For SATB Choir. For SATB Choir.

For SATB Choir (Mixed Voices) A Cappella. Text: Robert Herrick For SATB Choir (Mixed Voices) A Cappella. Text: Robert Herrick

For SATB Choir and Organ. For SATB Choir and Organ.

Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows. This is the Violin 1 part.

For SATB (with divisions) and Accompaniment. For SATB (with divisions) and Accompaniment.

Written for SATB choir with piano for rehearsal only.

Anthem for Solo Soprano or small group of Sopranos and Organ. Edition published in 2000 include's Howells' subsequent revisions realised by Paul Spicer.

Give Ear Unto Me composed by Marcello is a two part anthem for soprano voices with piano accompaniment.

Motet for Soprano Solo and SATB Choir.

Anthem taking words translated from the Proper of the Sunday after Ascension for SSATB Choir and Organ ad lib. Edited by William McKie.

Words from Psalm 122. Scored for eight-part Mixed Voices and Organ.

Mediaeval poem set for a choir of women's voices (accompanied). Composed for the British Federation of Music Festivals National Competitive Festival June 1951. Orchestral accompaniment available on hire.

This collection of Chorales contains all the melodies used by Bach in the Organ works. Each is given with the first verse of the German Hymn and an English translation. Edited by Sir Ivor Atkins.

For SATB Choir and Organ. Written for the Church of St Mary Redcliffe in Bristol. For SATB Choir and Organ. Written for the Church of St Mary Redcliffe in Bristol.

Written for double SATB choir. English words by William Bartholomew. Edited by John E. West.

West 'Sir Harold The Hunter' arranged for mixed voice choir SATB.

Christmas Carol for SATB Choir (divisi) setting the text of Kenneth Grahame.

Tarik O'Regan's The Wanton Sublime for Mezzo-Soprano and Ensemble. Duration: 30 minutes

Il Est Bel Et Bon (SSAA) English/French-Renaissance French composer Pierre Passereau was a popular creator of chanson rustiques in Paris and at court the early 1500’s. The songs that survive are almost all of a hearty style with plenty of onomatopoeia double entendres puns and occasional indelicacies employing graceful melody polyphony and sometimes chordal passages.Il es bel et bon has retained popularity almost since it was written. There is evidence that this song was sung as far away as Venice in the 1500's. Here composer Helen Cockburn makes the most of the delightful clucking cuckooing passages and the English words have retained most of the original’s consonants to good effect.

Eight pieces for piano duet Grade 3.