What Sweeter Music Can We Bring? Was Composed By Basil Harwood With Words From 17Th Century Poet Robert Herrick'S 'Noble Numbers'. The Work Is Arranged For Satb Choir. The English Organist And Composer Basil Harwood Was A Prolific Writer Of Cantatas Church Music And Works For The Organ. What Sweeter Music Can We Bring? was composed by Basil Harwood with words from 17th century poet Robert Herrick's 'Noble Numbers'. The work is arranged for SATB choir. The English organist and composer Basil Harwood was a prolific writer of cantatas church music and works for the Organ.

O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes. O For A Lay! is a work by Charles Wood for Unaccompanied SATB Choir. A setting of a poem by George Ratcliffe Woodward a full performance lasts around 1 and a half minutes.

This edition is newly published in a fresh engraving. It also includes a paragraph explaining the historical background and context of the work.

Coleridge-Taylor 'Now Late On The Sabbath Day' arranged for mixed voice choir SATB with organ accompaniment.

Study Score for Kenneth Leighton's Concerto For Organ Op.58. A separate organ part is also available on sale.

Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes Paul Mealor's Beneath Thy Compassion for SATB. Duration: 3 minutes

Samson An Oratorio For Soloists Mixed Chorus And Orchestra By George Frideric Handel Libretto By Newburgh Hamilton After Milton’S Samson Agonistes . Edited By Donald Burrows. This Item Is The Full Set Of Parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2 Samson an oratorio for soloists mixed chorus and orchestra by George Frideric Handel libretto by Newburgh Hamilton after Milton’s Samson Agonistes . Edited by Donald Burrows. This item is the full set of parts. Bassoon Cello/Bass Flute 1 Flute 2 Horn 1 Horn 2 Oboe 1 Oboe 2 Organ Harpsichord Timpani Trombone 1 Trombone 2 Trumpet 1 Trumpet 2 Viola Violin 1 Violin 2

In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement Intermezzo has an ABA structure and in its middle section quotes the opening of Shostakovich's Third String Quartet (written in the same year as Christopher Rowland was born!). Indeed the ghost of Shostakovich looms large throughout the concerto in more ways than one. The Toccata-Scherzo is energetic and rhythmically-charged again using an ABA structure. Here the writing for solo cello is quite virtuosic but not I hope in a shallow sense. The music builds inexorably towards a powerful climax underpinned by the opening twelve-note chord's re-appearance together with a violent outburst from the timpani at which point a tonal resolution (on G) arrives through a pianissimo held chord on strings which leads directly to the final movement - Song . And so the music arrives at its emotional heart through a simple melody (present in other forms throughout the work) announced by solo cello at the very top of its register against a quiet backdrop of horns and strings. A solo oboe enters with cello in canonic reply and all the time the music builds in texture and In memory of Christopher Rowland. Originally a concerto for Cello and chamber orchestra now for Cello with a Piano reduction of the orchestral part. The concerto is in four movements which are played without a break: Meditation Intermezzo Toccata-Scherzo and Song. The work lasts for some 18 minutes and was scored for two oboes two horns timpani (doubling tubular bells) and strings(found here in a Cello/Piano form). It is organised in one large arch-shaped structure with two fast inner movements flanked by two outer slow ones. The solo cello opens the work reflectively and introduces core melodic material which is continuously developed throughout theconcerto. Gradually the strings enter then wind and timpani and build a pyramid twelve-note chord at the peak of which there is a dramatic climax. The music then subsides (solo cello again) but links to the two faster middle movements. The second movement

J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. J.C. Bach 's wonderful Es Ist Nun Aus Mit Meinem Leben is arranged here for Unaccompanied SATB chorus and expertly edited by Jonathan Wikeley . The lyrics were written by Magnus Daniel Omeis and are in Latin. A review in the June 2016 edition of Organist's Review states that this is 'a chorale-like piece with an attractive melody well-crafted harmonies and only moderate technical challenges.'

With words by Thomas Broughton. Performing edition by Peter Jones.

James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment. A setting of Edward Caswall's Latin poem a performance lasts around 4 minutes. James Davy 's O Salutaris Hostia is a work for SATB Choir and Organ Accompaniment setting the text written by Thomas Aquinas for the Feast of Corpus Christi. A performance lasts around 4 minutes.

For SATB Choir and Organ For SATB Choir and Organ

Lead Us O Father by Michael Doswell an anthem for unaccompanied SATB choir with words by W.H Burleigh.

Paul Mealor's Praise was commissioned by Ralph Allwood for the Rodolfus Choir and was first performed by them on 31 December 2012 at Douai Abbey. Vocal Score for for SATB divisi chorus organ and optional percussion. Percussion part available separately: NOV293590-01.

George Arthur 'S Prayer Of Thomas Ken Composed For Unaccompanied Satb Double Choir Was The Winner Of The Hereford Three Choirs Festival Choral Compositions Competition 2015. It Was First Performed At Evensong In Hereford Cathedral On 26Th July 2015. George Arthur 's Prayer Of Thomas Ken composed for unaccompanied SATB double choir was the winner of the Hereford Three Choirs Festival Choral Compositions Competition 2015. It was first performed at Evensong in Hereford Cathedral on 26th July 2015.

Written for SATB choir and organ.

Simple Setting of the Evening Canticles alternating SATB and Unison Sections.

This set of six Scottish Welsh and Irish folksongs includes versions of My Darling Ploughman Boy My Love She’s A Venus The Barnyards O’Delgaty The Factory Girl The Queen Among The Heather and Brian O’Linn. They are expertly rendered for the ranges of the instruments.Paul Harvey is a highly respected clarinetist bass clarinetist contrabass clarinetist and Saxophonist music educator and composer of hundreds of works for clarinet and Saxophone. During his long career Harvey was bass clarinet of the Scottish National Orchestra freelanced in London for the BBC Symphony Orchestra and many West End musicals as well as performing on many film and television recordingsessions. He was co-founder and leader of the Londong Saxophone Quartet and Professor of Clarinet at the Royal Military School of Music. He has been recognized for his contributions to the world of the clarinet. Among his many commissions is a work for Bass Clarinet Choir which was given its premiere by a choir of 149 bass clarinetists conducted by Harvey himself.

This edition features fresh engravings with the Organ part printed on three staves. It also includes a paragraph explaining the historical background and context of the work. Johannes Brahms - How Lovely Are Thy Dwellings Fair by musicroom

This short setting of Rorate Coeli a text associated with the Matins service at Advent was written in 1983 and first performed by the Choir of Trinity College Cambridge as part of the Advent Carol Service held every year in Trinity College Chapel. Arranged for mixed voice choir SATB. Duration 2 minutes.