David Lang the prolific enthusiastic and complicated composer embodies the restless spirit of invention. Musically adventurous yet deeply versed in the classical tradition Lang is determined to make a music that resists categorization. He is constantly in search of new musical forms. Many of his pieces resemble each other only in the fierce intelligence and clarity of vision that inform their structures.

Hurd 'Music's Praise' arranged for mixed voice choir SATB and strings. Hurd 'Music's Praise' arranged for mixed voice choir SATB and strings.

Verdis Requiem in an updated edition by Michael Pilkington. Scored for soprano mezzo-soprano tenor and bass soli SATB chorus and orchestra.Vocal score with piano accompaniment. Introduction in English French German and Italian. Latin text only. Verdi's Requiem in an updated edition by Michael Pilkington. Scored for soprano mezzo-soprano tenor and bass soli SATB chorus and orchestra. Vocal score with piano accompaniment. Introduction in English French German and Italian. Latin text only. Verdi's only masterpiece which was not intended for the stage.

This work for men's voices can be performed by either ATTB or ATBB choir. Duration: 6 minutes.

For SATB Choir Percussion Piano and Strings. For SATB Choir Percussion Piano and Strings.

The Lark with words by Talhaiarn (John Jones) translated from the Welsh by Oliphant. Music by Walter Emery.

Anthem for SATB Choir and Organ incorporating the well-known 17th Century French Carol Picardy. Composed for the Cheltenham Bach Choir.

Version for Flute and Piano.

opus 48-Gabriel Faure’s unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score for Soloists and SATB Choir with Piano Accompaniment as edited by Desmond Ratcliffe. Gabriel Faure 's unconventional composition Requiem has become a firm favourite in the repertoire and available here is the vocal score for Soloists and SATB Choir with Piano Accompaniment as edited by Desmond Ratcliffe. Requiem is probably the most famous of Gabriel Faure 's long works taking him around 20 years to compose. The entire piece consists of seven movements with a total playing time of around 35 minutes. Although Faure 's mother and father both passed away in the early stages of composition these tragic events were not the motivation for him to create the piece.Equally interestingly this Requiem is not set to the standard liturgical text with the wrathful 'Dies Irae' and 'Tuba Mirum' being omitted and a lyrical 'Pie Jesu' and transcendent 'Paradisum' being added. The omissions were ordinarily opportunities for composers to showcase the dramatic possibilities of a chorus and orchestra to symbolise damnation and so their deliberate exclusion by Faure creates a relatively calm and peaceful atmosphere with sublime vocal harmonies and heavenly melodies. The work begins softly before dynamic volume and tempo changes are made throughout the piece enhancing the solemn beauty of the voices. Stunning interplay between the Sopranos and Baritones gives way to some excellent opportunities for soloists that are perfectly married with the uplifting unison climaxes. Faure himself spoke eloquently about the Requiem stating that his work was accurately called a 'lullaby of death' and that this speaks to his view that death is a positive transition rather than a painful experience. It is this sentiment that informs the music being melancholy but not depressing heart-wrenching but not heart-breaking. For singers and listeners alike Gabriel Faure 's Requiem is one of the most famous

Anthem for SATB Choir and Organ.

The world's most popular classical melodies arranged for easy instrumental solo with piano accompaniment. Includes the music of Bach Brahms and Saint-Saens.

The vocal score to J.S. Bach's St. John Passion BWV 245 as edited in a new English version by Neil Jenkins. With English and German text and an introduction in English German and French.

An anthology from four centuries in ten volumes. Edited by Robin Langley.

For SATB Choir and Piano. For SATB Choir and Piano.

For three Trumpets three Trombones and Organ. For three Trumpets three Trombones and Organ.

Beethoven's Mass In C was commissioned by Prince Nikolaus Esterhazy for the name-day of his wife Princess Maria and was first performed on 13 September 1807. Beethoven's setting continues the series of six great Masses composed by Haydn in previous years for the same occasion. Available here is a revised Vocal Score edition by Michael Pilkington for SATB Soli Choir and Piano accompaniment.

A new edition (2004) of this Latin version of the Offertorium composed for the coronation of King George and Queen Mary.

The vocal score for this sacred anthem complete with piano arrangement from the score with additional accompaniments by Edouard Silas.

Hail True Body (Ave Verum) by Guy Weitz for unaccompanied SATB choir. Hail True Body (Ave Verum) by Guy Weitz for unaccompanied SATB choir.

Here We Come A-Wassailing is a work by John Joubert for Unaccompanied SATB Choir. A setting of a traditional Yorkshire Wassail a full performance lasts around 3 minutes. Here We Come A-Wassailing is a work by John Joubert for Unaccompanied SATB Choir. A setting of a traditional Yorkshire Wassail a full performance lasts around 3 minutes.