Mezzo-Soprano with Piano reduction of the Chamber Orchestra parts.

Gloriette was first performed at Leeds Castle Kent on 4th August 2008 by Julian Lloyd Webber. Commissioned by the Leeds Castle Foundation and named after the medieval building in which it was first performed on 5th August 2008. Includes both a score for the Piano and a separate Cello part.

For Unison Voices. For Unison Voices.

The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands. Unfortunately Fletcher 's music has largely been lost to the annals of classical history. However with this sheet music of Song Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.The Song Of The Grey Seas is a choral composition for SATB (Soprano/Alto/Tenor/Bass) composed by Percy E. Fletcher with words by W. G. Rothery. Originally published in 1915 Song Of The Grey Seas is one of a number of compositions by English composer Percy E. Fletcher. Fletcher worked as the musical director at a number of theatres around London all the while writing works for light orchestra chorus and brass bands. Unfortunately Fletcher 's music has largely been lost to the annals of classical history. However with this sheet music of Song Of The Grey Seas your SATB choir can revive the forgotten glory of this piece something that audiences will surely love.

For ATTB solo quartet. Commissioned by the East Neuk Festival for the Orlando Consort and premiered on 4 July 2008 at St Monans Kirk Fife Scotland as part of the 2008 Festival.

'Chanson De Matin' arranged for piano solo by Bothwell Thomson. Suitable for intermediate standard pianists.

Arranged for SATB unaccompanied.

Written for Unison voices SATB choir and organ.

K348. Words by William Llewellyn. K348. Words by William Llewellyn.

For SATB Choir and Organ. For SATB Choir and Organ.

Tua Bethlem Dref by David Davies is arranged here for Unaccompanied SATB Choir by Geoffrey Webber . Part of the lyrics are in Welsh but there is a useful phonetic pronunciation guide to aid non-speakers. Tua Bethlem Dref by David Davies is arranged here for Unaccompanied SATB Choir by Geoffrey Webber . Part of the lyrics are in Welsh but there is a useful phonetic pronunciation guide to aid non-speakers.

Part of five seasonal works for organ based on appropriate hymn tunes.

A guide to the preparation and performance of the St Matthew Passion.

A Chime Of Carols was commissioned by and dedicated to the West Kent Federation of Women's Institutes who gave the first performance in celebration of their 75th anniversary. Scored for SSA and Piano. (The first verse is unaccompanied.)

For SATB with Organ For SATB with Organ

A collection of Christmas classics arranged for Organ. Includes In Dulci Jubilo and Fantasia on Adeste Fideles . Suitable for intermediate standard. A collection of Christmas classics arranged for Organ. Includes In Dulci Jubilo and Fantasia on Adeste Fideles . Suitable for intermediate standard.

Herbert Howells composed his Magnificat And Nunc Dimittis evening canticles for St Paul's Cathedral in 1951 going on to become among his most famous and enduring works. These beautiful canticles were composed by a master of setting the Anglican liturgy and are arranged for SATB Chorus and Organ Accompaniment. Herbert Howells composed his Magnificat And Nunc Dimittis evening canticles for St Paul's Cathedral in 1951 going on to become among his most famous and enduring works. These beautiful canticles were composed by a master of setting the Anglican liturgy and are arranged for SATB Chorus and Organ Accompaniment. These two wonderful works of choral music are characterised by a unique blend of unison harmonies and disparate melodies that highlight each voice perfectly. The lingering notes crescendos and subtle dynamic changes were composed with the acoustics of that great cathedral in mind but they also workequally well in any setting.

This gorgeous aria from Semele is here arranged for Organ.

During the 1880s Elgar's evolving style was significantly influenced by Schumann's conservative Romanticism. These piano miniatures Griffinesque (1884) and Presto (1889) show that this formative influence was especially strong. Edited by Christopher Kent.

Taken from the Novello Book Of Carols. Words 15th Century.