For SATB Choir (Piano reduction provided). For SATB Choir (Piano reduction provided).

Full score of Conti's opera. A recording of this work was voted as CD of the month in the BBC Music Magazine August 2007. Full score of Conti's opera. A recording of this work was voted as CD of the month in the BBC Music Magazine August 2007.

A sacred setting by one of the most influential Italian composers of his time.

Twentieth century English composer and teacher Christopher Steel followed the progress of many tonal composers of the last century: initial prominence followed by a passage into obscurity followed by renewed posthumous appreciation. Steel was a composer of integrity and creativity who left a body of work of variety and quality. These Organ works date from the earlier part of his life and comprise Intrada Flourish Nocturne Dance Meditation and Postlude.

This work was composed for a competition intened to produce an alternative to Mendelssohn's Wedding March.

The New Novello Choral Edition- Newly edited by Donald Burrows the latest publication in the Novello Handel Edition with full historic interpretative and critical notes. Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. ST or SAT soloists SATB chorus.

Edited by John Marsh. It is possible that this motet was composed for the Portuguese Embassy Chapel London where Wesley was an assistant under the organist Vincent Novello.

For SATB Choir and Organ For SATB Choir and Organ

Symphony composed in 1964 scored for 2+1 2+1 2 3/4 3 3 0/timp/2perc/strings.

A recessional hymn setting the text of Rudyard Kipling.

Three Preludes For Organ by Johann Christian Kittel. Edited by Walter Emery.

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘Hard the glad sound’ from Ravencroft’s Psalter (1621) Orlando Gibbons’s Song 24 ‘O word Immortal’ and Song 5 ‘O Prince of Peace ’ and ‘I was glad’ from the Scottish Psalter (1615). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music – in particular histwo settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire. In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘Hard the glad sound’ from Ravencroft’s Psalter (1621) Orlando Gibbons’s Song 24 ‘O word Immortal’ and Song 5 ‘O Prince of Peace ’ and ‘I was glad’ from the Scottish Psalter (1615). These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s works for unison Voice and church music – in particular histwo settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire.

The words of the Wedding Hymn O Perfect Love were written by the English poet Dorothy Frances Gurney (née Blomfield ) (1858-1932) to be used with an earlier melody. Sir Joseph Barnby then wrote a tune specifically for the words in 1890. This was popularised when it was used in 1893 at the wedding of the Duke of York and Princess Mary of Tek who would later become King George V and Queen Mary. Sir Joseph Barnby (1838-1896) was an English composer and conductor. He was a chorister at York Minster before studying at the RAM. He later became director of Music at Eton and Principal of the Guildhall School of Music.

Considered as a whole Moeran's music has a strong individuality and a very personal flavour. The recipe is the composer's own and there is none other like it. Yet though he has amply covered the field of orchestral music chamber music concertos and smaller vocal works one would not describe Moeran's as a varied talent. He keeps to his centre which is a purely musical one.

The Prelude and Fugue In G Minor (Op. 84) was first published in 1960. It is scored for solo Organ. Craig Seller Lang (1891-1971) was a British composer organist and musical pedagogue who was born in New Zealand. He studied at the Royal College of Music before becoming a teacher at Christ’s Hospital School. His compositions were mostly written with a student performer in mind. He is best remembered for his seminal educational Organ books but he also created prolific volumes of material in both sacred and secular choral genres.

For Voice and Piano. Version with simpler Piano Accompaniment. For Voice and Piano. Version with simpler Piano Accompaniment.

Arranged by Ralph Allwood and written for SATB choir with piano accompaniment.

Herbert Howells ceased using opus numbers at about Op. 40 but each of the three Psalm-Preludes making up his second set is dated. Published in 1940 they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church Woburn Square in March 1939. Herbert Howells ceased using opus numbers at about Op. 40 but each of the three Psalm-Preludes making up his second set is dated. Published in 1940 they were first performed as a set by William O. Minay at a recital for the Organ Music Society given in Christ Church Woburn Square in March 1939.

Score available- NOV120228.

For the occasion of the coronation of King George II and Queen Caroline which took place in Westminster Abbey on October 11 1727 Handel wrote four splendid anthems and personally supervised their performance which was according to all reports one of great magnificence. The four anthems were enthusiastically received and one or more of them has been performed at every British coronation since 1727. Anthem No. 2 ('The King Shall Rejoice') although less well-known than Anthem No. 1 is an equally splendid example of Handel's ceremonial style - what Burney has affectionately termed his 'big bow-bow manner'. This work contains an opening Allegro brilliantand elegant rather than pompous; a grandiose setting of 'Glory and great worship hast thou laid upon him'; and a lively fugal Alleluia as a conclusion. Arranged for four-part chorus of mixed voices with organ or piano accompaniment. Edited and with keyboard reduction by Edouard Silas.