If Ye Then Be Risen is a composition by David Poole-Connor for SATB chorus with Organ Accompaniment. If Ye Then Be Risen is a composition by David Poole-Connor for SATB chorus with Organ Accompaniment.

A setting of words by James Hamilton for SATB Choir and Organ.

Organist and composer A.Herbert Brewer’s swaggering Marche Héroïque became famous at the funeral service of Earl Mountbatten of Burma in 1979 and has remained popular since then.Organ virtuoso and composer Edwin Lemare was the world’s highest-paid Organist at the height of his career in the early 1900’s drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. His Grand Cortège is Orchestral even Wagnerian in style with bold chromatic colourings.Frank Cordell’s Khartoum Fanfare and March features melodic British military themes and was a part of the film’s soundtrack.John Addison's Charge of the Light Brigade also fromthe film develops its military themes with élan.March for ‘The Phoebe’ was written by Percy Whitlock in honour of a naval cruiser launches in 1939 which was adopted by the Country Borough of Bournemouth where the composer was Municipal Organist.John Ireland’s Epic March was originally written for Orchestra in response to a BBC commission for a patriotic march. It is here transcribed for Organ.

Arranged for treble and tenor recorders these six delightful pieces ranging from the vigorous ‘Manage The Miser’ to the dreamy ‘Lulle Me Beyond Thee’ which first appeared in John Playford’s ‘English Dancing Master’ in 1650. Chord symbols are provided for those wishing to add a chordal accompaniment. Ideal for school or home use teaching or fun.

34 Short Introits for SATB Choir A Cappella. 34 Short Introits for SATB Choir A Cappella.

Debussy's most popular piano pieces arranged for clarinet with piano accompaniment.

For Unison Voice (with Descant) and Piano. For Unison Voice (with Descant) and Piano.

The Blue Rose Variations is one of several works in which the composer has drawn on ragtime and blues. The organ work is based on two transformations of the popular piano piece To A Wild Rose (Woodland Sketches Op.51 No.1) by the American composer Edward MacDowell (1860-1908). During the course of the Variations To A Wild Rose appears as a blues and also as a classical rag often as both together. The sections are Theme: a quiet blues; Variation I: a pedal solo in varied metres based on the blues in fast tempo; Variation II: the first appearance of the rag as a background to the blues as a 2' pedal solo; Variation III: a version of Variation I nowinvolving manuals too; Variation IV: another blues solo against the rag; Variation V: another version of Variation I with the pedal solo almost entirely transferred to the manuals; Variation VI: a final confrontation between the blues and the rag now much decorated. First performed in New York in April 1986. Duration c.15 mins.

Taken from Christmas Cantata .

A christmas carol for unison voices. A christmas carol for unison voices.

A mixture of renowned and unfamiliar ragtime melodies arranged for easy instrumental solo with easy piano accompaniment by Barrie Carson Turner.

Shortly before his death Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli where he composed his last works. Among these is his Stabat Mater which reveals the infusion into church composition of the operatic style. Pergolesi's grand work features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. The original version was for two soloists and small ensemble; this version has been arranged by John Hullah for For Soprano and Contralto Soli Chorus of Female Voices and Piano accompaniment. Solo Duoand Chorus movements alternate. This is the Novello Edition of the Vocal Score and is in Latin. This revised edition has been slightly enlarged and re-typeset for improved clarity and ease of reading.

Margery Is A Work By Composer William Lloyd Webber For Unaccompanied Satb Chorus Featuring Words By W.H. Davies. Margery is a work by composer William Lloyd Webber for unaccompanied SATB chorus featuring words by W.H. Davies.

The complete study score of Arthur Bliss' 1937 ballet Checkmate . With its theme of a war based in the game of chess it never fails to spark the imagination with its depiction of the struggle between the opposing forces of Love and Death.

Handel’s masterpiece Messiah the most frequently performed of his choral works composed in 1741 edited by Watkins Shaw. An inspiring sacred oratorio with spontaneous melodies and bright orchestration from the first aria Every Valley Shall Be Exalted to the thunderous final Amen chorus. Handel’s masterpiece Messiah the most frequently performed of his choral works composed in 1741 edited by Watkins Shaw. An inspiring sacred oratorio with spontaneous melodies and bright orchestration from the first aria Every Valley Shall Be Exalted to the thunderous final Amen chorus.

Psalm 110 for SSATB soli SSATB chorus strings and organ. This work a product of Handel's sojourn in Italy as a young man was completed in 1707 and is one of several pieces of Latin church music of that period by him. This vocal score (with Latin text) is edited by Watkins Shaw and contains a piano reduction of the orchestral score.

Five songs of innocence and experience based on poems by William Blake for unaccompanied mixed chorus. Includes a Piano accompaniment for rehearsal purposes.

Christmas Nowells by Alan Bullard for unaccompanied mixed voice choir SATB.

O Worship The Lord is a work by John Wood for SATB chorus and Organ Accompaniment. O Worship The Lord is a work by John Wood for SATB chorus and Organ Accompaniment.

For Clarinet and Piano. These pieces were inspired by the life of James Reid a bagpiper in Prince Charlie's Jacobite army who was captured by the English in 1746 and executed after a Judge had classified the bagpipes as an 'Instrument of war.'