Traditional Folk Song-This familiar song unfolds as a stylistic travelogue in variation form. The treatment of each variation is usually dictated by the content of the verse itself. The piece concludes in barbershop-style with a final tongue-in-cheek ending in the accompaniment. For SSA Choir with Piano accompaniment.

Soprano Flute Clarinet. Copland A

Ladybug-Johannes Brahms delighted in the beauty of the folk songs of his homeland; he added artful accompaniments to them and arranged many for choirs. Unison. Brahms J

Two for Fun-Thispiece is a syllabic and through-composed setting of Laura E. Richards' text. The distinctive aspect of the piece is its rhythmic interest and shifting meters its humor evident in the lumbering nature of the piano accompaniment in the lower range of the keyboard and the declamation of the text Unison. Brunner Dl

Native American Song-poems-This five movement work for SATB choir is based on five different Native American peoples. The sequence starts with “Falling ” a lullaby and ends with “Rising ” an image of spirits gently swaying on their final journey above. Between these two lie “Waking ” a celebration of the joy of being alive “Singing ” which expresses the experience of attending deeply to the natural world and “Leaving ” in which images of autumn remind us poignantly that we must all one day depart from this earth.This five movement work for SATB choir is based on five different Native American peoples. The sequence starts with “Falling ” a lullaby and ends with “Rising ” an image of spirits gently swaying on their final journey above. Between these two lie “Waking ” a celebration of the joy of being alive “Singing ” which expresses the experience of attending deeply to the natural world and “Leaving ” in which images of autumn remind us poignantly that we must all one day depart from this earth.

Scottish Folk Song-This well-known Scottish folk song presents the image of a Scottish Pipe band in formal Scottish dress with their tartans kilts and all. The Bonnie Charlie mentioned in the text is of course a reference to Prince Charles Edward Stuart whose efforts to reclaim the Scottish throne ended in disaster. The 1745 rebellion was followed by a period of widespread repression of Scottish culture including music and the wearing of the kilt. SSS. Richardsong A

Orchester und Chor ad lib.- This sparkling holiday work by Clare Grundman is one of the great treasures of educational music literature. The available editions allow for many flexible instrumentation/voicing combinations for a perfect winter concert finale and the tone is set perfectly by the included songs.

Prelude-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. For mixed choir or septet of soloists (SSATTBB) a cappella. Latin. In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein's music was deliberately evocative of that Saint's medieval era.

French Choruses-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about the of Joan of Arc Bernstein's music was deliberately evocative of that Saint's medieval era. For unaccompanied mixed choir or septet of solo voices (SSMezTTBB) and percussion ad libitum. French.

SSS. Fitzgerald E

Spiritual-An imitative part and a lively counter-melody accompany the simple refrain of this spiritual contrasted by the verse in which singing in parallel thirds is practiced. SSS. Goetze M

Scottish Folk Song-There are many variants of this song in England Scotland and America. As this version evolves the lady abandons her life of luxury for the romantic freedom of the gypsies eluding capture and living out her life in tranquility. The melody is accompanied by the piano in the style of a balladeer guitar accompaniment. Arranged for two-part treble voices and piano accompaniment The Raggle Taggle Gypsies is a beautiful adaptation of the traditional Scottish folk song. The melody is accompanied by the piano in the style of a balladeer guitar accompaniment. The overall effect is a relaxed and almost magical quality spun effortlessly from the beautiful dorian melody.

Voice Instrument. Binkerd G

Here is a collection which spans four centuries and more than five countries - some vibrant threads from the rich tapestry of early music.We don't necessarily think of the violin as an early music instrument but in fact it evolved soon after 1500 during the early years of the musical renaissance in a form more or less as we know it today. Most of the music in this anthology has some connection with stringed instruments either the violin itself or one of its forerunners such as the rebec medieval fiddle or viol. A rich tapestry of European music from the 13th-16th centuries written and arranged by Edward Huws Jones for Violin. Includes the medieval Estampie Royale and the famous L'Homme Armé Kemp's Jig and Henry VIII's favourite Pastime With Good Company via a rollicking Morris dance a comical Bouree and more.

This work is a celebration of the journey towards womanhood with its joys mysteries and possibilities. Spirited ascending melodies dance-like rhythms and vocal percussive sounds unfold into a structured improvisation wherein the members of the choir whisper their aspirations for the future together forming a sea of sonic dreams.

A selection of short and easy tunes ideal for first repertoire pieces. First Violin Part.

Traditional From Argentina- Diana Saez is a specialist in the field of Latin American music and one of America's finest arrangers of Latin American Folk music. This arrangement for SA choir and Piano with optional Guitar is a beautiful and simple setting of a northern Argentinian folk melody.

CONCERTO NO. 1 IN D MAJOR OP. 19Violin and PianoPublisher: Boosey & HawkesEditor: F.H. SchneiderComposer: Sergei Prokofieff37 pages

The theme from the smash hit TV series 'House of Cards' 'To Play The King' and 'The Final Cut' for Piano solo. Arranged by Christopher Norton.

Voice Piano. Head M