Another Look at Harmony' is a project started in 1975. The approach has been to link directly rhythmic and harmonic structure. In doing so easily audible root movement (chords or 'changes') was chosen in order that the clarityof their relationship could easily be heard. Here as in earlier periods of Western music melodic material is for the most part a function or result of the harmony. However it is clear that some of the priorities of Westernmusic (harmony/melody first then rhythm) have been reversed.

Work composed in 2000 for Organ and two Didgeridoos.

An opera in four acts for ensemble chorus and soloists in full score from minimalist composer Philip Glass. It is Glass's first and longest opera taking approximately five hours to complete with no intermission. Given thenature of the music - the lengthy repetition of small elements very gradual development and change recurring patterns - audience members are free to enter and leave as they wish.

The Complete Piano Etudes is the first ever publication of all 20 of renowned composer Philip Glass s beautifully simple pieces for solo Piano. With their deft rhythmic and dynamic changes exciting harmonies and moving melodies the Etudes are ajoy to hear and play. Glass has composed 20 pieces that are at once relaxing and musically captivating making this collection ideal for a committed fan as well as a casual Pianist. Whether you are planning to perform the pieces in public orprivately for your own pleasure this sheet music is guaranteed to be produced to the highest quality and the utmost accuracy. The critically-acclaimed and widely influential composer himself states: The Etudes are meant to be appreciated not onlyby the general listener but especially by those who have the ability and patience to learn play and perform the music themselves. The Etudes explore a diverse range of textures techniques and harmony making this sheet music perfect for a Pianistlooking to immerse themselves in more lyrical ways of playing or simply to enjoy the subtle beauty of the pieces. To add to the brilliance of the music itself the engraving has been printed on traditional and aesthetically pleasing cream paper andis conveniently sewn-bound to lay flat. Composed over two decades between 1991 to 2012 the Etudes were originally released as two books along with a recording of the first ten by Glass himself in 2003. Now this collection exclusively contains allof these fantastic Piano pieces first conceived as a self-teaching tool to enhance and aid Glass s own understanding of the instrument. As one of the most prolific and influential composers of the 20th century Philip Glass s works have beenenjoyed for almost half a century throughout the world. With this book you can learn all 20 of his interesting and arresting Etudes for solo Piano published together in a single volume for the first time. The Complete Piano Etudes is the first ever publication of all 20 of renowned composer Philip Glass 's beautifully simple pieces for solo Piano. With their deft rhythmic and dynamic changes exciting harmonies and moving melodies the Etudes are a joy to hear and play. Glass has composed 20 pieces that are at once relaxing and musically captivating making this collection ideal for acommitted fan as well as a casual Pianist. Whether you are planning to perform the pieces in public or privately for your own pleasure this sheet music is guaranteed to be produced to the highest quality and the utmostaccuracy. The critically-acclaimed and widely influential composer himself states: 'The Etudes are meant to be appreciated not only by the general listener but especially by those who have the ability andpatience to learn play and perform the music themselves.' See Philip Glass articulate his feelings on the Etudes in our exclusiv

A first typeset and corrected study score of the five choral and instrumental pieces that punctuate the action of Philip Glass's mighty theatre piece of 1976 Einstein on the Beach (1976). Republished to mark the work's firstinternational tour since 1983. Foreword by Keith Potter author of 'Four Musical Minimalists' (2000)

Symphony No. 10 is a piece composed in 2012 by innovative minimalist composer Philip Glass commissioned by the Orchestre Francais Des Jeunes for world premiere the sameyear. Symphony No. 10 is one of Glass 's most recent works continuing a run of commissions that have been widely acclaimed by critics and audiences alike. The world premiere of thiscomposition in five movements was performed on August 9th 2012 under the direction of Dennis Russell Davies.

The Windcatcher was originally written for Flute and Piano intended for an uncompleted short film project and was later transcribed as this Saxophone Sextet arrangement. The score is available (Catalogue No.DU10604).

Composer Philip Glass returned to composition for chamber ensemble after several years of work for films ballet opera and solo instruments. Four Movements For Two Pianos was commissioned by hislong-time advocate the conductor and pianist Dennis Russell Davies and pianist Maki Namakawa and after the success of this piece at the Ruhr Piano Festival the pair decided to continue performing as a duo. The piece can belocated more at the classical end of Glass ’ compositional spectrum retaining all the propulsive rhythms arpeggiation and repetitiveness that are the hallmarks of the composer’s work. American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as a minimalist though he prefers to call himself a composer of ‘music withrepetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small and large ensembles film and experimental theatre and founded his ownperforming group The Philip Glass Ensemble.

A symphonic ballet written for orchestra based on the music of David Bowie and Brian Eno. Heroes; Abdulmajid; Sense of Doubt; Sons of the Silent Age; Neuköln; V2 Schneider.

3 Full Scores-Einstein the man of science; Gandhi the man of politics; Akhnaten the man of religion. These three men revolutionised the thoughts and ideas of their times and the subject of this Opera in three acts. The libretto wascompleted by Glass in association with Shalom Goldman Robert Israel and Richard Riddell. The Opera itself was commissioned by The Stuttgart State Opera and premiered in March 1984.

Philip Glass 'Gradus' arranged for solo Soprano saxophone. Duration 9 minutes.

A work for Double Bass and Timpani by Philip Glass. Commissioned by the American Repertory Theater Cambridge MA for their production of Samuel Beckett's Endgame .

In the past two decades years American composer Philip Glass has become a prominent and unique figure in the international music world. Writing operas orchestral and choral works and music for film theatre dance and The PhilipGlass Ensemble (which has toured over fifty cities worldwide) Glass has brought his creative vision to a diverse and ever growing audience.

Work for Solo Piano written for Constance DeJong's performance of her novel 'Modern Love' in 1978.

Philip Glass has produced ten symphonies so far the ones immediately preceding this one inspired by sources as diverse as Allen Ginsberg poetry Aboriginal writings and Native American song. Symphony No 8 however has noreferences to non-musical materials and takes as its subject according to Glass ‘the language of music itself’.The three-movement work does not conform to classical symphonic form with an extended twenty-minute first movement a slow passacaglia for the second movement and a short dense theme joined by a counter theme then ending with an extended cadence to complete the work in the third movement. Symphony No 8 was commissioned by the BrucknerOrchester Linz under the direction of Dennis Russell Davis.American composer Philip Glass is widely known as one of the most celebrated influential and prolific of the modern composers. He is frequently referred to as aminimalist though he prefers to call himself a composer of ‘music with repetitive structures.’ His operas among them the renowned Einstein On The Beach are performed across the globe and he has created work for small andlarge ensembles film and experimental theatre and founded his own performing group The Philip Glass Ensemble.

The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet and was first performed on February 15 1992.

(in the Form of a Partita in Seven Movements for Double Bass)- The Not-Doings of an Insomniac Partita for Solo Double Bass with spoken texts was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass’s frequent travels to unfamiliar cities and different time-zones changes that often brought on bouts of insomnia. While on a trip in Europe in 2015 Glass decided to turn these redundant waking hours into something useful and one of the results is this Partita for Solo Double Bass written for Robert Black of Bang on a Can All-Stars fame. The piece is written in seven movements each with its own title: Not Dreaming; Tasting; Smelling; Hearing; Seeing; Touching and finishing with Not Beginning Not Ending. What raises this set into something atmospheric and theatrical are the poems in between each movement. These are by Glass’s friends or associates and the texts by Lou Reed John Cale Laurie Anderson Yoko Ono David Byrne Leonard Cohen Patti Smith and Arthur Russell are read on the recording of this work by Robert Black. The Not-Doings of an Insomniac Partita for Solo Double Bass with spoken texts was premiered by Robert Black at the International Society of Bassist Convention at the Griffin Concert Hall in Fort Collins Colorado. The Not-Doings of an Insomniac developed as a result of Philip Glass’s frequent travels to unfamiliar cities and different time-zones changes that often brought on bouts of insomnia. While on a trip in Europe in 2015 Glass decided to turn these redundant waking hours into something useful and one of the results is this Partita for Solo Double Bass written for Robert Black of Bang on a Can All-Stars fame. The piece is written in seven movements each with its own title: Not Dreaming; Tasting; Smelling; Hearing; Seeing; Touching and finishing with Not Beginning Not Ending. What raises this set into something atmospheric and theatrical are the poems in between each movement. These are by Glass’s friends or associates and the texts by Lou Reed John Cale Laurie Anderson Yoko Ono David Byrne Leonard Cohen Patti Smith and Arthur Russell are read on the recording of this work by Robert Black.

Orphee-an Opera In Two Acts-libretto

Along with many other great American composers drawn from all musical genres Philip Glass was commissioned by the 1984 Olympic Committee to write a work for performance at the spectacular opening ceremony of the Games in LosAngeles that summer. Originally scored for orchestra and voices The Olympian - Lighting of the Torch was among the more memorable and original contributions. It is nowavailable for the first time in the composer’s own arrangement for Piano or Keyboard.

Philip Glass ' Bent (1996) suite for String Quartet. Score and parts.