Variations on a Duet from Giovanni Paisiello's opera 'La Molinara'.

From Amahl and the Night Visitors- Amahl and the Night Visitors was the first opera to be commissioned especially for television. Having its premiere in 1951 it has since become a holiday classic with an enduring story and unforgettable music. This settingof Shepherd's Dance presents the charm and character of the original in an exceptional adaptation for concert band. (Grade 3) (3:00) Amahl and the Night Visitors was the first opera to be commissioned especially for television. Having its premiere in 1951 it has since become a holiday classic with an enduring story and unforgettable music.This setting of Shepherd's Dance presents the charm and character of the original in an exceptional adaptation for concert band. (Grade 3) (3:00)

Paganini's Op.11 Moto Perpetuo for the violin with piano accompaniment edited and fingered by Leopold Lichtenberg.

French composer Louis-Claude Daquin was a dazzling keyboard virtuoso of the Baroque era. Le Coucou or The Cuckoo was originally a rondo for Harpsichord from Pieces de Clavecin Suite No.3 composed sometime between 1720 and 1730. This edition for Piano Solo has been carefully edited and revised by Louis Oesterle. The Cuckoo is among the most famous and most played of his works.

Homage to Elvis Presley and Igor Stravinsky - Score-Commissioned by the Memphis Symphony Orchestra and the Music Library Association Shakin' had its first performance on February 24 2006. The composer grew up in the 1960s and her music has been indisputably affected byRock and Roll. This piece is her tribute to Elvis Presley as well as Igor Stravinsky. 6 minutes.

Composed by Wolfgang Amadeus Mozart (1756-1791) for the piano. Edited revised and fingered by Richard Epstein.

Volume 1: Elementary-Contents: Gurlitt: Prayer Op. 130 No. 4; In the Church Op. 140 No. 12; The Fair Op. 101 No. 8; Waltz Op. 101 No. 11; A Little Dance Op. 130 No. 11; Landler Op. 130 No. 8; March of the Tin Soldiers Op. 130 No. 6;Serious Moments Op. 130 No. 23 Schumann: Humming Song Op. 68 No. 3; Melody Op. 68 No. 1; Choral Op. 68 No. 4; Sicilienne Op. 68 No. 11; Little Study Op. 68 No. 14; Knecht Ruprecht Op. 68 No. 12; Hunting Song Op. 68 No. 7 Streabbog: Distant Bells Op. 63 No. 6 Reinhold: The Brownies Op. 58 No. 8; Waltz Op. 39 No. 4 Poldini: General Boom Boom Heller: Study in G Op. 47 No. 4; Study in A Op. 47 No. 8 Kullak: The Clock Op. 62 No. 2; The Ghost in the Fireplace Op. 81 No. 10; The Nightingale Op. 81 No. 8; The Race Op. 81 No. 6 Olsen: Serenade Op. 19 No. 2 LeMoine: Nimble Little Squirrel Op. 37 No.6 Tchaikovsky: Morning Prayer Op. 39 No. 1; Neapolitan Dance Song Op. 39 No. 18; Song of the Lark Op. 39 No. 22 Rebikov: Strolling Musicians Op. 31 No. 2; Little Girl Rocking Her Dolly Op. 31 No. 7 Spindler: Trumpeter's Serenade Op. 249 No. 20 Gade: Boy's Merry-Go-Round Beethoven: Adieu to the Piano; Bagatelle Op. 33 No. 4; Six Easy Variations on a Swiss Song Field: Nocturne Burgmuller:Lullaby Op. 109 No. 7 Concone: Robin Redbreast Op. 25 No. 1. The first of three fabulous volumes of repertoire that form Selected Piano Solos By Romantic Composers as edited by Harold Bauer. From Schumann to Tchaikovsky this collection spans the great romantic composers with superb examples of their solo Piano repertoire. These 40 pieces are ideal for the intermediate - late intermediate pianist. Harold Bauer (1873 - 1951) was a noted pianist and teacher who was born in Britain and settled in the United States. In between he studied in Paris and performed all across Europe and Russia.

Morton Gould 's Ballads from 'Quotations' for Double Chorus of Mixed Voices and Wind Orchestra. Piano reduction. This work was commissioned by L. Anthony Fisher for the New York Choral Society Robert DeComier conductor and first performed by them on January 28 1983 at Carnegie Hall. The composer after thinking over the possible approaches to a choral work found the ide of platitudes common sayings and poetic referenmces challanging and stimulating. As 'Quotations' evolved he found that these sayings evoked nostalgic momories of his own childhood in Richmond Hill New York where he was reared on such aphorisms as 'the earlybird catches the worm ' 'a stitch in time saves nine ' 'a bird in the hand is worth two in the bush.' After setting the scene in Richmond Hill the piece begins with Hallelujah Amen the common shout for joy and closing whisper of all religions. An antiphonal series of platitudes follows and then moves to more complex secular litanies the 'ballads ' or stories of young love and old age and the precariousness of life which have been told and retold through the ages. In the last movement the religious litany resumes with 'ashes to ashes dust to dust' echoing the earlier prosaic motif 'here today gone tomorrow ' or as Gould finally writes 'time's up!'

For SATB Choir A Cappella.

The title is most likely a vague allusion to Cnossus Knossos or Gnossos an ancient city on the island of Crete - the site of the palace of the mythical King Minos and the labyrinth where the Minotaur was confined - richly associated in ancient Greek mythology with Jupiter Ariadne and Theseus the hero who slew the Minotaur. No bar lines or time signature. Edited by Joseph Prostakoff.

Edited revised and fingered by Rafael Joseffy with historical and analytical comments by James Huneker. Edited revised and fingered by Rafael Joseffy.

Part-Song composed in 1888 for six-part Mixed Voice Choir A Cappella.

Latin/English.

Medium Voice in A-Flat and Piano-Sheet Music Version for Medium Voice and Piano. In the key of A Flat.

After They All Say Sing-For Mixed Voice Choir (SATB) A Cappella.

Gioacchino Rossini's William Tell Overture whose finale is famous for its use in the radio and TV series The Lone Ranger is here presented in a Piano arrangement that captures all the excitement of the Orchestral original.

A sparkling highly ornamented jewel among Chopin's collection of Valses (Waltzs).

A work for Soprano Solo SAT Chorus and Piano accompaniment. Uses text by Charles Grandmougin translated by Jane May.

Michael Czajkowski 's Three Shaker Songs for SATB choir a cappella.

The solo Piano part of Robert Schumann's Piano Concerto In A Minor Op.54 as edited by Clara Schumann.