Mark David Boden's Viral for Orchestra. Commissioned by the Royal Welsh College of Music and Drama dedicated to the Worshipful Company of Musicians and supported by the John Clementi Collard Fellowship. Duration: c. 9 minutes

Sprite was written for Lewis Mitchell. It was first performed by Lewis on the 1st December 1998.

Rob Keeley's Music For Art And Tom for Alto Saxophone and Piano.

Joe Cutler's On the Edge for Piano. Duration: 11.5 minutes

Mark David Boden's Shadows of a Changing Land for Orchestra. Shadows of a Changing Land takes inspiration from a book of photography by Peter Freeman depicting the Lake District National Park. I was particularly drawn to Freeman s use of n

Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra. Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra.

Cecilia McDowall's A Draught Of Fishes for Piano Quintet. This piece has been specially written for St Paul’s Boys School. St Paul’s was founded by John Colet in 1509 with 153 children a number traditionally associated with the gospel miracle of the draught of fishes in which Jesus suggests to his disciples they would have more success if they cast their nets on the other side of the boat. A Draught Of Fishes opens with sombre strings and liquid piano accompaniment. The mood of the piece then alters to one of optimism and the players ‘catch’ their fish Schubert’s Trout! To this day there are 153 foundation scholars at St Paul’s at any one time and theyare entitled to wear a silver fish in their button holes. - Cecilia McDowall Commission made possible by St Paul's School.

Cheryl Frances-Hoad 's Introit And Blessing for unaccompanied SATB choir. Dedicated to the memory of Ken Hutchinson (1920-2006) of Leigh-on-Sea Essex: a respected Headteacher he loved the English choral tradition. Cheryl Frances-Hoad 's Introit And Blessing for unaccompanied SATB choir. Dedicated to the memory of Ken Hutchinson (1920-2006) of Leigh-on-Sea Essex: a respected Headteacher he loved the English choral tradition.

Cheryl Frances-Hoad's Commuterland for Solo Piano. 'Commuterland was written directly after I had had to do a long commute every day for a week for a project I was working on. The frustration of rush hour and being caught behind crowds walking slowly through underground tunnels is expressed in this piece! At the same time I was listening to a lot of Bartok and the repetitive motivic cells and harmonies are in part a hommage to this composer who is one of my idols.' - Cheryl Frances-Hoad

Cheryl Frances-Hoad 's Floodlight Starlight for unaccompanied SATB choir. Dedicated to Leeds University Chamber Choir Cheryl Frances-Hoad 's Floodlight Starlight for unaccompanied SATB choir. Dedicated to Leeds University Chamber Choir

Cheryl Frances-Hoad 's Invocation For Yodit for Violoncello and Strings. Dedicated to the memory of Yodit Tekle. Score and Cello part. Cheryl Frances-Hoad 's Invocation For Yodit for Violoncello and Strings. Dedicated to the memory of Yodit Tekle. Score and Cello part.

Aaron Holloway-Nahum's The Faultlines Of Prayer II for Alto Flute Clarinet Violin Cello and Harp. Composed in 2012 for the players of Ensemble Kovergence. Duration: c. 5 minutes

Cheryl Frances-Hoad's Memoria for Oboe Violin Viola Cello and Piano. Cheryl Frances-Hoad's Memoria for Oboe Violin Viola Cello and Piano.

Sally Beamish's Haunted for Piano Trio. Based on the idea of film music Haunted House creates a creepy sinister atmosphere. - Sally Beamish Commissioned with admiration by Andrew Keener

Piers Hellawell's Hall Of Mirrors for Piano Quartet. Hall Of Mirrors was my first contribution to the Schubert Ensemble's unique initiative to bring practicable chamber music to young string players and pianists. It was written in summer of 1998 in the wake of my 'full-scale' piano quartet The Building Of Curves itself a commission from the Schubert Ensemble and was first performed at the Dartington Summer School. Hall Of Mirrors is also scored for piano quartet although the viola part is playable by a second violin and is thus scored in the treble clef. At the suggestion of the Ensemble I sought to provide an analogue of the larger work ascaled-down expression that used materials clearly related to its parent. I believe that the success of this project relies in large part on its new pieces being genuinely representative of their composers rather than mere exercises that provide a product. Hall Of Mirrors therefore tries to establish a similarly unsettled atmosphere to that of the second movement of The Building of Curves and it uses the same open-string C/D ostinato for cello and nightmarish free glissandi for violin - both materials that can be impressively brought off by a player of limited virtuosity! Hall Of Mirrors was generously commissioned by Jane Ferguson. Its title indicates a reshaping of some features of the larger edifice The Building of Curves. - Piers Hellawell

Cheryl Frances-Hoad's Mazurka for Violin and Piano accompaniment. Cheryl Frances-Hoad's Mazurka for Violin and Piano accompaniment.

Cheryl Frances-Hoad's The Madness Industry for Brass Quintet. Commissioned in 2012 by Onyx Brass generously supported by the PRS for Music Foundation's 'Woman Make Music' scheme and the RVW Trust. Duration: 12 minutes

Cheryl Frances-Hoad's Snowwoman for Violin. Cheryl Frances-Hoad's Snowwoman for Violin.

Cheryl Frances-Hoad's Amy's Last Drive for Soloists Womens Choir and Orchestra. Duration: 2 hours

Vocal score for Cheryl Frances-Hoad's Magnificat & Nunc Dimittis for Mixed choir (SATB) a cappella. Vocal score for Cheryl Frances-Hoad's Magnificat & Nunc Dimittis for Mixed choir (SATB) a cappella.