

Work first published in 1968.

Initially written by Couperin this set of Concert Pieces was reviewed and commented by Paul Bazelaire a professor at the Paris Conservatoire. This Cello and Piano version written for intermediate or upper intermediate players includes 5 pieces: - Prélude - Sicilienne - La Tromba - Plainte - Air de Diable Written in increasing difficulty these pieces also exist in a version for Cello and String Quartet. François Couperin is a very famous French composer who played the Harpsichord and the Organ. Coming from a famous family of musicians he was nicknamed “Couperin le Grand” (Couperin the Great). Initially written by Couperin this set of Pièces En Concert was reviewed and commented by Paul Bazelaire a professor at the Paris Conservatoire. This Cello and Piano version written for intermediate or upper intermediate players includes 5 pieces: - Prélude - Sicilienne - La Tromba - Plainte - Air de Diable Written in increasing difficulty these pieces also exist in a version for Cello and String Quartet. François Couperin is a very famous French composer who played the Harpsichord and the Organ. Coming from afamous family of musicians he was nicknamed Couperin le Grand ('Couperin the Great').

Initiation illustrée à la Flûte à Bec et Exercices préliminaires

1.Berceuse; 2.Fileuse; 3.Les Cloches de Perros-Guirec.

Francais - Anglais - Allemand- Published in 1934 and written by the French flautist and composer Marcel Moyse (1889-1984) De la Sonorité proposes a method to acquire a beautiful sonority on the Flute. Created for the use of advanced flautists the exercises should give a means to the players to transform their sounds and obtain a different and better tone. De la Sonorité is divided into five parts: 1. Timbre and homogeneity of tone in the 3 registers 2. Suppleness of tone (especially in the low register) 3. Attacking and slurring notes 4. Fullness of tone 5. Management of tone in interpretation Considered as a maestro by some musicians Marcel Moyse has composed many Flute methods and exercise books such also published by Alphonse Leduc such as Gammes et Arpèges (1933) Exercices Journaliers (1922) and Mécanisme-Chromatisme (1927). His methods are widely used and recognised worldwide.

De Mots harmonieux vainement tu me charmes...

Concerto no. 29 (Viotti)- Parisian violinist Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 29 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian Violin virtuoso. He composed a significant 29 concertos for the Violin which remain popular in the advanced violinist's repertoire. The Violin solo line of Concerto No. 29 makes use of extended techniques including harmonics bow techniques aritculations fast semiquavers and double stops. Catherine 's series First Solos Extracted From TheClassic Concertos provides essential access to significant repertoire of the Violin preparing advanced violinists for the major concertos.

This version of Cortè ge Et Litanie by Marcel Dupré was written for Organ. For upper intermediate players these 8 page composition is written with 4 sharps and includes the use of the pedals. The piece initially written for a small orchestra in 1922 was created for a play. Dupré integrated it into one of his Piano recitals and was later asked to arrange it for other instruments. These scores therefore exist also arranged for Piano Orchestra (in 4 and 16) and for the conductor. In terms of composition the piece is divided into two: Cortège which titledescribes a solemn procession begins in E major and lasts twice as long as the introductory theme; and Litanie which is describing the prayer sung during a procession and which follows the Cortège part to then be joined by it. Marcel Dupré is a French composer and virtuoso organist who won the Prix de Rome in 1914. He became famous when he played the work of Bach in its totality from memory in 1920. He later became the professor of many renowned students at the Paris Conservatoire such as Messiaen Langlais and Cochereau among others.

For 2 Violins and Piano.

Chansons et Danceries du moyen Age et de la Renaissance (SATB recorders)

French composer and conductor Henri Tomasi (1901-1971) published Concerto for Bassoon 1963. As with his other wind compositions Être Ou Ne Pas Être for Bass Trombone or Tuba and 3 Trombones was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured in to musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the ParisConservatoire and went on to become a high profile composer and conductor. Tomasi did not forget his Corsican roots often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. Être Ou Ne Pas Être is a highly unusual and modern work for Trombone quartet. The composition exploits tonality rhythm and structure amongst other aspects. However this Tomasi piece suitable for advanced Tuba and Trombone players provides an exciting alternative addition to the instrument's ensemble repertoire.

Méthode élémentaire D'Alto - Vol.2 is the second book of a method by Henri and Renée Benoit for beginners. This volume quite progressive follows on the first one and is aimed to upper beginners. Written in C key this volume starts with some applications of what was learnt in the first book: some exercises on the use of the bow. It also includes some aspects such as chromaticisms the technique of the staccato and the arpeggios among others. It also contains famous tunes arranged for the level of the book to start playing music. Written after the Complete ViolinMethod by Maurice Hauchard this method is really complete with explanations and advice to guide the players and is one of the best book to start acquiring the techniques necessary for Viola players Henri and Renée Benoit are both Viola professors either at the Paris Conservatory or at the Normale School of music of Paris.

1.Le Printemps moussade; 2.Larmes d'Aube; 3.Le Petit Coq

French composer and conductor Henri Tomasi (1901-1971) published Three Divertissements for Clarinet Quartet in 1964. As with his other wind compositions Three Divertissements was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become ahigh profile composer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother into his compositions. The Three Divertissements are named; 1) Proceedings 2) Masquerade and 3) Rounds. This Tomasi piece is suitable to an advanced Clarinet Quartet providing an exciting alternative addition to the ensemble repertoire.

Pièce by Gabriel Fauré is a piece for Flute Oboe or Violin with Piano accompaniment. This romantic piece in A only features one movement. Small it is really melodious and quite slow: Adagio molto tranquillo. Rated as quite difficult upper-intermediate players will enjoy playing it for recitals. The book includes an insert with the instrument only part. Gabriel Fauré was a French composer organist pianist and teacher. He is one of the most important composers of his generation with pieces such as 'Pavane' or 'Requiem'.

for flute (doubling piccolo) and 2 guitars

for flute clarinet and bassoon

Twenty Lessons In Harmony by Olivier Messiaen is a book in which the author describes his perceptions of colours in music and the importance of the fusion of sound and sight. Often depicting chords as precise colours and shades he explains how he perceived harmony through a visual prism. This description is completed by these Twenty Lessons for SATB to help controlling the harmonies. Twenty Lessons In Harmony has shown itself very helpful for a better understanding and interpretation of Messiaen 's music. Olivier Messiaen (1908-1992) was a Frenchorganist and composer passionate about Ornithology and one of the most important composers of his century. Inspired by Japanese music he had a very special way of composing and his work can be identified by its complexity its diatonic aspect its harmony with limited transposition its colour and its additive rhythms. He composed many works related to ornithology and birdsong including the 'Bird Catalogue' in 7 volumes and the 'Treatise on rhythm colour and ornithology' in 7 volumes.