Score and Parts-Jazz Ensemble Library - Grade 4 From America's jazz master Duke Ellington comes this hauntingly beautiful ballad. Mike's outstanding setting features a lush ensemble sound plus solos for alto and piano. Jazz Ensemble Library - Grade 4 From America's jazz master Duke Ellington comes this hauntingly beautiful ballad. Mike Tomaro 's outstanding setting features a lush ensemble sound plus solos for Alto Saxophoneand Piano.

Contents: Chere Nuit (Bachelet) Vieille Chanson (Bizet) L'Heureux Vagabond (Bruneau) Le Charme (Chausson) Les Papillons (Chausson) Hai-luli (Coquard) Beau Soir (Debussy) LaChevelure (Debussy) Mandolin (Debussy) Romance (Debussy) Bonjour Suzon (Delibes) Lied Maritime (D'Indy) Chanson Triste (Duparc) L'Invitation au voyage (Duparc) Aprés unRéve (Fauré) Les Berceaux (Fauré) Les Roses d'Ispahan (Fauré) Nell (Fauré) Rencontre (Fauré) Soir (Fauré) Brises d'autrefois (Hue) La Chanson de l'Aloutte (Lalo) L'Esclave (Lalo) ; Sur une Tombe (Lekeu) Le Nil (Leroux) Premiere Danse (Massenet) Le Roitelet (Paladilhe) Les Trois Prieres (Paladilhe) Psyche (Paladilhe) A Lucette (Pierne) La Cloche (Saint-Saëns) La Solitaire (Saint-Saëns) Le Lever de la Lune (Saint-Saëns) Ariette (Vidal) Le Fidele Coeur (Vidal) Albayde (Widor) Je ne veux pas autre chose (Widor) Nuit d'Etoiles (Widor). A collection of thirty-nine Songs for High Voice with Piano accompaniment by French Composers. edited by Max Spicker with English translations.

Revised by Franz Liszt. With an essay by Liszt and a biographical sketch of the author by Dr. Theodore Baker.

High Voice in G with Piano-Sheet Music Charles Gounod's setting of 'Ave Maria' arranged for a High Voice in the key of G.

Contents: Vinto sono (La Statira) Ho un'alma (Gerone Tiranno di Siracusa) Non me sprezzar (La Caduta dei Decemviri) Mostri dell' Erebo (La Fede Riconosciuta) Ergiti amor (Scipione nelle Spagne) Se vuoi ch'io viva (L'Amor Generso) Susurrando il venticello (Tigrane) Vi credo o no (Attilio Regolo) Non vi vorrei conoscere (Griselda) Nell' aspro mio dolor (Griselda).The operas of Alessandro Scarlatti (1660-1725) contain a host of attractive arias unknown to singers and musicians. The music in this volume spans thirty-one years of Scarlatti's creative life. The first aria - dating from 1690 - represents the composer already at the peak of his professional career both as maestro di cappella to the Neapolitan viceroys and as chief opera composer in the city of Naples. The last two arias are taken from the opera Griselda performed in Rome in 1721 his final work of any importance.

Arranged for one manual. Version arranged for One Manual Organ.

Work for Harpsichord by the Italian composer.

Composed by Franz Schubert (1797-1828). Edited and fingered by G. Buonamici.

Two Pianos Four Hands. 2 Copies needed to perform-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . Includes complete solo part and a reduction of the orchestral part for second piano. Edited by Theodor Kullak. Please note: two scores needed to perform.

Low Voice in F-Sheet Music From 'Semele'. Version for Low Voice and Piano in the key of F.

Work for piano solo.

Contents: Etude No. 1 in G Minor œ Etude No. 2 in E Flat œ Etude No. 3 (La Campanella) œ Etude No. 4 in E œ Etude No. 5 (La Chasse) œ Etude No. 6 in A Minor. Niccolo Paganini's Six Grand Etudes as arranged for solo Piano by Franz Liszt and critically revised with fingering pedalling and marks of expression by Paolo Gallico.

English. Handel originally wrote Israel in Egypt in the late 1730s but this the well-known version was not written until twenty years later when he discarded the old one as out-of-date. The 'new' version is a two-act oratorio where the chorus is far more prominent and serves much greater variety of expressive purposes than one finds almost anywhere else in Handel's output. Notably there is extensive use of the double-chorus. It did not take long for this 1756 version of Israel in Egypt to assume a place alongside the Messiah as one of England's favorite choral treasures. Part I tells of the Israelites' deliverance from their Egyptian captivity at the hands of Moses; thetwelve choruses that describe the miracles leading to the Israelites' freedom are among the most stunning and colorful ever written -- images of hailstones pestilence and even the glorious parting of the Red Sea are achieved without once resorting to the kind of pictorialism that a lesser composer would relish. Part II Moses' Song recounts the Israelites' victory. This is the Schirmer Edition of the Vocal Score and hence contains a piano reduction of the original orchestral accompaniment. The full score is also available order code DP16788.

SATB a cappella-Selected by the National Endowment for the Arts as an one of the American Masterpieces of choral music. No. 2 Of Reincarnations poems by James Stephens.

Martin Shaw's immensely popular Fanfare For Christmas Day . This version is scored for TTBB and Piano (or Organ).

Contents: Kuhlau: Sonatina in F Op. 20 No. 3 œ Beethoven: Sonata in G Op. 49 No. 2; Sonata in G Op. 79 œ Haydn: Sonata in E minor œ Mozart: Sonata in G K.283/189H. Five Sonatas and Sonatinas from the Classical Period.

Sheet Music Edited by E. Pauer.

Score and Parts-Violin solos and duets with piano. A fabulous collection of Twelve Little Duets for two Violins by Mazas Op.38 Book II. This edition has been edited and fingered by Henry Schradieck. Both the Violin 1 and Violin 2 parts are both included.

No. 3 from Four Prayers from the High Holyday Liturgy- Four Prayers from the High Holyday Liturgy. I. Hayom Harat Olam (11908) II. Ayl Melech Yoshayv (11909) III. Uv'shofar Gadol (11910) IV. Avinu Malkaynu Chanayno (11911) Hinay Yom Hadin (Behold The Day Of Judgement) is a suite of four choruses comprising settings of some of the most important prayers of the Jewish High Holyday Liturgy. These may be performed together or seperately in concert or if desired at the appropriate Service in a Temple or Synagogue. The holy season of the Jewish religious calender is unique because it does not celebrate a historical event nor any particular famous personage but is set aside as a period ofself-examination and re-evaluation for each individual believer. Legend tells on Rosh Hashana (the New Year) God opens the books which record all men's deeds and for ten days examines the course of every man's life during the past year. On Yom Kippur (the Day of Atonement) the books are closed and each man's fate is sealed until the next year. This allegorical vision should inspire every individual to scrutinize his life and resolve to better himself. The Jew firmly believes that God wants the repentance of the sinner so that he may live; therefore he believes that by penitence prayer and good deeds God's judgement can be swayed in his favour and he be inscribed in 'the book of life.' The four prayers were commissioned by Hazzan Samuel Rosenbaum and the Sisterhood of Temple Beth El Rochester New York. Uv'shofar Gadol is for SATB choir a cappella with Tenor soloist.

This piece for unaccompanied cello solo transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase lengths. It was premiered by Yo-Yo Ma in Boston in 1997 in memory of Robert Goldberg. This piece for unaccompanied cello solo transforms the gentle arches of Bach's theme into slowly soaring arpeggi of almost unending phrase lengths. It was premiered by Yo-Yo Ma in Boston in 1997 in memory of RobertGoldberg.