Cheryl Frances-Hoad's Invoke Now The Angels for Soprano Mezzo-Soprano Countertenor and Piano. Cheryl Frances-Hoad's Invoke Now The Angels for Soprano Mezzo-Soprano Countertenor and Piano.

Rachel Stott's Serendipity And Household for Piano Quintet. Serendipity And Household Objects grew out of various sound experiments I made together with violin and viola pupils I was teaching at the time. The idea was to find some extended timbral possibilities of the children’s instruments using only such objects as one might reasonably expect to find around the house – a comb or ruler empty yoghurt pot cutlery pieces of paper chopsticks – rather along the lines of the television programme ‘the great egg race’ which I used to enjoy as a child. The word ‘serendipty’ (‘the happy knack of making unexpected and delightful discoveries by accident’ –Cassell Concise Dictionary) describes the way the finding of the sounds led to musical ideas. A curious point – some of the sounds actually work better on basic level children’s instruments than professional quality ones. Don’t waste this piece on a strad…or vice versa. - Rachel Stott Commissioned by Jean Horsfall

Ed Hughes' Secret Sky for Piano Quartet. Secret Sky was commissioned by the Schubert Ensemble's Chamber Music 2000 project and has been performed by school children in the south west of England and in the Purcell Room by music college students. The piece lasts 4 minutes and aims to create an evocative sound scape through pools of modal harmony created by a mix of piano repeating patterns and melodies in the 3 strings. As in all my work the ebb and flow of line is important to the development tensions and resolutions of the piece. The piece is probably suitable for players of the standard of at least Grade 6. It can be performed either by violin viola cello andpiano or by 2 violins cello and piano. - Ed Hughes Commission made possible by Michael McLaren for his daughter Iona McLaren.

Joseph Davies' Cante Jondo for Cello.

Cheryl Frances-Hoad's Piano Concerto for Piano and Orchestra. Composed in 2009. Duration: 25 minutes

Matthew King's Kings Wood Trio for Horn Violin and Piano acompaniment.

Mark David Boden's Verona for Orchestra. Premiered by the London Philharmonic Orchestra at the Royal Festival Hall February 2012. Duration: c. 3.5 minutes

Joe Cutler's Screaming 229a for Saxophone Quartet. Screaming 229a was written in the summer of 1996 and slightly revised during the spring of 1997.

Stephen Reynolds's Trois Poèmes En Hommage à Gabriel Fauré for Piano.

Philip Cashian's Settala's Machine for Wind Dectet. Duration: 11 minutes

Three pieces were commissioned by the Birmingham Contemporary Music Group in 2004.

Cheryl Frances-Hoad 's Food of Love for SATB and Orchestra. Dedicated to Dominic Peckham and The London Oriana Choir commissioned as part of the five 15 project championing women composers. Gary Carpenter 's The Food Of Love - Book 1 for SATB and Piano.

Joe Cutler's Buckleys Hot Licks for Piano.

Licensor Product-A simple gentle setting of William Blake’s oft-set text. A simple gentle setting of William Blake’s oft-set text.

from the Cadenza volume 'En Bethlehem'-A movement from the collection ‘The Food of Love Vol.2’ this is a short Shakespeare setting for upper voices and piano with text from Act Five of Love’s Labour’s Lost. A movement from the collection ‘The Food of Love Vol.2’ this is a short Shakespeare setting for upper voices and piano with text from Act Five of Love’s Labour’s Lost.

Licensor Product-A fast-moving rhythmic setting of an anonymous text for mixed voices and organ dedicated to St Albans Choral Society and their conductor George Vass. A fast-moving rhythmic setting of an anonymous text for mixed voices and organ dedicated to St Albans Choral Society and their conductor George Vass.

Full Score-A work for solo piano ensemble and electronics as premiered by Huw Watkins Ryan Wigglesworth and the London Sinfonietta at LSO/St Luke’s in 2009 as part of a BBC Invitation Concert.

Viola Concerto

Clavinova Music

Extended Play