A gentle setting of the Angelic Salutation for SATB choir and organ by the Swiss composer Carl Rütti A gentle setting of the Angelic Salutation for SATB choir and organ by the Swiss composer Carl Rütti

The Shortest Day

Caprices on Bream

Licensor Product-A setting of Oxford academic Katharine Craik’s poem for mixed voices and organ. A setting of Oxford academic Katharine Craik’s poem for mixed voices and organ.

from the Cadenza volume 'The Nativity Star'-A fiery setting of a text by Kate Roxburgh written for the Choir of St Pancras Church London. A fiery setting of a text by Kate Roxburgh written for the Choir of St Pancras Church London.

Cheryl Frances-Hoad's Two Organ Voluntaries for solo Organ. 'My two organ voluntaries Where does your faith lie? and Taking your leave were written for Even You Song a collaborative work for cathedral choir children's choir and organ inspired by the structure and themes of Choral Evensong with poet Lucy Sheerman and artist Bettina Furnée.' - Cheryl Frances-Hoad The premiere given by organist David Humphreys took place at Peterborough Cathedral on 16 February 2017 following the re-pitching of its organ from Philharmonic' to 'Standard' concert pitch.

Joseph Davies' Intricate Images for Cello and Harp.

Gary Carpenter's Go-Slow for Guitar Quartet. Gary Carpenter's Go-Slow for Guitar Quartet. commissioned by the Omega Guitar Quartet with the financial assistance of the Arts Council of Great Britain. 1st performance: April 1982 Purcell Room London. Duration: 10.5 minutes

Mark David Boden's Ghyll for Orchestra. Duration: 13 minutes.

The Nativity Star Compilation for SATB.

Patrick Nunn's 3:5 for solo Piano. 3:5 was written for GéNIA. It was first performed by GéNIA on the 9th June 2005 at the Museum of Garden History London SE1. Duration: c. 5 minutes

Mark David Boden's Between Waking and Dreams for Clarinet and Piano Trio.

Rob Keeley's Two Ways Of Looking At A Spider for 10 string Guitar.

Rob Keeley's Suite For Harpsichord .

Lynne Plowman's The Mermaid's Lagoon for Harp. First Performed by Elinor Bennett in the Go West festival Merlin Theatre Haverfordwest Wales 26th September 1995. Duration: 6 minutes Lynne Plowman's The Mermaids' Lagoon for Harp. First Performed by Elinor Bennett in the Go West festival Merlin Theatre Haverfordwest Wales 26th September 1995. Duration: 6 minutes

Rob Keeley's Six Inventions for Flute and Clarinet. Rob Keeley's Six Inventions for Flute and Clarinet.

Rob Keeley's Oboe Sonata for Oboe and Piano.

Patrick Nunn's Lullaby for Children's Choir and Piano. Composed in 1987 revised in 1998. Duration: 3 minutes

For more than a century guitarists have been irresistibly drawn to Bach's remarkable cello suites. Here for the first time are the first four in the easiest and most resonant guitar keys. Suites I-IV must be transposed to work on the guitar whereas Suite V is always played in A minor in Bach's own lute version and the equally demanding Suite VI can only be played in its original key of D. By adding as little as possible these arrangements preserve the integrity of the originals in which melody bass and harmony are woven effortlessly into a single fabric. They also crucially offer the guitarist Bach at a lower level of difficultythan his music for lute or unaccompanied violin. Another unique feature is the inclusion of optional improvised' divisions - suggestions for the additional ornamentation of passages to reflect typical 18th-century performance practice. This is an essential addition to any guitarist's library with selected movements featured in the 2009 ABRSM guitar syllabus (Grades 5-8). This publication beats the others hands down; no contest. I can't see me needing any other edition of these four suites. They are that good. Buy with confidence. Classical Guitar

Gary Carpenter's SET Concerto for Tenor Saxophone and Orchestra. Duration: 21 minutes