For ATTB Choir.

Cello Part with Piano Reduction.

A major dramatic work for children published for the first time. This is an exciting opera for schools community groups and professional companies to perform exploring universal issues of tolerance love and friendship communication and language.

Chambers Ha Spirit Of Mercy Truth And Love Satb & Organ Choral Chambers Spirit Of Mercy Truth And Love Satb & Organ Choral

Recognised as one of the most important works of the Cello repertoire Elgar's Conerto Op.85 was completed in 1919 and stands as his final major completed work. This new edition edited by John Pickard of the Elgar Society uses for the first time the composer's original sketches to piece together an authoritative and definitive arrangement for Cello and Piano. A wonderful new edition of one of the most frequently performed works for the Cello.

This work was composed in 1985 the tercentenary of Bach Handel and Scarlatti whose influence could not be avoided and is hereby gratefully acknowledged. Originally scored for two solo cornets and brass band Horovitz’s Concertino Classico is available here for two Trumpets (or Cornets) with Piano Accomapaniment.

Edited and with a new completion by Duncan Druce. For Soprano Alto Tenor and bass soli SATB chorus and orchestra. Introduction in English German and French. Latin text.

First performed at the Festival of Saint Cecilia Service on 19th November 2003 in St.Paul's Cathedral.

Now The Fields Are Laughing is a song for unaccompanied SATB chorus by Richard Drakeford . Now The Fields Are Laughing is a song for unaccompanied SATB chorus by Richard Drakeford .

Barrie Carson Turner. This collection of 15 beautiful and thrilling tunes such as ‘Nessun Dorma!’ and ‘La Donna e Mobile’ are from outstanding operas by Puccini Verdi and others. Hours of fun for the young soloist (grades 2-4 standard) with easy piano accompaniment.

For 2 Sopranos and Piano.

From Henry Purcell To John Stanley-An anthology from four centuries in ten volumes. Edited by Robin Langley.

Work for SATB Choir A Cappella. Written for Philip Brunelle for the 35th anniversary of Vocalessence. Text: Jone Donne (from Sermon LXXIII).

John Joubert 's The Choir Invisible . Vocal score.

Thiman 'Eternal Ruler Of The Ceaseless Round' arranged for Unison voices and Organ.

Ralph Vaughan Williams The Female Highwayman scored for unison voice with piano accompaniment.

Quartet For Piano And Strings was written by Gordon Jacob in 1969. It was first performed in 1970 by the Bernard Richards Quartet with Bernard Roberts playing the Piano. Gordon Jacob (1895-1984) was a British composer and arranger and one of the last proponents of the great Edwardian musical tradition. He studied at the Royal College of Music under Stanford Parry Vaughan Williams and Howells and later taught there for over forty years. He was a prolific composer creating over seven hundred works but he was particularly celebrated for his books on music pedagogy. He is probably best remembered for Music for aFestival written for the Festival of Britain and his arrangement of the National Anthem for the Coronation in 1953.

Howells String Quartet No.3 (In Gloucestershire). This edition includes Parts only. A separate study score is also available for sale. Howells String Quartet No.3 (In Gloucestershire). This edition includes Parts only. A separate study score is also available for sale.

Piano duet score. 1st performance Ellesmere College January 1986 by Richard Markham and David Nettle. Duration c.24 minutes. The work is in three movements and the musical thought is symphonic. The first movement (based entirely on the opening motive) goes through a series of paragraphs which eventually culminate in an extended melodic line played entirely by the treble player. The middle movement is a playful Scherzo with a rather sardonic waltz for its Trio. The slow movement (which comes last) is much more relaxed and concentrates on a D major motive with sharpened fourths but the more intense moods of the first movement return in a suddenly impassioned middle section.

Mendelssohn produced an early work for Organ in 1837 but it was a London music publishing firm who commissioned the first of his mature Organ works. The second half of the commissioned pieces are published in this volume. Mendelssohn himself saved all his manuscripts and they have survived in libraries in Berlin and Krakow providing the subtitle of this book.Eleven movements are included here all written in 1844 and 1845. What were originally commissioned as ‘Voluntaries’ were changed at the composer’s request to ‘Sonatas’. Whether one considers these movements as drafts and sketches or as distinct musical entities in their own right the works are not identical tothe final printed versions. For those who appreciate or study the Mendelssohn Organ oeuvre this volume is of immense interest.While the Organ never completely fell from grace as the instrument of church and religious music it is the editor’s belief that in the century dividing JS Bach from these works of Mendelssohn fashion and church practice had greatly diminished its importance and few works of real note were produced. Mendelssohn was introduced to the Organ early in his prodigious career and found a warm audience for his Organ performances in Engand to which he returned nine times over nearly twenty years.