Anthem for SATB Choir and Organ.

Stable Carol is scored for SSA and piano or organ. Words and music by Vaughan Meakins. Duration 4 minutes.

Written by John Mudd organist of Peterborough Cathedral and edited by H. Elliot Button. For SATB choir with an ad lib Organ part.

For SATB Choir A Cappella. For SATB Choir A Cappella.

This title presents Julian Marshall's interpretation of the traditional christmas carol originally written in the middle ages. Arranged for SATB the duration of the piece is approximately 4 minutes. 'An unusually wistful minor-mode take on both text and melody of In Dulci Jubilo by Julian Marshall' - Geoffrey Webber of choirandorgan.com

Mozart's Laudate Dominum from Vesperae solennes de confessore K. 339 is arranged here for solo Soprano SSA choir and piano or organ accompaniment. This piece has been arranged with an English translation adapted from Psalm 117.

POD-Only selected works by this publisher are included in the catalogue. Lord Be Thy Word My Rule is a work by James Davy for Unison Voices and Organ Accompaniment. The piece is a setting of a poem by Christopher Wordsworth.

Three of the finest of all settings of the English language canticles. Over the past quarter of a century Howells has emerged as among the greatest and certainly most widely performed composers of choral liturgical works of the last hundred years. At last his most important Services appear in a series of four handsome collections that link geographically the cathedral choirs for which they were written newly edited with interpretative notes by David Hill.

For 3 Trumpets 3 Trombones and Tuba.

POD-Only selected works by this publisher are included in the catalogue. Missa Eudora is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment composed for the baptism of Anastasia Catherine Eudora Jeffcoat at Coventry Cathedral 30th March 2003.

For SATB and Organ For SATB and Organ

The Burning Babe is a work for SATB Choir and Organ by Jonathan Wikeley . The song is a setting of a poem by Robert Southwell and lasts around 2 minutes. The Burning Babe is a work for SATB Choir and Organ by Jonathan Wikeley . The song is a setting of a poem by Robert Southwell and lasts around 2 minutes.

Inspired by his life-long interest in chant and choral music Paul Mealor’s De profundis pushes the boundaries of the human voice in a style synonymous with Russian orthodox music. In spring 2012 this piece sparked the 'Bass Hunter' competition - a world-wide talent search for the lowest human voice in existence. The note an ‘E’ (329 Hertz) is six notes below the lowest note ever written for a choral piece (from Rachmanivov’s “Vespers” – a B flat) and a whole tone lower than the Guinness World Record-holder - a sung ‘F sharp’. The piece has since been recorded featuring the winner of the competition Tim Storms (Decca 3709935).Inspired by his life-long interest in chant and choral music Paul Mealor’s De profundis pushes the boundaries of the human voice in a style synonymous with Russian orthodox music. In spring 2012 this piece sparked the 'Bass Hunter' competition - a world-wide talent search for the lowest human voice in existence. The note an ‘E’ (329 Hertz) is six notes below the lowest note ever written for a choral piece (from Rachmanivov’s “Vespers” – a B flat) and a whole tone lower than the Guinness World Record-holder - a sung ‘F sharp’. The piece has since been recorded featuring the winner of the competition Tim Storms (Decca 3709935).

This piece written for SATB contains solos for the soprano and tenor. Commissioned by the Rev. Dr P. C. Moore for the choir of Pershore Abbey and first performed at the Festival there in 1964 this anthem is a simple treatment of the text for soprano or tenor soloists. It appeared as a Musical Times supplement in 1964.

Robert Stone 's The Lord's Prayer for SATB.

Epithalamium was commissioned by John Sell as a birthday present for his wife Jane and is dedicated to her and to Malcolm Binns. It was written during summer 2006 and derived from the two great chords that swing to and fro during the Coronation Scene in Mussorgsky’s opera Boris Godunov. These provide a series of seven notes (heard in the quick flourishes after the opening chords) which provide the basis for the tunes and the harmonies through most of the work. The idea of bell sounds is carried through not only the chords during the piece but also some of the techniques (e.g. the gradually changing repeated patterns rather like bell-ringing changes encountered towards the end or the quiet and distant uneven tintinnabulation heard at the end of the central slow section). An epithalamium (or epithalamion) is a song or poem in honour of a bride and bridegroom – though technically a wedding piece it seemed an appropriate title for a work honouring an anniversary especially one where bell-sounds provided the original inspiration.

Anthem for Ascensiontide for SSATB and Organ transcribed and edited by Peter Aston. This anthem is No.7 from a set of eight 5-part anthems reflecting on events in the Church Year. The set was completed in 1669. It is clear uniformity of style structure and scoring and from the closely-organised key scheme that these eight anthems were conceived as a cycle.

Arranged for SATB chorus and 2 Soprano soloists taken from the choir.

Anthem for SATB Choir. Organ Part added by W.H. Monk. Text: From Psalm 139

Vocal Score Ed. Bruce Wood-A new edition prepared by Bruce Wood (2004) of the setting composed for the opening service of the 1897 Three Choirs Festival.