Scored for Soprano Alto Tenor and Bass soli SATB choir and orchestra. Haydn composed the Maria Theresa Mass in 1799 between the Creation and the Seasons . Revised edition by Michael Pilkington. Latin text.

Brought together for the first time a comprehensive collection of choruses from the best loved sacred musical works newly engraved in recent editions from the historic Novello series of vocal scores. Includes Dona Nobis Pacem (Haydn) Lauda Jerusalem (Monterverdi) and In Paradisum (Faure). Selected with introductory notes by Brian Kay.

A Glee for five voices by the English composer written for SATTB chorus.

Antonin Dvorak Requiem Mass scored for soprano alto tenor and bass solists SATB choir and orchestra. Vocal Score edition edited by Michael Pilkington. This new edition follows the layout of the previous edition (NOV070088) which it supersedes.

A delightful Christmas cantata for children’s voices (and ensemble/electronic backing tracks) with or without narrator: reggae jazz rock ballad and pop numbers to witty text by Richard and Thomas Allain. Caesar has called a census in the Holy Land. So everyone is crowding back into Bethlehem a town where they read Shalom! Magazine where suddenly there are donkey traffic gridlocks and hotels where you can't get a room for love or shekels. Tom works doing odd jobs at the Fun Big Inn which isn't much fun at all. This busy night he decides to leave the landlord in the lurch and head for the bright lights of Jerusalem. But he doesn't get far runningfirst into reggae singing shepherds and then three groovy wise dudes following a star. Tom can hardly ignore the remarkable things they have to tell him. So what does he do next? What would any of us do? Richard and Thomas Allain retell the story of the Nativity in a new and individual way with immediacy and wit in a string of unforgettable tuneful songs and sharply clever words in an idiom accessible to everyone. Manger Tom can be performed with unison voices someone to narrate highly effective with just Piano or Keyboard accompaniment. But there are parts available too for instruments you might want to add. Included with the score of Manger Tom is a CD which comprises of a full performance of the musical numbers by professional singers and players as well as just the accompaniments for everyone to sing along to if they prefer. Additionally lyric sheets and a script are available as free downloads - visit www.hybridpublications.com to access the bonus material. Lyric sheets enable easy rehearsals and the script allows Manger Tom to be performed as a full nativity play. Contains parts for Eb Bb and C instruments. Review from Andrew Stewart of Classroom Music says: 'Manger Tom manages to squeeze within the space of eight numbers everything from big-band and rock A delightful Christmas cantata for children’s voices (and ensemble/electronic backing tracks) with or without narrator: reggae jazz rock ballad and pop numbers to witty text by Richard and Thomas Allain. Caesar has called a census in the Holy Land. So everyone is crowding back into Bethlehem a town where they read Shalom! Magazine where suddenly there are donkey traffic gridlocks and hotels where you can't get a room for love or shekels. Tom works doing odd jobs at the Fun Big Inn which isn't much fun at all. This busy night he decides to leave the landlord in the lurch and head for the bright lights of Jerusalem. But he doesn't get far runningfirst into reggae singing shepherds and then three groovy wise dudes following a star. Tom can hardly ignore the remarkable things they have to tell him. So what does he do next? What would any of us do? Richard and Thomas Allain retell the story of the Nativity in a new and indiv

Brought together for the first time a comprehensive collection of timeless choruses newly engraved in recent editions from the historic Novello series of vocal scores. For programming festivals concerts celebrations or just run-through practice for the choral society events can be organised at last from a single volume of classics without the need for the singers to carry scores of any number of oratorios or motets. Includes introductory notes by Brian Kay.

Dvorak wrote the Slavonic Dance No. 6 in 1878. Here arranged by Stone is the score for the dance.

Mendelssohn's Elijah is an oratorio for SATB soli SATB chorus orchestra and organ with the text derived from the Lutheran Bible by Julius Schubring. The English version of the text was translated by William Bartholemew. This New Novello Choral Edition of the vocal score contains comprehensive performance notes and detailed editorial markings and suggestions as edited by Michael Pilkington. The German text is also included in the vocal score and a German translation of the performance notes is also provided.

Setting of three poems by Yannis Ritsos in greek with english translations. First performed in Corfu in 1995 by the Greek National Chorus (director Nikos Efthimiades) and the York University Orchestra conducted by the composer. Duration c. 13 mins.

For SATB soli SATB chorus and orchestra with English words adapted by William Bell. Vocal score with piano accompaniment. Latin and English text. For SATB soli SATB chorus and orchestra with English words adapted by William Bell. Vocal score with piano accompaniment. Latin and English text.

Antiphon for Easter Week from the Sarum Rite based on the original plainsong for SATB (unaccompanied)*. English words by Peter Aston. Music by R. Sherlaw Johnson. *Suitable instruments may be used to double the voices.

' This music grew out of necessity. A large number of guitarists with a wide range of technical ability were brought together as an ensemble to be trained in as musical a way as possible By writing parts from the 4th to the 1st progressively more demanding the idea of ensemble playing has proved not only successful musically but also technically accommodating; therefore this material should be ideally suited for class tuition . The absence of fingering is intentional; on closer acquaintance with the music players should experiment with various fingerings. Dynamics noted in the score are only suggestions which can be altered according to individualtaste . The possibilities for interesting and exciting colours and sonorities are almost inexhaustible and should be one of the more appealing aspects of such music-making . If this music succeeds in bringing more guitarists out of isolation and under the same roof as it has done in the experience of the composer then it can be considered as a decisive step forward in the development of the Guitar as a 'musical' instrument '. - Gilbert E. Biberian

Op.77 No.4. For SATB chorus with harp accompaniment.

This is the slow movement of the Violin Sonata Op.82. This is the slow movement of the Violin Sonata Op.82.

Richard Rodney Bennett's New Year Carol set for SATB chorus unaccompanied.

Commissioned by Diana Woolley for first performance by Gloucester Cathedral Choir conducted by Adrian Partington Director of Music. Texts from the Psalms of David.

The Seven Words Of Our Saviour On The Cross-Haydn's setting of the Passion of Christ in full vocal score. The work was originally written in 1786 as a program of instrumental music to accompany the Seven Words Of Jesus On The Cross for a service at Cadiz. Haydn then embellished the work into a full Oratorio for Lent services at the Cathedral of Cadiz. This final version is presented here for SATB chorus and a Piano reduction of the orchestral material. Haydn's setting of the Passion of Christ in full vocal score. The work was originally written in 1786 as a program of instrumental music to accompany the Seven Words Of Jesus On The Cross for a service at Cadiz. Haydn then embellished the work into a full Oratorio for Lent services at the Cathedral of Cadiz. This final version is presented here for SATB chorus and a Piano reduction of the orchestral material.

Upon The High Midnight contains three nativity carols for unaccompanied SATB Soli and Chorus. An optional organ accompaniment is provided for No.3 Duration c. 7 minutes. A piano part is included for rehearsal purpose only.

Seven Elizabethan poems set for unaccompanied SATB chorus.

Edited by Trevor Wye. Piano arrangement by Robert Scott.