Cheryl Frances-Hoad's Mazurka for Violin and Piano accompaniment. Cheryl Frances-Hoad's Mazurka for Violin and Piano accompaniment.

Cheryl Frances-Hoad's The Madness Industry for Brass Quintet. Commissioned in 2012 by Onyx Brass generously supported by the PRS for Music Foundation's 'Woman Make Music' scheme and the RVW Trust. Duration: 12 minutes

Cheryl Frances-Hoad's Snowwoman for Violin. Cheryl Frances-Hoad's Snowwoman for Violin.

Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra. Duration: 2 hours

Vocal score for Cheryl Frances-Hoad's Magnificat & Nunc Dimittis for Mixed choir (SATB) a cappella. Vocal score for Cheryl Frances-Hoad's Magnificat & Nunc Dimittis for Mixed choir (SATB) a cappella.

Wendy Hiscocks' Kumas Dziesma for Piano Quartet.

Chery Frances-Hoad's The Glory Tree for Mixed Ensemble. Duration: 15 minutes

Cheryl Frances-Hoad's My Day In Hell for String Quartet. Cheryl Frances-Hoad's My Day In Hell for String Quartet.

Cheryl Frances-Hoad 's Bouleumata for solo Clarinet. 'Shortly before writing this piece I reached the final of a competition to compose the music for the Cambridge Greek Play which happened to be Medea that year. Although I didn't end up winning Euripides' play stunned me with its depiction of Medea a woman who kills her two children to spite her husband Jason (who has just left her for a Corinthian princess). This piece was inspired by the wildly contrasting emotions that Medea experiences during a monologue immediately preceding the double-murder: that she can't possibly go through with it but thatshe must in order to punish her enemies. In one passage she says I understand that what I am about to do is wrong but my thumos (emotion) has vanquished my bouleumata (ability to deliberate)'.' - Cheryl Frances-Hoad

A short antiphonal setting of the anonymous fifteenth century text by Cumbrian-born composer Phillip Cooke

Stephen Reynolds has been heard as pianist and composer in concerts and broadcasts across Europe and the United States. He is currently on the faculty of his alma mater the Royal Northern College of Music in Manchester. This set of pieces were originally written in the 1980s as a diversion from the more serious and experimental music he was writing at the time. He talks of wanting to invade and absorb the sound-world of Delius one of his favourite composer and to use his musical language to create works of his own. The Delius-inspired pieces are especially welcome since that composer wrote very little for the piano. In both of the sets a longer more substantial piece isprefaced by a shorter one in a related key Stephen Reynolds has been heard as pianist and composer in concerts and broadcasts across Europe and the United States. He is currently on the faculty of his alma mater the Royal Northern College of Music in Manchester. This set of pieces were originally written in the 1980s as a diversion from the more serious and experimental music he was writing at the time. He talks of wanting to invade and absorb the sound-world of Delius one of his favourite composer and to use his musical language to create works of his own. The Delius-inspired pieces are especially welcome since that composer wrote very little for the piano. In both of the sets a longer more substantial piece isprefaced by a shorter one in a related key.

Long Drift Sleep

Commissioned By The Royal Academy Of Music. First Performance Given On 7 November 2016 By Richard Watkins (Horn) And Joseph Havlat (Piano) In The David Josefowitz Recital Hall Royal Academy Of Music London. Duration: 12 Minutes

The Sun's Great Eye

Tag

Three Sonatas for Piano

The Forest of Clocks

Eine Kleine Gigue

Music for Cello and Strings

Cold Light