G. F. Handel 'S Twelve Songs From The Oratorios For Tenor Voice And Piano. G. F. Handel 's Twelve Songs From The Oratorios for Tenor voice and Piano.

The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins . The Heart of Darkness was composed in 2011 by Tarik O’Regan . The Heart of Darkness had its first performance on the 1st November 2011 at the Royal Opera House Linbury Studio Theatre London by Opera East Productions. Here it was conducted by Oliver Gooch with production directed by Edward Dick and design by Robert Innes Hopkins .

Twelve songs from Handels' Oratorios edited by Alberto Randegger for Soprano.

Three Saints In One was commissioned to celebrate the centenary of St Swithun's School Winchester and first performed on 4 May 1984 conducted by Michael Strand. Scored for upper voices and Piano. The Interludes have been scored for Flute but can be played on another suitable instrument.

For High Voice and Piano. In the key of E flat. For High Voice and Piano. In the key of E flat.

Marian Montgomery with Richard Rodney Bennett in words music and pictures. Compiled by M Easton.

Settings of five poems by Gregory Corso. For Medium Voice and Piano.

But Stars Remaining was written in 1970 for the English soprano Jane Manning. It sets lines from two poems by Cecil Day-Lewis bringing them together to create a scena lasting some seven minutes. It is an aubade or dawn love-song; it begins with outward extravert energy and moves to an inward intimate centre. It closes as the imagery moves out again to the expanse of the sky at first light.

Written for SSA choir and piano.

A setting of the Evening Canticles for SATB Choir and Organ.

Written for organ solo.

Ode For Saint Cecilia's Day (Violin 2) Violin 2 part only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. Ode For Saint Cecilia's Day (Violin 2) Violin 2 part only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.

Work for Organ (originally score for Organ and Three Trumpets).

String Ensemble (Tudor Anthems)-For String Ensemble. From the Novello collection of Tudor Anthems. For String Ensemble. From the Novello collection of Tudor Anthems.

The editors Francis Bullock and Royle Shore created a series of settings of the Magnificat and Nunc Dimittis utilizing alternating unison Gregorian chant and Choral verse in faux bourdon polyphony. This one is based on one of the services of Orlando Gibbons. There are alternate plainsong verses with Organ accompaniment and notations where the arrangement differs from the original.

Throughout his musical career Sir William Henry Harris (1883-1973)was engaged as Organist of New College Oxford Christ Church Cathedral Oxford and St. George’s Windsor.

Kenneth Leighton ’s sacred and liturgical music is widely known and performed regularly across the UK. The British composer did much to keep alive and transform the Victorian tradition of English choral music purge its piety and drag it into the (late) twentieth century. Missa Brevis which is Latin for 'short Mass' usually refers to a mass composition that is short because part of the text of the Mass ordinary that is usually set to music in a full mass is left out or because its execution time is relatively short. Along with Bernstein Britten and Kodály Leighton was one of the composers still writing in this genre in the 20thcentury. Missa Brevis was written for the choir of Liverpool Cathedral and was published in 1968. It has become one of the most popular choral settings of the communion service by a contemporary composer and is regularly heard at cathedrals and churches throughout Britain and America. In this Novello edition the short Mass is arranged for SATB Voices with Piano accompaniment which is for rehearsal purposes only.

Composed in 1932 and dedicated to Howell's three children.

Six Chorale Preludes For Organ by Georg Friedrich Kauffman.

Four Chorale Preludes For Organ by Johann Christoph Oley.Edited by Walter Emery. Four Chorale Preludes For Organ by Johann Christoph Oley.Edited by Walter Emery.