For SATB Choir and Organ. Organ part by Vincent Novello. For SATB Choir and Organ. Organ part by Vincent Novello.

SATB and Organ. Written for the Chapel Royal at the Tower of London.

Cantilena was commissioned by the London Chamber Music Society to celebrate their move to King's Place in October 2008. First performed by Nicholas Daniel and members of the Chilingirian Quartet at King’s Place London on 5th October 2008. The work is a short lyrical piece where an outsider [the oboe] joins the group [a string trio] and adds to their dialogue. At first the newcomer is treated with a mixture of suspicion and agitation but eventually is made welcome. The oboe is invited to share the musical theme that has been established which he then proceeds to embellish and adorn. He leads the harmonic changes that result in the theme being heard in manydifferent keys. He then introduces a new theme. The excitement grows and leads to a climax. A peaceful coda re-establishes the original theme and all ends harmoniously among the integrated quartet.

A communion service for four-part choir and organ in C. A communion service for four-part choir and organ in C.

The World The Clustering Spheres by Paul Mealor for soprano solo SATB divisi chorus and optional Tibetan Singing Bowl. Part The World The Clustering Spheres by Paul Mealor for soprano solo SATB divisi chorus and optional Tibetan Singing Bowl. Part

A survey of the duties of Practical Musicians and Editors towards the Classics.

Jeremy Thurlow 's I Got Me Flowers is a setting of a poem by George Herbert for Unaccompanied SSATBB Choir. Jeremy Thurlow 's I Got Me Flowers is a setting of a poem by George Herbert for Unaccompanied SSATBB Choir.

Commissioned by the Providence Singers with support from its Wachner Fund for New Music. Includes all parts for Percussion.

POD-Only selected works by this publisher are included in the catalogue. O Trinity! O Unity! is a work by Rupert Jeffcoat for Upper Voices and Organ Accompaniment setting text from Ave Colenda Trinitas translated by J.D. Chambers.

The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprised of: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of TheTwelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all) The Vocal Score for Finnish composer Aulis Sallinen 's Barabbas Dialogues Op. 84 arranged for five singers and a speaker. Please note that this Vocal Score is in German with German lyrics also. Commissioned by the Naantali Music Festival in Finland the premiere of Barabbas Dialogues was given at the Naantali Church on the 11th of June 2004. The main inspiration for this work in seven dialogues was the new Finnish translation of the Bible and the character of Barabbas whose fascinating story makes for a deeply interesting character. The work as a whole is comprisedof: Dialogue 1: Nocturne (The Woman - Barabbas) Dialogue 2: Easter I (Judas - One of The Twelve) Dialogue 3: Easter II (Barabbas - One of The Twelve) Dialogue 4: Easter III (Judas - One of The Twelve) Dialogue 5: Pas de Deux (The Maiden - The Youth) Dialogue 6: Passacaglia (The Woman - Barabbas - The Maiden - The Youth) Dialogue 7: Finale (all)

The Festival Toccata is relatively well-known among the works of Fletcher and is popular as a wedding piece and for encores. The brilliance of Festival Toccata’s surface disguises the fact that one does not need to be a virtuoso to play it well and effectively.Percy Fletcher was an English composer conductor and Orchestrator of prodigious output who made his career in the lively world of the London music theatre of the years of the late 19th and early 20th century. He was music director at many theatres including His Majesty’s Theatre for the last seventeen years of his life. He was the Orchestrator and conductor for the big budget spectacular theatre piece Chu Chin Chowwhich ran for five years a record that remained unbroken for forty years. In addition to his myriad works of light music Fletcher also wrote a serious church cantata The Passion of Christ as well as the delightful children’s work The Walrus and the Carpenter.

A quick and highly entertaining setting for young or female voices arranged as a trio by H.A. Chambers. The setting includes a full Piano accompaniment and is ideal for school concerts or just for fun!

Anthem for SATB Choir and Organ.

No.3 of Six Elizabethan Pastorals. Arranged as a 2-part song by H.A. Chambers.

English composer Edward German was Musical Director of The Globe Theatre in London in 1888 when his incidental music brought his work to the attention of the public. He earned applause for his comic opera his serious works and his incidental music of which Orpheus With His Lute is a fine example.It was composed for a production of Shakespeare's Henry VIII and employs a lilting 3/8 melody to effectively convey the magical power of Orpheus's music.

Throughout his musical career Sir William Henry Harris (1883-1973)was engaged as Organist of New College Oxford Christ Church Cathedral Oxford and St. George’s Windsor.

The B.A.C.H. motif has been known and used for centuries but enjoyed a great revival in the late 19th century as composers paid homage to the composer J.S. Bach. It derives from the German nomenclature and is expressed in standard notation as Bb-A-C-B . The Fantasia And Fugue On B.A.C.H. is one of the most famous Organ works of Franz Liszt (1811-1886). The piece was intended for the inauguration of the famous Ladegast Organ at Merseburg Cathedral but sadly it wasn’t finished in time. Liszt then revised the work in 1870 and produced the version that survives today. A well-loved piece no organist’s library iscomplete without it.

The Fantasia for Organ has been described as both ‘fleshy in its Romanticism’ and also by the composer as ‘quite severe in parts’ an apt combination for the vast changes of the beginning of the post-War era.York Bowne was a British composer whose fifty-year career musical career spanned much of the 20th century. Bowen was not only a prolific composer he was also a pianist conductor Organist Violinist and Horn player. He premiered many important works and his own music was featured many times at the Proms among other concert series. Sir Henry J Wood believed Bowen had never received proper recognition and Camille Saint-Saens regarded him as the ‘finest of Englishcomposers’ early in his career. His compositional style changed little throughout his life so that his later oeuvre was less celebrated than his earlier works as music fashion had moved on.

Work for Organ dating from 1909.

Savoyard Chant for Organ.