O Salutaris Hostia is a work for Unaccompanied SATB chorus by composer David Hill that sets the 'Hymn for the feast of Corpus Christi' by St. Thomas Aquinas. The piece lasts around 2 minutes. Please note the lyrics are in Latin. O Salutaris Hostia is a work for Unaccompanied SATB chorus by composer David Hill that sets the 'Hymn for the feast of Corpus Christi' by St. Thomas Aquinas. The piece lasts around 2 minutes. Please note the lyrics are in Latin. A review in the June 2016 edition of Organist's Review says that this work is 'to be heartily recomended and of use at any Eucharistic service and most especially that of Corpus Christi.'

Love’s As Warm As Tears was expertly composed by Paul Mealor . The piece was commissioned by the Dean and Chapter of Westminster and first performed on the 22nd November 2013 at a service dedicated to C. S Lewis by the Special Service Choir of Westminster Abbey conducted by James O’Donnell . Paul Mealor is a Welsh composer recognised for his contribution to choral music. Mealor came to the public's wider notice when his motet Ubi Caritas et Amor was performed at the wedding of Prince William watched by over 2.24 million people.

Anthem for SATB and Organ composed in 1977.

Ian Venables: While Shepherds Watched Their Flocks By Night is a Christmas Choral piece first published in Noël 2! beautifully composed for SATB Choir and Organ accompaniment. Ian Venables: While Shepherds Watched Their Flocks By Night is a Christmas Choral piece first published in Noël 2! beautifully composed for SATB Choir and Organ accompaniment.

Written for SATB choir and piano.

Three Norwegian Pieces by Edvard Grieg from '25 Norske Folkeviser og Dandser' ('25 Norwegian Folk Songs and Dances') Opus 17. Arranged for String Orchestra by Geoffrey Tomlinson. Full score.

Eight challenging and unique pieces for Organ by contemporary composers including Thiman Lloyd Webber and Eldridge. An excellent source of unusual and less familiar repertoire for the adventurous Organist.

Upon entering a painting was written in 2008/09 and it was commissioned with funding from the Britten-Pears Foundation and the RVW Trust by Piano 4 Hands (Joseph Tong and Waka Hasegawa) to whom it is dedicated. The inspiration of the piece was the kind of painting which as you gaze at it seems to draw the onlooker into the frame indeed into the very paint itself. The specific trigger for the idea of the piece was the Rothko Exhibition at Tate Modern in 2008 – Rothko has long been a favourite painter of mine even though his creative world is very different from my own. However there were one or two paintings in the exhibition in which I felt strongly this sense of beingdrawn into the inner life of the painting especially when I was able to incur the wrath of the curators and step close to the paintings and examine the surface in detail. The opening and closing sections of the piece with their gradual thickening of the harmonies and (at the end) equally gradual thinning reflect this sense of stepping forward into and backward out of the works. The inner life of the faster sections while apparently very un-Rothko-like reflects the extraordinary teeming inner life of the brush-strokes.

Matthew Martin's Psalm 150 for SATB and Organ. Duration: 4 minutes

A Short Communion Service by John Nourse contains eight songs scored for Unison voices and Organ.

The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus Confounding the doctors the poor little Child while the fifth carries us to Calvary and a singularly lame conclusion as Mary Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd sing husheenlo. Strophically composed with small variations Warlock's tenderness seems generic. eltine . The Five Lesser Joys of Mary begins with a conventional Nativity scene - the ox and the ass for warmth the star the Wise Men - to verses attributed by Warlock to one Daniel Lawrence Kelleher editor of Christmas Carols (No. 18 in the second series of Augustan Books of English Poetry) where the anonymous verses were published. The fourth stanza recounts Jesus 'Confounding the doctors the poor little Child ' while the fifth carries us to Calvary and a singularly lame conclusion as Mary 'Saw Jesus droop over and lie very still She thought of the good times they had long ago When He'd droop in her arms and she'd singhusheenlo.' Strophically composed with small variations Warlock's tenderness seems generic. eltine .

The traditional French carol Quelle Est Cette Odeur Agréable has here been arranged for unaccompanied SATB choir by Matthew O'Donovan. Originally published in Noël! 3 . The traditional French carol Quelle Est Cette Odeur Agréable has here been arranged for unaccompanied SATB choir by Matthew O'Donovan. Originally published in Noël! 3 .

Ave Verum Corpus for SATB chorus with keyboard accompaniment. Edited by Ralph Allwood and David Hill. Latin text.

Mass For St. Marylebone-Paul Mealor's Missa Sancta Maria Tota Bona was composed in 2017 and is arranged for unnacompanied SATB. Duration approximately: 8 minutes. Paul Mealor's Missa Sancta Maria Tota Bona was composed in 2017 and is arranged for unnacompanied SATB. Duration approximately: 8 minutes. Commissioned by St Marylebone Parish Church in memory of Miss Joie Macaulay the 900th Anniversary of the parish and the 200th Anniversary of the present parish church; first performed at the parish church by the Choir of St Marylebone Parish Church on 23rd July 2017.

For Chamber Orchestra (Flute Oboe Cor Anglais Basson Horn in F Trumpet in C Strings: [5.4.3.2.1]) Composer's Programme Note: Points of View is a work about the different musical elements which are personified by soloists from the orchestra all unifying at the end in a passionate climax. The first section ‘Mysterious’ features a solo horn and also establishes tonality [B flat] texture and harmony. The harmonies are often chordal 6-note clusters and they are an important binding articulating and textual element throughout the work. A solo trumpet joins the solo horn and as the chordal clusters disappearinto the stratosphere initiates the rhythm of a light-hearted scherzo – ‘Lively’. The trumpet’s rhythmic figure is echoed and developed by the winds. The solo oboe and cor anglais now introduce a very lyrical melody in falling thirds ‘Sensuous’. The chordal clusters as well as the trumpet’s rhythmic figure eventually reappear to accompany this melodic theme and then the violins passionately respond by taking it over – ‘Passionato’. All the elements thus unifying to culminate in the coda. These elements could also perhaps be described in non-musical terms as ‘imagination’ [solo horn] ‘action’ [solo trumpet] ‘emotion’ [solo oboe and cor anglais] which eventually combine in the climax [violins].

Cello Concerto was one of Moeran's last major works written for his wife - the cellist Peers Coetmore - in 1945 and stands as a robust and sweeping confirmation of his compositional brilliance. This is a version arranged for cello with piano accompaniment. Piano reduction.

Born in 1946 Giles Swayne started composing at an early age and in his teens was helped by the advice and encouragement of his cousin Elizabeth Maconchy whilst studying the piano with Gordon Green. After leaving school he attended Guido Agosti's piano classes at the 1964 Accademia Chigiana summer school in Siena and that autumn went up to Trinity College Cambridge where he studied the piano with Phyllis Hepburn-Lee and composition with Nicholas Maw. In 1968 he won a composition scholarship to the Royal Academy of Music.

Duet and Chorus from The Hymn of Praise . For 2 Solo Sopranos SATB Chorus and Piano (Organ).

Martin Shaw 's There Was A Rosebud Bloomed In The Snow scored for SATB choir with words by Doris Pailthorpe.

POD-Richard Allain's The Beloved for SATB choir and Organ. This work was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled to celebrate Merton College's 750th anniversary in 2014. Richard Allain 's The Beloved for SATB choir and Organ. This work was commissioned by Merton College Oxford as part of the Merton Choirbook a collection of music being assembled to celebrate Merton College's 750th anniversary in 2014. The Beloved was first performed on the 18th January 2015 in Merton College Chapel by the choir of Merton College conducted by Benjamin Nicholas. This work is a setting of text by Thomas Allain: Above him The dove will linger in flight As the Light is bathed in water The water bathed in light. And a voice will tearthe heavens apart He alone hears now within his heart: The Father Well-pleased Whispering his delight. Richard Allain's The Beloved (Novello) another Merton College commission and also with words by his brother on the theme of Christ's baptism gives ample opportunity to demonstrate the virtues of their new organ in a toccata-like interlude illustrating God's voice tearing 'the heavens apart'. After this climax the piece subsides to a pianissimo heterophonic declamation of God's pleasure in his Son. A powerful piece if one has both ·the vocal and instrumental resources to do it justice. Organists Review December 2017