Zoltan Kodaly's Hymn To King Stephen for SATB Choir with words by Nancy Bush. A piano accompaniment is scored for rehearsal use.

Bartók wrote his Piano Concerto No. 3 during the summer of 1945 intending it as a birthday present to be given to his wife Ditta on 31st October. By this time he was already gravely ill; however he was able to finish the score with the exception of the last seventeen bars which he noted in a kind of musical shorthand. These last seventeen bars were deciphered and scored by his friend and pupil Tibor Serly. Only a few expression marks and tempo indications and no metronome marks were found in Bartók's score. Had he lived on there is no doubt that he would have edited the concerto as meticulously as was his habit.In order to give a complete picture of the work suchmarkings as were deemed necessary were added by Tibor Serly; by Eugene Ormandy who conducted the first performance; by Louis Kentner; and by Erwin Stein.In preparing this Revised Edition all extant sources have been examined and compared with the previously printed edition. For full discussion of the amendments reference should be made to the Editorial Notes to the Revised Edition of the published conductor's score. The 1994 Revised edition of Bela Bartok’s Piano Concerto in a pocket study score format. Bartok wrote this piece during the summer of 1945 intending to give it as a birthday present to his wife Ditta On the 31st October. By this time however he was already desperately ill and managed only to finish by composing the last seventeen bars in a kind of musical shorthand. These were then deciphered and scored by his friend and pupil Tibor Serly.

This is the corresponding Teacher's Book for the New Tunes For Strings (Volume 1) series of books by Stanley Fletcher which present a wide variety of new pieces for Strings. Each piece is fun to play and teaches a range of technical skills. This book features the Piano Accompaniments to all the tunes found in the Volume 1 books.

A Welsh Slumber Song-A Welsh Slumber Song arranged by Alec Rowley for Unison High Voices and piano.

For Voice and Piano.

SATB. Sutcliffe Jh

SATB.

Three Slavic folk songs-Alto or Tenor Solo SATB. Raminsh I

Trombone. Carter E

The Rain-This is a folk melody from Ecuador traditionally played on the siku - the double row of panpipes that have been used in the high Andes for over a thousand years. SATB. Hatfield S

SSS. Henderson B

Mixed Voices. Sutcliffe Jh

No. 4 Roses I Send to You-Roses I Send to You is a tender song of love and devotion expressed in turn by a woman her lover and together as a couple. SAB. Chatman S

The composer's strong commitment to the power of belief in oneself is reflected in the strength and conviction of this music. Opening as a subtle ballad the music creates a sense of how important imagination and listening are within one's journey. Then there is a distinct style change to a more rhythmic and accented style that builds to an uplifting conclusion.

Psalm 42-Now available in an SSAA voicing this popular arrangement of Psalm 42 features a strong forward moving pulse Piano ostinato and a Vocal percussive quality in the chorus.

G. Schirmer's Editiion of Scores of Orchestral Works and Chamber Music No. 162-(Full score). Fine I

Four Songs for Voice and Piano by Richard Hundley.

Tjak! has been inspired by a Balinese musical ceremony long known to world music fans as Ketjak or The Monkey Chant. Is has adopted many aspects of the Balinese music including much of the timbre and texture of the music. Enjoy this very unique piece of literature not usually associated with the context of traditional choir repertoire! SSSS. Hatfield S

Sanctus-In 1955 while in the midst of working on a musical version of Voltaire's Candide with the distinguished American playwright Lillian Hellman Leonard Bernstein composed French and Latin choruses as incidental music to the play The Lark adapted by Miss Hellman from the original French version by Jean Anouilh. Since the drama was about Joan of Arc Bernstein’s music was deliberately evocative of that Saint’s medieval era. Sanctus from The Lark arranged for Full Chorus of Mixed voices or Septet of Solo Voices.

No. 1 Vultur Gryphus-Tenor Bass. Fine I