American Folk Song-SSAA. Goetze M.

from Cantata No. 93-String (part). Bach Js

No. 5 I Bought me a Cat- No. 5 from Aaron Copland's Old American Songs I; I Bought Me A Cat is a wonderful Hymn tune for treble voices in three parts (SSA) and Piano accompaniment.

SS/A . Page N

English Folk Song-SSSSS. Bertaux B

Accompaniment CD-CD. Rao D

String Trio (Score & parts). Fine I

Voice Piano. Gottlieb J

Daybreak Song-SS/A . Raminsh I

A collection of poems by William Wordsworth set to music for High Voice Clarinet Piano by composer Dominick Argento. Includes seperate part for Clarinet.

Mixed Voices. Vaughan William

This simple but powerful text by Nick Page reminds us that “ When we let our emotions truly shine we make the world a better place .” Written for the choir Joyful Noise this piece can be sung by any combination of voices - unison SA SSA TTB or SATB.

A beautiful slow dignified and evocative carol for mixed choir. The words are from a poem by Bruce Blunt and have been set to music by Peter Warlock. Arrangement for SATB with a Piano accompaniment included for rehearsal purposes though this piece should be performed as a choir without accompaniment wherever possible.

Grant us peace O Lord in this our day-SSAA. Goetze M

No. 2 The Younger Generation-Mixed Voices. Copland A

The text of Wind Song is derived from the names for different types and characters of winds found all over the globe. Each wind is presented in its own language and the mood of each is reflected in the music. SSS. Kidd R

The text of When David Heard is taken from the Second Book of Samuel and deals with King David's grief over the death of his son Absalom. The lines are simultaneously both personal and universal and the intention of this setting is to incorporate both of these elements; the choral techniques used to achieve this end rang from the directness of monodic passages to the complexity of eight-part textures. Mixed Voices. Dinerstein N

Soprano Songs-The New Imperial Edition of Solo Songs has been designed as a chronological anthology of song from the Lutenists down to the present day. As other albums will be devoted exclusively to operatic and oratorio arias these are generally omitted from the present volumes.Manifestly the selection must be indicative rather than comprehensive or merely exclusive and is essentially practical not personal. Each song is briefly annotated and except where indicated appears in the original key or is set for the voice which it is normally associated.Apart from obvious restrictions the choice has been largely determined by certain positive needs. To provide the singing teacher andstudent alike with a working catalogue as a basis for more specialized research into the varied treasure of the literature of song; to give the festival committees and examination bodies a ready way of governing without unduly restricting the dangerous freedom of choice classes; to present the would-be accompanist with a convenient means of studying the many-sided aspects of the exacting technique; and lastly to offer to all singers whether amateur or professional a practical and logical conspectus of the diversities of lyrical song over a period of some three hundred years. If in addition these books will do something to combat the present-day weakness for vocal exhibitionism or narrow eclecticism the labour of their preparation will be doubly justified. The New Imperial Edition. Contents: At last (So willst du des Armen) · Care selve (Come beloved) · The Chestnut (Der Nussbaum) · Endless pleasure endless love · A Farewell (Ich schwebe) · Gentle Shepherd (Se tu m'ami) · Gretchen at the Spinning Wheel (Gretchen am Spinnrade) · He is noble he is patient (Er der Herrlichste von allen) · How calm is my spirit (Ridente la calma) · How fair this spot! (Tout est si beau!) · I have twelve oxen · Let me wander not unseen · Lone and joyless (Infelice) · The Loreley (Die Lorelei) · Lullaby (Wiegenlied) · A Lullaby · The Novice (Die junge Nonne) · O bid your faithful Ariel fly · Omnipotence (Die Allmacht) · Should he upbraid · The Singer· Solveig's Song · So sweet is thy discourse · Spring · Suleika's Song (Lied der Suleika) · The Vain Suit (Vergebliches Ständchen) · Where the bee sucks (Arne) · Where the bee sucks (Sullivan) · Why do I love? · Without thee! (Ce que je suis sans toi).

German Carol-SATB. Sutcliffe Jh

Baritone Solo TTBB.