Easy Piano No.37-Arranged for Easy Piano

Singing And Dancing-The Chester Books Of Madrigals offer an exciting collection of secular European madrigals partsongs and rounds from the 16th and early 17th centuries newly edited from early sources by Anthony G. Patti who contributescopious historical notes to each volume. The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages with an English translation (for non-English texts) provided at thehead of each piece.

Eugène Goossens (1893-1962) was an English composer whose work was initially held in the same high esteem as contemporaries such as Walton but who has since faded into obscurity. He worked across the UK US andAustralia and helped lobby for the Sydney Opera House to be built. He was knighted in 1955. His music helped incorporate French impressionism into English Romantic music. His Four Sketches (Op.5) werewritten in 1913 scored for Flute Violin and Piano or 2 Violins and Piano. There are all simple and delicate but lively and enjoyable perfect for any recital. Book 2 contains the last two sketches: Romance and Humoreske .

Master of the Queen’s Music Judith Weir has been commissioned by St Paul’s Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen’s 90th birthday in 2016. Master of the Queen's Music Judith Weir was commissioned by St Paul's Cathedral in London to write a piece for SATB choir and organ in celebration of HM The Queen's 90th birthday in 2016.The piece is now available from Chester Music so that choirs all over the world can join in with the festivities. Churches and other local organisations are planning events on Sunday 12th June and many may want to include thisapproachable setting of Robert Bridges' poem. Directed by Andrew Carwood the St Paul's Cathedral Choir performed I love all beauteous things as part of the National Service of Thanksgiving whichtook place on at 11am on 10 June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. At the service the Archbishop of Canterbury gave the address and the Prime Minister read a lesson. Judith Weircomments: 'It is a particular honour to contribute new music for this great occasion and a pleasure to write a choral version of Robert Bridges' beautiful verse.' COMPOSER'S NOTE At the suggestion of Michael Hampel Precentor of St Paul's Cathedral I have set words by Robert Bridges who was Poet Laureate from 1913-1930. Bridges was an outstanding humanitarian and writer whose poetry hasinspired me before in The Voice of Desire a song-cycle for mezzo-soprano and piano. This short fast-tempo setting aims to emulate the swift fleet-footed rhyme and metre of the two-verse poem with its unobtrusive but tellingreference to man in his hasty days'. J.W. Commissioned by the Chapter of St Paul's Cathedral to mark the 90th birthday of HM The Queen generously supported by the Boltini Trust. Performed at theNational Service of Thanksgiving for HM The Queen's birthday at St Paul's Cathedral London on Friday 10th June 2016 in the presence of HM The Queen and HRH The Duke of Edinburgh. Music by Judith Weir Master of

Opera in One Act Three Scenes. For Solo Voices (2 Soprano Mezzo-Soprano Tenor and Bass) SATB Chorus and Chamber Orchestra. Libretto: Eric Crozier from the Old Testament.

Like many composers who found themselves in exile during the war years Castelnuovo-Tedesco composed in a very neoclassical and neoromantic style reviving more traditional or antiquated ideas of melody tonality and texture. Hiscollection of Shakespeare Songs feature settings of verse from across the full range of the Bard's plays and have proved to be great critical successes still widely performed today. Suitable to be adapted by most voices.the songs are interwoven with complex and thrilling Piano accompaniments that bring colour and energy to the often liberally edited texts. Book eight contains three songs adapted from A Winter's Tale and Cymberline

Written by Michael Nyman in 1971 and edited by Andy Keenan in 2012.

Edited by Trevor Wye.

Equus is a work by Eric Whitacre for SATB Chorus and Orchestra. This Vocal Score features a Piano reducation by Stephen Jackson and a full performance lasts around 10 minutes. Equus is a work by Eric Whitacre for SATB Chorus and Orchestra. This Vocal Score features a Piano reducation by Stephen Jackson and a full performance lasts around 10 minutes.

POD-Pawe ukaszewski's Daylight Declines for SSATBB choir unaccompanied. This vocal work was commissioned by the Canatrix Choir the Netherlands and features a translation of an original text by Andrzej Trzecieski. Pawe ukaszewski 's Daylight Declines for SSATBB choir unaccompanied. Daylight Declines was commissioned by the Canatrix Choir the Netherlands and features a translation of anoriginal text by Andrzej Trzecieski. This vocal work was inspired by the motet on the same text by Waclaw z Szamotul (c.1533-68). Daylight declines the night advances we ask the Lord fordeliverance that He our Guardian remain protecting us from evil domain of spirits who always in the dark upon their treachery embark. (trans. MarekZebrowski) Duration: four minutes.

This is the Full Score for Eleanor's Piece composed by Hugh Wood for two string quartets. This beautiful work lasts around 3 minutes. Born in Lancashire and enjoying a thoroughly musical upbringing Hugh Wood graduated from Oxford after studying History and decided that composition was his true calling. His works are characterised by divine expressionism and subtle lyricism with Eleanor's Wood being no exception. This is the Full Score for Eleanor's Piece composed by Hugh Wood for two string quartets. This beautiful work lasts around 3 minutes. Born in Lancashire and enjoying athoroughly musical upbringing Hugh Wood graduated from Oxford after studying History and decided that composition was his true calling. His works are characterised by divine expressionism and subtle lyricism with Eleanor's Wood being no exception.

Veni Spiritus' was commissioned by the Royal Choral Society in memory of Linda Shirley Neuse. Written for soprano and baritone soloists chorus and orchestra this arrangement is for all vocal parts and a piano accompaniment.

Selected and graded for the developing voice. Carefully chosen by Shirley Leah this series is especially for use by singing teachers students and amateur performers. Includes works by Falla Faure Giordiani Greig Handel Haydn Monteverdi Munro Nielsen Purcell Schubert Wolf.

All four parts for Benjamin Britten's Simple Symphony arranged for string quartet.

A setting of the Ave Maria by Cornelis Verdonck for mixed chorus edited by J. Steele.

Mixed Bag No. 2- The highly acclaimed Mixed Bag series provides a great opportunity for woodwind players of mixed ability to play together and make a perfect recital item for young musicians who are getting used to playing withothers. Each arrangement will work with just three main parts. Part 1 is quite demanding but Parts 2 3 and 4 are easier. These parts can be played by just one or several players - it’s up to you! Optional ‘filler’ parts are alsoincluded for beginners. Graham Lyons (b. 1936) is a British polymath musician and teacher who has spent more than 40 years working in the music education sector. He is probably best known for his countlesspedagogical compositions for woodwind which appear on many different exam syllabuses and have sold over 350 000 copies.

Commissioned by the BBC and premiered by the Dartington String Quartet. Parts available: SOS00998

For Orchestra- Commissioned by: Nederlands Dans Theater Den Haag Carolina Performing Arts at The University of North Carolina at Chapel Hill MUSIC CENTER / Performing Arts Center of Los Angeles County The Norwegian Operaand Ballet Oslo First performance 4 October 2012 at Lucent Dans Theater Den Haag by Nederlands Dans Theater and Residentie Orkest conducted by Andrew Grams. Choreography by Medhi Walerski.

Edition Collins

Were You There? was expertly composed by James Whitbourn for SATB Chorus and Organ. The piece was written for Stephen Cleobury and the Choir of King's College Cambridge. British composerand conductor James Whitbourn had an international reputation as a composer from the start of his career as a Programme maker at the BBC; during his time there he produced many award-wining programmes anddeveloped a style that gave him a direct connection with an audience. This well accomplished composer has received many awards for his work including among others two Grammy nominations and a Royal Television SocietyAward. In the June 2015 edition of 'Sunday by Sunday' Were You There? is described as 'effective atmospheric and not too difficult.'