Diamonds Are Forever Is The Theme Song Of The Seventh Film In The James Bond Series. The Sensual Lyrics Of The Song Are Voiced By Shirley Bassey Written By Don Black And Set To Music By John Barry. This Ttbb Arrangement By Thomas Lydon Captures The Longing Of The Song With Its Luxurious Harmonies And Mimicry Of The James Bond Signature Brass Stabs In The Piano Accompaniment. Diamonds Are Forever is the theme song of the seventh film in the James Bond series. The sensual lyrics of the song are voiced by Shirley Bassey written by Don Black and set to music by John Barry. This TTBB arrangement by Thomas Lydon captures the longing of the song with its luxurious harmonies and mimicry of the James Bond signature brass stabs in the piano accompaniment.

Mezzo-soprano and Piano.

Written by John and Michelle Phillips two years before they formed The Mamas And The Papas the evocative California Dreamin' reflects a longing from chilly New York for the warmth of the West Coast. California Dreamin' was released by The Mamas And The Papas in 1965 and has since become almost an informal signature tune for the hippie phenomenon that had hardly started when it was written. It has been arranged for female choir with piano accompaniment.

Work for Organ (Op.12) dating from 1885.

Flight is a virtuoso solo which seeks to investigate many of the various aspects of flying. It attempts to portray the effort of powered flight the ease of gliding and soaring the thrill of rising on natural thermals and the chaotic swirling of rapid descent. Intended for the flugel horn it will also suit cornet trumpet and euphonium players equally well. Full score and parts of the brass band version are available on hire from the publisher.

Parts-Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. These are the instrumental Parts . Ye Tuneful Muses Raise Your Heads is a work by Henry Purcell for SSCtTB Soli SSATB Chorus Treble Recorders Continuo and Strings. This work is taken from the Purcell Society Edition Volume 18: Royal Welcome Songs Part II edited by Bruce Wood. This is the Full Score and lasts around 24 minutes.

from Matilda- When I Grow Up comes from Matilda he Musical the award-winning stage version of Roald Dahl’s classic children’s novel from the Royal Shakespeare Company. The song is a wish list of the kind of pleasures adulthood is imagined to bring. Of course it is a poignant list because in this case all it contains is freedom from the trials of childhood. This choral version for SATB and piano accompaniment is arranged by Simon Foxley. Watch this brilliant performance from Matilda: The Musical (West End) - When I Grow Up :

L'il Liza Jane an American song arranged for unaccompanied SATB chorus by Gordon Lawson. A piano part is included for rehearsal purpose only.

Patrick Hawes ' Lavender’s Blue for Soprano Flute Oboe and Strings. Vocal Score. Patrick Hawes ' Lavender’s Blue for Soprano Flute Oboe and Strings. Vocal Score.

It Came Upon The Midnight Clear arranged by David Hill. The brass parts included are Trumpet 1/2/Trombone 1/2/3/Tuba.

Blue Moon written by Richard Rodgers and Lorenz Hart in 1934 has had many treatments over the decades. Mel Tormé made a smooth hit version in the 1940s Elvis Presley's unusual treatment made its way onto his first album in 1956 and The Marcels had a doo-wop hit with it in 1961 but ‘An American Werewolf in London’ was the first movie to associate this most romantic of songs with lycanthropy. With its timeless chord progression and the bittersweet juxtaposition of its melody and lyrics it's no wonder that this song is widely regarded as one of the greatest ever. The clever play-on-words combine luck with the blues creating theuniversal message that has touched the hearts of countless listeners and performers since its composition. This brand new arrangement by Simon Foxley & Christopher Hussey for SSA choir takes this beautifully evocative standard and updates it with a fresh pair of ears making it a really welcome addition to the Novello Choral Pops series.

Ian Venables' The Song Of The Severn is a cycle of songs in celebration of Worcestershire scored for Baritone Voice String Quartet and Piano. The Song of the Severn…clothes poems by Masefield Housman John Drinkwater and Philip Worner in sharply memorable music of bewitching lyricism idiomatic grace and rapt instinct…No lover of the early-20th-century English art song or pastoral tradition should fail to investigate this notable issue. - Andrew Achenbach Gramophone These five songs for voice with piano and string quartet accompaniment take the Severn Riverand its historical and natural associations as a common theme. They are absolutely stunning in their poignant beauty their profoundly noble and moving sense of tragedy and desolation that never turns sentimental or lachrymose and their perfect union of text and music to a level that rivals Schubert and Mahler. - James A. Altena Fanfare Magazine

Henry Purcell's From silent shades (1680). From Purcell Society Edition Vol. 25 (Secular songs for solo voice). Edited by Margaret Laurie (1985) for Solo Voice Continuo and Harpsichord accompaniment.

Miscellaneous Odes (Full Score - Original Engraving)-Purcell Society Edition Volume 27 Miscellaneous Odes in full score.

Written for the girl and boy choristers of Grace Church New York U.S.A. For unison voices with descant flute and organ.

Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for String Quartet. The work is divided into three movements Nothing Storm and Never taking their titles and imagery from Shakespeare's 'King Lear'. This is the score and parts for this work a full performance of which lasts around 20 minutes. Commissioned by the Bingham String Quartet with funds from the Ralph Vaughan Williams Trust Stoll wrote it in the winter of 2001-2. Fools By Heavenly Compulsion - String Quartet No.3 is a work by David Stoll for String Quartet. The work is divided into three movements Nothing Storm and Never taking their titles and imagery from Shakespeare's 'King Lear'. This is the score and parts for this work a full performance of which lasts around 20 minutes. Commissioned by the Bingham String Quartet with funds from the Ralph Vaughan Williams Trust Stoll wrote it in the winter of 2001-2.

A Carol of the Incarnation. A setting of a 15th Century prayer. A Carol of the Incarnation. A setting of a 15th Century prayer.

Sacred Music Part 5 (Anthems) (Original Engraving)-Original Engraving.

Unison song from The Fairy Queen .

Words Chiefly by Edward Lear