Arranged for Soprano Baritone and Piano.

Psalm 110 for SSATB soli SSATB chorus strings and organ. This work a product of Handel's sojourn in Italy as a young man was completed in 1707 and is one of several pieces of Latin church music of that period by him. This vocal score (with Latin text) is edited by Watkins Shaw and contains a piano reduction of the orchestral score. Large Print Version.

Coronation Anthem for King George II 1727. Edited by Donald Burrows. This anthem was composed for six-part choir SAATBB. This edition can be used for four-part SATB. The keyboard accompaniment for Piano or Organ is a practical reduction of the orchestral parts.

Aulis Sallinen 's The King Goes Forth To France . Vocal score with English and Finnish text.

A Meditation on the Sacred Passion of the Holy Redeemer for Tenor and Bass solo SATB Choir with Organ accompaniment with hymns for congregational participation. The text was selected and written by Reverend J. Sparrow-Simpson and revised by Michael Pilkington. The crucifixion was first performed in 1887. This Novello edition of the vocal score is clear and well presented with thoroughly accurate and detailed editorial markings and suggestions as edited by Michael Pilkington.

Scored for Oboe Bassoon and Piano. Includes score and parts.

The Dance Forever The Dance was commissioned by Michael Kibblewhite and the Hertfordshire Chorus. The first performance was given on 4 December 1999. (Revised 2002). The text has been compiled by the composer and is drawn from a variety of sources which use dance as a metaphor for life and death. In particular poems by Oscar Wilde and W H Auden have been incorporated into the text. Scored for Mezzo-Soprano Solo SATB chorus and Orchestra. Duration 30 minutes.

An ode for the birthday of Queen Mary in 1694 arranged for SSA voices and piano by Maurice Blower. Duration: 15 minutes.

Anthem for SATB Choir A Cappella. Text: King Henry VIII

Edward Elgar's The Dream Of Gerontius is a splendid oratorio for Mezzo-soprano Tenor and Bass with Chorus and Orchestra. It is based on the epic poem The Dream of Gerontius by John Henry Newman written in 1865. The original vocal score of Gerontius was actually printed before Elgar's had even finalised or completed his final orchestration and as such it was printed without many of the markings that were added in the later full score. This new edition brings vocal and full scores into agreement for the first time having been authentically and effectively edited by Hywel Davies and Bruce Wood and also includes helpful notes on thebackground to the work as well as an outline of the editorial procedure and list of sources. This New Novello Choral Edition of the Vocal score with Piano reduction of the orchestral materialincludes a detailed foreword listing history sources and editorial proceedure.

Volume two in this series continues to highlight Elgar's great organ works. Includes the famous Nimrod from Enigma Variations and Prelude And Angel's Farewell from The Dream Of Gerontius .

Most of the English-speaking choral singers who make up their country's thriving choirs and choral societies will have sung Bach's great Passions in English at some time or other. This edition is in both English and German giving the individual choir the option of which language to perform in. This book contains a preface by the editor Neil Jenkins and a suggested 'on the day' rehearsal schedule by Sir David Willcocks. St. Matthew Passion was written for solo voices ripieno choir 2 SATB choirs and 2 orchestras. The vocal score contains all voice parts and a piano accompaniment.

Rorate Coeli for unaccompanied chorus was written in 1973 in response to a commission from the National Federation of Music Societies in Great Britain. It was first performed by the Thomas Tallis choir in Greenwich. It is a setting of two interleaved poems of the famous Scottish poet William Dunbar (written circa 1500). One poem is the Nativity poem of the title the other is the poem about the Resurrection: 'Done is a battle on the dragon black'. The work is framed by the rich chords of the opening line where full chorus is echoed by soloists. This setting of both poems simultaneously reminiscent of medieval polytextural techniques shows the future victory of theResurrection along with present joy of the Nativity. The chords of the opening return at the end combined with an exultant Gloria.

Arranged by Imogen Holst for SATB choir from a collection by Cecil Sharp.

Antiphons psalms and hymn for soloists and double choir. The score is written for 3 Tenor Trombones 1 Bass Trombone and strings with basso continuo. Edited by Denis Stevens with piano accompaniment.

Gustav Holst (1874-1934) is widely regarded as one of the most original of 20th century composers and The Planets composed in 1914-16 established him as a really popular composer. The work with its vivid sense of invention and use of driving rhythm is a masterpiece of the 20th century orchestral repertoire. Arthur Wills has transcribed these three movements from The Planets for organ to make a superb set of recital pieces or voluntaries.Gustav Holst (1874-1934) is widely regarded as one of the most original of 20th century composers and The Planets composed in 1914-16 established him as a really popular composer. The work with its vivid sense of invention and use of driving rhythm is a masterpiece of the 20th century orchestral repertoire. Arthur Wills has transcribed these three movements from The Planets for organ to make a superb set of recital pieces or voluntaries.

A moving story for unison voices and piano imagining the thoughts of a baby elephant separated from its family and transported from the wilds of Africa to a zoo a long way from home. The catchy melodies and inventive lyrics bring home to children the horror of ivory hunting and some disadvantages of zoo captivity. A splendid piece for end-of-term performance that also provides an excellent basis for classroom activity. 25 mins. Published in association with the World Wide Fund for Nature: performances of this work will benefit the WWF. You will require a license to perform this work at your school/youth theatre; please click here for more information and our application form.

Book 3 (Vocal Score)- Vocal Companion To Bach's Orgelbuchlein - Book 3 compiled and edited by Walter Emery

An exciting quintet for brass by composer Edward Gregson for Horn in F two Trumpets Trombone and Tuba. Available here are the individual parts.

Composed in 1972