Cheryl Frances-Hoad's Five Rackets for Trio Relay for two Violins two Cellos and two Pianos.

Roxanna Panufnik's Let Me B for Piano Quartet. Let me B (for piano quartet) is so-called because the entire piece centres around the note B being passed like a sort of relay baton between each of the players. It falls into two sections - the first section is quite fast and melodramatic and the second section slower and rather romantic is actually borrowed from a slow movement of my piano trio. - Roxanna Panufnik Commission made possible by the Cavatina Chamber Music Trust.

Lynne Plowman's Float Turning Spinning for Oboe d'Amore and Harp. commissioned by Okeanos with funds from the RVW Trust and the David James Music Trust. Duration: 7 minutes Llyne Plowman's Float Turning Spinning for Oboe d'Amore and Harp. commissioned by Okeanos with funds from the RVW Trust and the David James Music Trust. Duration: 7 minutes

Patrick Nunn's Gonk for Bassoon with pre-recorded accompaniment. The premiere was given by Alice Lee (bassoon) and Patrick Nunn (electronics) at the David Josefowitz Recital Hall Royal Academy of Music London on the 8th November 2006 as the selected work for the Florence Woodbridge Bassoon Prize. Duration: c. 6 minutes

Joe Cutler's Urban Myths for Bass Clarinet and Harpsichord.

Rob Keeley's Songs Chimes & Dances for Oboe and Piano.

Joe Cutler's Flexible Music for Alto Saxophone Percussion Piano and an Improvising Trio. Commissioned by Third Ear for Noszferatu and Schlippenbach Trio with funds from the RVW Trust and the Arts Council of England. First Performance: Nov 16th 2013 Noszferatu/Schlippenbach Trio Purcell Room London Jazz Festival.

Matthew King's Arise My Love for Choir and Organ.

Patrick Nunn's Music Of The Spheres for Piano with pre-recorded accompaniment. Music of the Spheres was written for Thalia Myers. It was first performed in its entirety by Thalia Myers (piano) and Patrick Nunn (electronics/visuals) on the 11th March 2008 at the David Josefowitz Recital Hall Royal Academy of Music London. Music of the Spheres is available on CD from www.RedSockRecords.com Duration: c. 12 minutes

Mark David Boden's Viral for Orchestra. Commissioned by the Royal Welsh College of Music and Drama dedicated to the Worshipful Company of Musicians and supported by the John Clementi Collard Fellowship. Duration: c. 9 minutes

Sprite was written for Lewis Mitchell. It was first performed by Lewis on the 1st December 1998.

Rob Keeley's Music For Art And Tom for Alto Saxophone and Piano.

Joe Cutler's On the Edge for Piano. Duration: 11.5 minutes

Mark David Boden's Shadows of a Changing Land for Orchestra. Shadows of a Changing Land takes inspiration from a book of photography by Peter Freeman depicting the Lake District National Park. I was particularly drawn to Freeman s use of n

Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra. Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra.

Cecilia McDowall's A Draught Of Fishes for Piano Quintet. This piece has been specially written for St Paul’s Boys School. St Paul’s was founded by John Colet in 1509 with 153 children a number traditionally associated with the gospel miracle of the draught of fishes in which Jesus suggests to his disciples they would have more success if they cast their nets on the other side of the boat. A Draught Of Fishes opens with sombre strings and liquid piano accompaniment. The mood of the piece then alters to one of optimism and the players ‘catch’ their fish Schubert’s Trout! To this day there are 153 foundation scholars at St Paul’s at any one time and theyare entitled to wear a silver fish in their button holes. - Cecilia McDowall Commission made possible by St Paul's School.

Cheryl Frances-Hoad 's Introit And Blessing for unaccompanied SATB choir. Dedicated to the memory of Ken Hutchinson (1920-2006) of Leigh-on-Sea Essex: a respected Headteacher he loved the English choral tradition. Cheryl Frances-Hoad 's Introit And Blessing for unaccompanied SATB choir. Dedicated to the memory of Ken Hutchinson (1920-2006) of Leigh-on-Sea Essex: a respected Headteacher he loved the English choral tradition.

Cheryl Frances-Hoad's Commuterland for Solo Piano. 'Commuterland was written directly after I had had to do a long commute every day for a week for a project I was working on. The frustration of rush hour and being caught behind crowds walking slowly through underground tunnels is expressed in this piece! At the same time I was listening to a lot of Bartok and the repetitive motivic cells and harmonies are in part a hommage to this composer who is one of my idols.' - Cheryl Frances-Hoad

Cheryl Frances-Hoad 's Floodlight Starlight for unaccompanied SATB choir. Dedicated to Leeds University Chamber Choir Cheryl Frances-Hoad 's Floodlight Starlight for unaccompanied SATB choir. Dedicated to Leeds University Chamber Choir

Cheryl Frances-Hoad 's Invocation For Yodit for Violoncello and Strings. Dedicated to the memory of Yodit Tekle. Score and Cello part. Cheryl Frances-Hoad 's Invocation For Yodit for Violoncello and Strings. Dedicated to the memory of Yodit Tekle. Score and Cello part.