For The Fallen is a work for Unaccompanied SATB Choir by David Terry a setting of the famous poem by Laurence Binyon. For The Fallen is a work for Unaccompanied SATB Choir by David Terry a setting of the famous poem by Laurence Binyon. A review in the June 2016 edition of Organist's Review states that this 'would make a fitting introit on Remembrance Sunday.'

Commissioned by the Swaledale Festival for a performance by the Royal Holloway Choir and Acoustic Triangle in Richmond North Yorkshire on 26th May 2012. Sir Thomas Brown (1605-1608) always used this his own poem as a 'dormitive' to lull himself to sleep. The composer is grateful to his sister Meg Peacocke for her help in editing the poem. Commissioned by the Swaledale Festival for a performance by the Royal Holloway Choir and Acoustic Triangle in Richmond North Yorkshire on 26th May 2012. Sir Thomas Brown (1605-1608) always used this his own poem as a 'dormitive' to lull himself to sleep. The composer is grateful to his sister Meg Peacocke for her help in editing the poem.

For SATB Choir. For SATB Choir.

The magnificent interweaving of harmonies and dialogue-like Voices in Handel 's For Unto Us A Child Is Born make it a perfect addition to the festive choral repertoire. German-born British Baroque composer George Frideric Handel originally composed this piece in 1741 for the English-language oratorio Messiah which eventually became one of the best-known and most frequently performed choral works in Western music. As the last song of Scene 3 of Part I of the oratorio which addresses Isaiah's specific prophecy about the virgin birth of a Messiah For Unto Us A Child Is Born tells the news of Christmas thebirth of a son in Isaiah's words as found in the Scripture (Isaiah 9:6). The delicate familiar theme is introduced by the Sopranos and taken up by their counter-voices the Tenors later the same dialog is given over to the Altos and Basses. The tutti culminates in 'Wonderful' 'Counselor' 'The Mighty God' 'The Everlasting Father' and 'The Prince of Peace'. As an individual piece this song arranged for SATB Voices with Piano accompaniment is perfect for Christian settings especially during the Christmas season.

In this version of Christmas Is Coming the traditional Chorus is intact but the composer has created his own verse tune and four-part harmony with humorous interpolations by the bass Voices. Walford Davies was a composer and musical director at the University of Wales as well as Organist at among others Temple Church in London where his student Leopold Stokowski (later one of the leading conductors of the 20th century) assisted him. Davies is best remembered for this work and for the march RAF March Past'. Davies also did much to educate the public about serious music through radio programmes and his writings.

John Joubert 's I Will Lift Up Mine Eyes for SSAA choir with Piano accompaniment. Commissioned by Rustenburg High School for Girls Cape Town on the occasion of their 75th Anniversary 1969.

An anthem for Ascensiontide for SATB Choir A Cappella. Text taken from Psalm 47 and Psalm 68.

An anthem written for SATB choir and organ suitable for Harvest. Biblical text from James 1 vv 17 Romans 8 vv 32 31 & Habakkuk 3 vv 17-19.

This is a wonderful Magnificat And Nunc Dimittis setting written in the key of G for Unison Voices with Organ Accompaniment by Eric H. Thiman.

English Composer Gustav Theodore Holst Most Famous For His Orchestral Suite The Planets Had A Style Many Of His Contemporaries Even Admirers Found Austere And Cerebral. Love Is Enough Is A Four-Part Song Composed By Holst With Words Written By William Morris . The Sheet Music Has Been Arranged For Satb Choir With A Piano Reduction For Rehearsal Only. English composer Gustav Theodore Holst most famous for his orchestral suite The Planets had a style many of his contemporaries even admirers found austere and cerebral. Love Is Enough is a four-part song composed by Holst with words written by William Morris . The sheet music has been arranged for SATB choir with a piano reduction for rehearsal only.

Blessing By Paul Mealor Was Written For The Installation Of Her Royal Highness The Duchess Of Cornwall Gcvo As Chancellor Of The University Of Aberdeen And First Performed By The Chapel Choir Of King'S College Aberdeen Conducted By David J Smith June 2013 Blessing by Paul Mealor was written for the installation of Her Royal Highness The Duchess of Cornwall GCVO as Chancellor of the University of Aberdeen and first performed by the Chapel Choir of King's College Aberdeen conducted by David J Smith June 2013

Jubilate Deo is a work by Paul Mealor for SATB Choir and Orchestra commissioned by Distinguished Concerts International New York and first performed by the Choir and Orchestra of DCINY at Carnegie Hall New York on 15th February 2016. This is the Full Score with orchestral parts and a full performance lasts around 3 minutes. Jubilate Deo is a work by Paul Mealor for SATB Choir and Orchestra commissioned by Distinguished Concerts International New York and first performed by the Choir and Orchestra of DCINY at Carnegie Hall New York on 15th February 2016. This is the Full Score with orchestral parts and a full performance lasts around 3 minutes.

The 'Hallelujah' Chorus arguably the most famous choral work of the western classical tradition is the closing number of the second part of Handel's Messiah. Such is the strength of Handel's word setting that this empathic triumphal paean retains its appeal in spite of the cultural overexposure and controversy to which it has been subjected remaining a firm favourite with choirs. The premiere of Messiah was in Dublin in 1742 as the high point of a full season of Handel's work. It was a charity event held in aid of local causes and in order to get the maximum attendance at Neale's new music hall in Fishamble Street men were asked to removetheir swords and ladies the hoops in their dresses. The tradition of standing during performances of the 'Hallelujah' Chorus still indulged at some performances in Britains is said to have been started by King George II at the work's opening run in London in 1743.

Walking down a darkened street it’s hard to resist looking in through lighted windows and catching a glimpse of other people’s lives. The imagination lingers… Night Windows is the title of a painting by Edward Hopper of a scene in one such lighted window. However the scenes in this work – though reflecting something of the loneliness in so many of the Hopper paintings – are all imaginary: highly charged emotional moments. Loneliness: Anger: Nostalgia: Despair: Frenzy This work was commissioned by the International Double Reed Society and it is dedicated to Nicholas Daniel.

Novello New Choral Series- Why O Lord do you stand far off? was written in memory of the victims of the London bombings on 7 July 2005 questions the presence of God in times of human disaster particularly when committed by man upon his fellow man. The piece's focus lies in the two rhetorical questions first sung by the female voices at the beginning. This opening three note motif returns frequently throughout the work forever challenging the whereabouts of God's watchful eye. This commemorative setting of Psalm 10 was recorded by the Exeter College Chapel Choir in 2006. The Novello New Choral Series is an inspiring selection of new works from a range of contemporarycomposers offering pieces for all types of choirs including sacred and secular works from simple four-part settings to more expansive yet accessible repertoire in an exciting variety of styles. This collection is perfect for choirs looking to broaden their repertoire and explore some of the best new music around. Jonathan bridcut (b.1984) has written a broad range of works for choir and orchestra that have been performed throughout the UK and europe. Jonathan was a treble at Winchester College where he was head Quirister in 1998 before Moving on to Radley College as top music scholar. He developed his interest in composition at Oxford University while studying at Exeter College as both an academic and choral Scholar. His first set of Evening Canticles was premiered in 2004 and a year later a second was performed in St Paul’s Cathedral. Recent highlights include performances at Oxford’s Sheldonian Theatre Tewkesbury Abbey St James’s Piccadilly and at the Lausanne Summer Festival by choirs and orchestras including Schola Cantorum of Oxford Commotio and The Oxford Spezzati. Future engagements include performances by the Oxford Spezzati and Laudate in London Lyon and Chester (where his latest choral commission will be premiered in September 2011). Jonathan graduated from Oxford in 2006 with a BA in Modern

For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral For solo female voice (Mezzo-Soprano) and ensemble: Violin Viola Cello Contrabass and Piano. Commissioned by Karina McIntosh in memory of her husband Angus McIntosh. I - Triple Burden II - Praise of a Man III - From His House Door IV - Defeat V - In Memoriam VI - Highland Funeral

Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes Patrick Hawes' Blue in Blue for SATB and Harp (or Piano). Duration: 4 minutes

O Salutaris Hostia is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). A setting of a poem in Latin by Edward Caswall a performance lasts around 2 minutes. O Salutaris Hostia is a work by David Terry for Unison Voices and Organ Accompaniment (with optional Descant). A setting of a poem in Latin by Edward Caswall a performance lasts around 2 minutes.

The works include An Air composed for Holsworthy Church Bells by S S Wesley Allegretto by C H Lloyd The Chimes of Cloucester Cathedral by C Lee Williams Cloister-Garth by Herbert Brewer Procession from Air Berceuse and Procession by Herbert Sumsion and John Sanders’s own Toccata representing a procession of Organists at Gloucester Cathedral from 1865 to 1994.Organist composer educator Choral director and administrator John Sanders who died in 2003 was a tireless musician whose influence extends into the future through his engagement with generations of aspiring musicians. The tone of his life is evident from this volume whose works are topped and tailed by hiscomments on the composers and on the history and development of the cathedral Organ itself.

This freshly engraved edition features three staves to the Organ part and a paragraph explaining the historical background and context of the work.