For Soprano Baritone and Piano. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Shady grove my true love Shady grove I know Shady grove my true love I'm bound for the shady grove. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Andrew Motion/Traditional For Soprano Baritone and Piano. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Shady grove my true love Shady grove I know Shady grove my true love I'm bound for the shady grove. Love raise your voice Love sing your sweetest songs Love take the place where death thinks he belongs. Andrew Motion/Traditional

Vocal Score for John Henry Maunder's Olivet to Calvary arranged for Tonic Sol-fa.

Arranged by Bothwell Thomson for piano solo.

An anthology of Carols and Anthems by Kenneth Leighton one of the most distinguished of the British post-war composers chiefly regarded today for his choral output. This anthology includes many pieces that are less well known and find themselves in no other collection. Arranged for mixed voice choir SATB and organ.

Orchestral Version-John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bach cantatas with two soloists (soprano and baritone).The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe John McCabe 's Psalm-Cantata (Orchestral Version) . Vocal score for Soprano Baritone and SATB choir. This work was commissioned by the English Baroque Choir and their music director Jeremy Jackman who gave the first performance on 16th March 2013 at St. John’s SmithSquare London. ' I’ve wanted to write a choral/instrumental piece based on texts from the Psalms for a very long time so this commission from the English Baroque Choir and their music director Jeremy Jackman (to whom the work is dedicated) was a wonderful opportunity to put this idea into practice. I decided to write a kind of latter-day equivalent to the Bachcantatas with two soloists (soprano and baritone). The texts are derived from a variety of Psalm sources: some in Latin some in English a meditation by Savonarola and a Henry Vaughan poem.' - John McCabe

Donald Hunt's Mass is scored for upper voices (SSA) and organ. Latin Text.

Arranged by Walter Emery for two pianos.

Sing We Merrily Unto God Our Strength is a work described as 'a choral fanfare for festival use.' It's a piece for unaccompanied double choir (SSAATTBB) composed by Martin Shaw .

For SATB Mixed Chorus. For SATB Mixed Chorus.

Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches. Howells' elegiac setting of words by John Buxton muses on Christ's nativity and his prophesied mission in the world. Ideal for mixed choirs in schools and parish churches.

A setting of the Benedicite for SATB Choir (or Unison Voices) and Organ.

Written for unaccompanied SATB choir. Text by Henry King Bishop of Chichester 1591-1669.

A celebratory and elating anthem by George Jeffreys set for STB soloists with an SSATB chorus and Organ accompaniment. A celebratory and elating anthem by George Jeffreys set for STB soloists with an SSATB chorus and Organ accompaniment.

For SATB choir and Organ or Piano. Commissioned for the Chapel Choir of the Abbey School Woodbridge Suffolk directed by Andrew Clarke. Herbert Chappell - The Woodbridge Service by musicroom For SATB choir and Organ or Piano. Commissioned for the Chapel Choir of the Abbey School Woodbridge Suffolk directed by Andrew Clarke. Herbert Chappell - The Woodbridge Service by musicroom

British composer Raymond Warren composed the music for In My Childhood in 1998 and was one of Warren 's most famous pieces. Words are by was Irish poet and playwright Louis MacNeice whom the song is also in memory of. This piece is a part-song for SATB (unaccompanied). British composer Raymond Warren composed the music for In My Childhood in 1998 and was one of Warren 's most famous pieces. Words are by was Irish poet and playwright Louis MacNeice whom the song is also in memory of. This piece is a part-song for SATB (unaccompanied).

Herbert Howells’ Magnificat and Nunc Dimittis (Collegium Regale) for SATB and Organ accompaniment is a vibrant sacred work with beautiful voicings and a wonderful effervescence. This is rich and colourful church music with integrity– he has successfully brought together Tudor church music and merged it with modern harmony and counterpoint. It is this best-of-both-world’s feature that makes Howell’s version of the Magnificat and Nunc Dimittis a pleasing one and it is dedicated to King's College Cambridge.Herbert Howells’ Magnificat and Nunc Dimittis (Collegium Regale) for SATB and Organ accompaniment is a vibrant sacred work with beautiful voicings and a wonderful effervescence. This is rich and colourful church music with integrity– he has successfully brought together Tudor church music and merged it with modern harmony and counterpoint. It is this best-of-both-world’s feature that makes Howell’s version of the Magnificat and Nunc Dimittis a pleasing one and it is dedicated to King's College Cambridge.

Smart The Office For The Holy Communion in the key of E Flat arranged for mixed voiced choir Soprano Alto Tenor Bass.

Henry Purcells Close Thine Eyes for Soprano (or Tenor) and Bass soli with Organ (or Harpsichord) and Basso Continuo. Henry Purcell's Close Thine Eyes for Soprano (or Tenor) and Bass soli with Organ (or Harpsichord) and Basso Continuo. Duration: 3.5 mins

Chorus and Organ version of this Carol for Baritone and SATB Choir. Composed in 1953. Words by Robert Herrick.

Paul Mealor 's Hush! my dear lie still and slumber for SATB divisi chorus had its World Premiere at St Sepulchre without Newgate London Youth Choir on the 17th March 2014. Rebecca Tavener in the December 2014 edition of Organists' Review writes that with this work Mealor continues to prove himself as a composer of reliable craftsmanship making a fine case for the current lyrical accessible tonal zeitgeist in British choral music. Paul Mealor 's Hush! my dear lie still and slumber for SATB divisi chorus had its World Premiere at St Sepulchre without Newgate London Youth Choir on the 17th March 2014. Rebecca Tavener in the December 2014 edition of Organists' Review writes that with this work 'Mealor continues to prove himself as a composer of reliable craftsmanship' making 'a fine case for the current lyrical accessible tonal zeitgeist in British choral music.'