Anthem for Bass Soloist SATB Choir and Organ.

Mealor's setting of this popular text for SATB divisi chorus unaccompanied.

The full score for Patrick Hawes' Te Deum the premier for which took place on 21 July 2011 in Lancaster Ohio USA performed by Lancaster Chorale and Lancaster Festival Orchestra. Instrumentation:3 Horns in F 3 Trumpets in C (1 dbl. Piccolo Trumpet*) 2 Trombones Bass Trombone Tuba Timpani Percussion (1 player): Cymbals Snare Drum Bass Drum SATB chorus Organ Strings *Piccolo Trumpet may be used at the discretion of the player

For SATB Divisi Choir Unaccompanied-Owain Park's Justorum Animae arraged for unaccompanied SATB divisi choir. Owain Park's Justorum Animae for unaccompanied SATB divisi choir. Owain Park born in 1993 is a composer based in the United Kingdom. His works are published by Novello and have been performed internationally by ensembles including the Tallis Scholars the Aurora Ensemble and the Norwegian Soloists' Choir.

Carol with words translated from the French 'Quittez Pasteurs' by Alice Raleigh. Harmonised and arranged for SATB Choir A Cappella by C.H. Kitson.

Only selected works by this publisher are included in the catalogue. John McCabe 's The Lord Is My Shepherd is scored for Unison Upper Voices with Organ Accompaniment. A setting of Psalm 23 from the King James Version of The Bible a full performance lasts aroudn 2 and a half minutes. A review in the September 2016 issue of Organist's Review states that this piece is 'challenging and attractive' and 'poses interesting rhythmic challenges for singers'.

Distracted With Care And Anguish (Insanae Et Vanae Curae) is a motet for four voices. The accompaniment for Great Organ has been arranged by Joseph Barnby . Joseph Haydn (1732-1809) was an Austrian composer who became the figurehead of the classical movement. He formed a close and mutually respectful relationship with Mozart and later taught Beethoven but it was his compositions that left an indelible mark on the musical landscape of Western Europe.

All That We Read In Their Smiles was Written for Horn Tenor and Piano. This work was commissioned by the Merlto Trio with funds provided by the Arts Council of Great Britain.

Written for John Padley and the Sherbourne School Chapel Choir.

Composition for Organ dating from 1927.

Master Tallis's Testament No.3 from Six Pieces for Organ. Composed in 1940 Master Tallis's Testament unfolds Quasi lento teneramente in a gentle six-eight rhythm and in G minor. It consists of three variants of a theme which falls into three phrases (eight plus six plus four bars). The music rises gradually to a climax at the end of the third variant. A quiet echo of the last two bars supplies a coda and a peaceful ending in the major. The piece is one which its composer regards as most typical and with particular affection. Its title which pays tribute to a father of English cathedral music allies it to the twenty-four pieces contained in Howells' two sets of clavichordpieces the twelve of Lambert's Clavichord (the Lambert not being the composer Constant but the Bath photographer Herbert who in the Twenties published a set of portraits of British composers (including Howells) and the twelve of Howells' Clavichord (1951) the separate titles similarly evoke those of the Elizabethan Virginalists. © 1977 Felix Aprahamian

This adaptation of a text from Shakeseare's Twelfth Night is written for the upper voices (SSA) with Piano accompaniment.

Work for Organ dating from 1900.

Work for Organ dating from 1920.

Eric Thiman was a 20th century composer teacher and Organist who was also an advocate of amateur music-making. He was a prolific composer of church music and Piano and Organ works and his craftsmanship and gift for melody were much admired. He was director of music at the City Temple in London. As an educator he was a professor at the Royal Academy of Music and he wrote many books on harmony counterpoint and musical form.

Originally part of Brahms's Requiem Op.45 this undulating and expressive setting has been arranged by H.A. Chambers for a chorus of high voices with a full Piano accompaniment derived from the orchestral score.

The Crab-Fish is No.4 of Four Somerset Folk-songs collected by Cecil Sharp and arranged here for SSA Choir with Piano accompaniment by Imogen Holst.

Work for Organ composed in 1913.

Four Short Pieces for Organ was published in 1938 and includes Prelude Reverie Interlude and Scherzetto. Prelude was composed in 1931 at the Leipzig Thomaskirche where J S Bach was Kapellmeister and where his remains are interred.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.Four Short Pieces for Organ was published in 1938 and includes Prelude Reverie Interlude and Scherzetto. Prelude was composed in 1931 at the Leipzig Thomaskirche where J S Bach was Kapellmeister and where his remains are interred.Twentieth century English composer conductor chorister and Organist William H Harris was Organist at St George’s Chapel at Windsor Castle and was conductor for the coronations of Queen Elizabeth II and her father King George VI. His work was performed at the Three Choirs Festival and the Proms though he was best known as a choir trainer.

Jenkyns’ songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics – as in The Five Little Mice – are perfectly gauged for their performers. NB The Five Little Mice come to a sad end in this tale courtesy of a watchful cat.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He wasalso a highly-regarded Gilbert and Sullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving. Jenkyns’ songs for children can best be described as art songs for the youngest singers. Their ranges and technical requirements are just right for the younger age groups and their lyrics – as in The Five Little Mice – are perfectly gauged for their performers. NB The Five Little Mice come to a sad end in this tale courtesy of a watchful cat.Peter Jenkyns was a 20th century British composer singer and educator who wrote a series of songs for primary-aged children sensitively arranged and with appropriate lyrics. Jenkyns was the headmaster of two primary schools outside of London for whose choirs he composed songs for the St Albans’ Schools Music Festival. He wasalso a highly-regarded Gilbert and Sullivan patter-song singer and he founded a local Gilbert & Sullivan society which is still thriving.