For Violin and orchestra (piano reduction). Beethoven wrote his Violin Concerto in D major Op.61 (1806) at the height of his so-called second period one of the most prosperous phases of his creativity.

Sheet Music This version of Samuel Barber's Sure On This Shining Night is for High Voice and Piano. Text by James Agee.

from Suite for Chorus Op. 69 No. 2-An old American folksong provides the text for this setting. The composer has adapted into an original madrigal using fa-la-la refrains to replace the traditional nonsense syllables. Performance time: approx. 3:00. An old American folksong provides the text for this setting. The composer has adapted into an original madrigal using fa-la-la refrains to replace the traditional nonsense syllables.

Violin/Piano reduction of this work for Violin and Orchestra composed in 1874. The Spanish quality of the work is homage to Pablo De Sarasate who premiered the work in 1875.

This edition is based upon a set of manuscript parts from the Austrian National Library in Vienna. An early work for Clarinet and Orchestra from the Mannheim school. Edited and reduced for Clarinet and Piano by Arthur H. Christmann.

Spritual for four-part chorus (SATB) of mixed voices a cappella arranged by Hall Johnson.

Here is a wonderful arrangement of the haunting Appalachian song by John Jacob Niles. An excellent selection for concert and festival it includes an optional flute obbligato. Here is a wonderful arrangement of the haunting Appalachian song by John Jacob Niles . An excellent selection for concert and festival it includes an optional Flute obbligato.

Contents: Fugue in C œ Little Two-Part Fugue in C minor œ Prelude & Fughetta in D Minor œ Prelude & Fugue in A Minor œ Prelude and Fughetta in E minor œ Six Little Preludes œ Twelve Little Preludes.

The traditional German song Susanni arranged for SATB choir a cappella by Robert Shaw and Alice Parker .

German and English in the key of B-flat A stirring Easter Hymn for A Cappella SATB Choir.

Johann Sebastian Bach was a German composer and musician of the Baroque period. He enriched established German styles through his skill in counterpoint harmonic and motivic organisation and the adaptation of rhythms forms and textures from abroad particularly from Italy and France. His music is revered for its technical command artistic beauty and intellectual depth. Bach composed widely for the harpsichord producing numerous inventions suites fugues partitas and overtures. The composer wrote 15 inventions as exercises for his son Wilhelm Friedemann Bach later adding a set of 15 Three-Part Inventions which he called‘sinfonias’ (not to be confused with symphonies). Edited by W. Mason the 15 pieces for Piano form part of the ‘Schirmer's Library Of Musical Classics’ series.

26 Preludes 21 Nocturnes 19 Waltzes for Piano-This new volume in Schirmer's Library of Musical Classics presents 26 preludes 21 nocturnes and 19 waltzes - a large amount of music at a value price. There are new urtext editions of seven pieces included notedited by Joseffy in his original Schirmer editions: Prelude in A-flat Major (1834) Nocturne in C-sharp minor (1830) Nocturne in C minor (1837) and Waltzes in A-flat Major (1830) E-flat Major (1830) E-flat Major (1840) and Aminor (1843).It is difficult to overestimate the importance of Chopin's Piano compositions of which this collection represents a substantial and significant part. The Preludes Nocturnes and Waltzes are overflowing with tonal technical andtextural innovations which alongside Schubert heralded the beginnings of the Romantic era of extended tonality and evermore complex methods of expression. These pieces are required repertoire for any serious Piano student orprofessional performer rich in clues and signposts that help understand the development of post-Beethoven composition. In this collection 26 Preludes 21 Nocturnes and 19 Watzes are presented including seven urtexteditions new to this volume. All edited by Rafael Joseffy.

Anthem for SATB Choir A Cappella.

Fifteen Two-Part Inventions for the piano. Edited by Ferruccio Busoni.

String Bass Guitarone- Riqui Riqui Riqurran is a lively and exciting Venezuelan folk song which has been beautifully arranged for four-part (SATB) chorus by Gregg Smith. This version can be sung a cappella or with a string bass (or guitarone) accompaniment which is notated in the score. The piano accompaniment part however is scored for rehearsal purposes only. This is an enjoyable song to perform and will bring a South-American flavour to your repertoire. The English words have been provided by Alicia Smith.

Written between 1804-1805 the 'Appassionata' was part of what has become known as Beethoven's 'second' period of creativity. His music became more volatile and Beethoven had turned 'inward' producing works that only he could really understand. For Piano solo.

This work was composed in 1839 while the composer was on his travels in Majorca. Creating tonal ambiguity is the intention of Chopin’s Scherzo in C sharp minor Scherzo. Several repetitions of the opening motive move downward chromatically without settling on any particular key. Quiet falling figures alternate with sustained chords as Chopin explores the range of the keyboard throughout. This work was composed in 1839 while the composer was on his travels in Mallorca and shows some Mediterranean influence.

Sheet Music Version for Solo Piano.

English. With Keyboard reduction of Orchestral Parts.

Bach's Toccata In C for Piano transcribed from the work for Organ by Ferrucio Busoni.