One Piano 4 Hands-One Piano Four Hands. Symphonies Nos.1-6.

Incantation exhibits Augusta Read Thomas' enthusiasm for the violin. The five-minute work sings out with beauty and grace always with a richness and elegance. Falling loosely into an ABA form it ends as it were on a question with a major seventh hanging in the air unresolved.Incantation exhibits Augusta Read Thomas' enthusiasm for the violin. The five-minute work sings out with beauty and grace always with a richness and elegance. Falling loosely into an ABA form it ends as it were on a question with a major seventh hanging in the air unresolved.

Latin. The scale of Berlioz's choral settings broke new boundaries in Orchestration and musical forces. The work is written for triple SATB chorus with Tenor soloist. This vocal score edition features a Piano reduction of the composer's original orchestral score.

Chopin's Etude In E Major (Op. 10 No. 3) is often cited as his most popular Etude . First published in 1833 it is often referred to as Tristesse or Farewell alhough neither name was apparently authorised by the composer. While not quite as technically formidable as his other compositions it is one of the more musically challenging to balance due to its lyrical melody and suspended inner harmonies. Frédéric Chopin (1710-1849) was a Polish composer and virtuoso pianist whose compositional career was spent mostly in Paris. He only wrote music for the Piano and is best known today for his 12 Etudes and 24 Preludes a key part of any pianist’s repertoire.

American Folksong-An American Folk Song collected by John Jacob Niles arranged for Two-Part Treble Chorus and Piano accompaniment.

Schirmer's Library of Musical Classics Vol. 1655 2 Pianos 4 Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . Rachmaninov's First Concerto with the orchestral accompaniment arranged for a second piano. Please note: two scores needed to perform.

For unaccompanied viola. Forty-two studies for the Violin transcribed for the Viola and edited by Walter Blumenau.

Franz Liszt's work for Piano solo edited by Carl Deis.

Sheet Music Arranged for Soprano and Alto by Carl Deis.

SATB arrangement of the 'Easter Anthem' by Williams Billings America's first significant home-grown composer. With optional piano accompaniment for rehearsal.

Arranged for SSA Choir A Cappella by David Shand.

For unaccompanied cello. Julius Klengel (1859-1933) was a German cellist composer and pedagogue. He was a cellist with the Leipzig Gewandhaus for over fifty years and was also a Professor at the Leipzig Conservatory. He wrote around 60 performance works including several concertos for the Cello. He is best remembered for his three volumes of Tägliche Übungen or Daily Studies but his two volumes of Technical Studies ( Technische Studien ) arguably have an even greater pedagogical value. The first volume is presented here and covers a wide range of key signatures accidentals and clefs with fingering providedwhere appropriate.

Latin. For four-part chorus of mixed voices with piano accompaniment. Edited by Maynard Klein piano reduction by Byron Hanson.

from Three Folk Carols-A rich rendition of the French carol. With French and English lyrics and piano or chamber orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately. Performance Time: Approx. 3:45. A rich rendition of the French carol. With French and English lyrics and Piano or Chamber Orchestration. Available for SATB and SSA. Score and Parts for Flute Oboe Hammer Dulcimer Harp and Cello are available separately.Performance Time: Approx. 3:45.

Willem Ten Have's Allegro Brillante from Opus 19 for Violin and Piano with a pull out Violin part.

Score-Samuel Barber's landmark 1948 piece for soprano and orchestra a setting of poetic nostalgic prose by James Agee has been transcribed for soprano and concert band in this new edition making it accessible to many more performers. This lyrical warm music is Samuel Barber at his best evoking the highest aspects of Americana. The soprano part is for an accomplished performer. (Grade 5) (15:00)

These six little Suites to which in the course of time the by-name 'French' was applied because they were written in the French Style of that period (being similar to those by F. Couperin) are here presented in a new edition after an original MS. with emendations by J.S. Bach's own hand said MS. having been found among F. W. Rust's literary remains. It contains however only the first four Suites the fifth and sixth added later to the series by Bach owe much of their corrections to an old edition by M. Clementi. On the whole the style of these Suites is free rather than scholastic and they are of moderate technical difficulty.

Edited by Charles Widor.

Two Pianos Four Hands-Two Pianos Four Hands. 2 Copies needed to perform. To see other NFMC selections click here . This splendid Concerto was the last that Mozart wrote for Piano. It was completed on January 1791 and was first performed in March 1791 with the composer at the Piano. This version features a reduction of the orchestral accompaniment for second piano arranged by Isidor Philipp. Please note: two scores needed to perform.

Paper Edition. English. Although slow to be accepted in England where the public thought it was blasphemous the Messiah is now Handel's best-known oratorio and well-loved worldwide. It is for four soloists SATB chorus and orchestral which is here replaced by a piano accompaniment. This is the Schirmer edition of the Vocal Score revised according to the original score by Max Spicker and edited by T. Tertius Noble.