Philip Cashian's The Dark Horsemen and other Tales for Soprano and Viola. Commissioned by Northern Arts. First performance given by Mary Wiegold (soprano) and Jane Atkins (Viola).

Mark David Boden's String Quartet 'Forgotten Time' for String Quartet. Duration: 20 minutes

Rob Keeley's Little Trio for Clarinet Cello and Piano.

Joe Cutler's Gaia for Viola.

Cheryl Frances-Hoad 's Good Day Sir Christemas for SATB.

Aaron Holloway-Nahum's De Ce Trombonesti? for Alto Trombone. commissioned by the London Sinfonietta as part of Writing the Future which is generously supported by The Boltini Trust Anthony Mackintosh and Michael & Patricia McLaren-Turner. Duration: c. 5 minutes

Cheryl Frances-Hoad's The Thought Machine for Soprano Baritone and Piano.

Geoffrey Poole's Look Behind You! for Piano Trio. The title signals a piece that is full of surprises exploiting the rapid response factor of lively young performers and responding to the brilliance of Turkish wedding music. It was composed shortly before its premier on 15 March 2002 at the Victoria Rooms Bristol (as part of the Schubert Ensemble's residency at Bristol University) and is dedicated to the composer's predecessor and colleague Adrian Beaumont. - Geoffrey Poole

Cheryl Frances-Hoad's A Refusal To Mourn for Oboe and String Ensemble. Commissioned by the Cambridge University Chamber Orchestra with funds from the RVW Trust and premiered at West Road Concert Hall Cambridge with soloist Emma Fielding conducted by Nicholas Daniel in November 2000. Duration: 12 minutes

Cheryl Frances-Hoad's Magic Lantern Tales for Tenor/High Voice and Piano Cheryl Frances-Hoad's Magic Lantern Tales for Tenor/High Voice and Piano

Nathan Williamson's Piece And Quiet for Piano Quintet.

Philip Cashian's Music For The Night Sky for Piano Quartet. Comissioned by the Schubert Ensemble as part of their 'Chamber Music 2000' scheme. Duration: 5 minutes

Sally Beamish's Penguin Café for Piano Trio. Based on the idea of film music Penguin Café conjures up the era of silent film and live musicians in cinemas. - Sally Beamish Commissioned with admiration by Andrew Keener

Cheryl Frances-Hoad's In The Crypt Of The Wood for 5 Male Voices. In the crypt of the wood was commissioned by Opus Anglicanum and premiered at St. James's Church Chipping Campden on the 14th March 2015 followed by a performance at Wells Cathedral on the 17th April. Duration: 6 minutes Cheryl Frances-Hoad's In The Crypt Of The Wood for 5 Male Voices. In the crypt of the wood was commissioned by Opus Anglicanum and premiered at St. James's Church Chipping Campden on the 14th March 2015 followed by a performance at Wells Cathedral on the 17th April. Duration: 6 minutes

Daryl Runswick's Follow Follow for Piano and String Quintet. Follow Follow is so-called because it contains canons (or rounds) where the players quite literally follow one another. The piece begins with a gentle melody played first by one person then after a dreamy piano ripple by everyone as a round. A second melody is given the same treatment after which a third is played first by the strings then by the piano. Finally the very first melody returns with a hint of regret. - Daryl Runswick Commission made possible by Robert and Diana Justham to celebrate their first wedding anniversary.

A short concert waltz for piano dedicated to the pianist and composer Rob Keeley. A short concert waltz for piano dedicated to the pianist and composer Rob Keeley.

Concerto for Piano

Prism

The Thin Night Darkens

Talvi Was Commissioned By Tom Kerstens Who Gave The First Performance At The 1998 International Guitar Festival In Bath. Talvi Which Is The Finnish Word For Winter Was The Name Of A Light Sculpture Exhibition That I Saw At The Barbican Centre Whilst Writing The Piece. The Fluid And Sometimes Blurred Images Of Some Of The Installations And The Constant State Of Flux Within The Space As A Whole Seemed To Perfectly Mirror The Type Of Musical Material I Was Writing For Tom'S Solo Guitar Piece. - Philip Cashian Duration : 7 Minutes