These three pieces for clarinet and piano were first performed at Cheltenham Festival 1964 by Keith Puddy and Vivian Troon. Duration c. 8 minutes.

Anthem for soprano solo SATB chorus and organ. English words from Psalm 1v by William Bartholomew.

This `homage to Bach' was awarded the Feruccio Busoni prize when it was premiered by a very young Maurizio Pollini (just 14) in 1956. Considered as one of the main milestones in Leighton's piano music in it the composer extends the Bach/Busoni legacy in a single movement of contrasting sections that build a constantly evolving structure one that is powerfully cumulative and rigorously controlled.

The second sonata is on a much larger scale than the first and has three movements which develop in intensity reaching a climax in the last movement which is a passacaglia. It is a stormy work in the sense that it opens peacefully and closes in a similar manner with a heavy shower of notes and ideas in between. There is little hint of this in the gentle opening of the first movement and although it follows the pattern of its previous sonata in developing a climax and releasing it again it is not until the scherzo with its powerful motor rhythms that the full fury of the storm breaks. The concluding passacaglia is built on repetition. The nature of the form partymakes this inevitable but repetition becomes a subtext with the idea of speeding up to a climax being itself repeated the second time subsiding into the peace of a storm blown out. © John Joubert

Song On May Morning is a work by Gordon Jacob for Unaccompanied SATB chorus featuring words by prominent English poet John Milton. Song On May Morning is a work by Gordon Jacob for Unaccompanied SATB chorus featuring words by prominent English poet John Milton.

Redman 'O God Of Earth And Altar' arranged for SATB with piano accompaniment.

Bruce Montgomery 's To Phyllis is a setting of words by Thomas Lodge for SATB chorus with Piano Accompaniment. Bruce Montgomery 's To Phyllis is a setting of words by Thomas Lodge for SATB chorus with Piano Accompaniment.

Concerto for violin and small orchestra arranged by the composer for violin and piano. Duration: c. 25 minutes.

This arrangement of Silent Night is the 2009 Setting by Stephen Cleobury for SATB Choir with Organ Ad Lib. A setting of the enduring Christmas carol with lyrics by Joseph Mohr and melody by Franz Gruber a full performance lasts around 3 minutes. This arrangement of Silent Night is the 2009 Setting by Stephen Cleobury for SATB Choir with Organ Ad Lib. A setting of the enduring Christmas carol with lyrics by Joseph Mohr and melody by Franz Gruber a full performance lasts around 3 minutes.

Contemporary British composer Brian Kelly has composed a series of place-inspired suites including the Cuban Suite and the New Orleans Suite. The Suite Parisienne’s four movements suggest the Paris of years gone by – Quartier Latin Promenade Memoire Moulin Rouge – in music that shows a deep understanding of brass instruments and a lively sophisticated setting of melodies that are almost but not quite French tunes. The solistic opportunities for each instrument are generously shared and the three livelier movements make a brilliant frame for the longing tone of the Memoire movement.

Suite For Skip And Sadie was inspired by the antics of the composer's cats who lived with him in his New York apartment. These four attractive and accessible pieces are for piano duettists of equal abilitiy Grade VI and above. Duration 8 minutes

The Chorus Part only of the original vocal setting which rather than SATB was for the unusual combination of STTB.

For Voices in Unison. For Voices in Unison.

Commissioned by the National School Band Association the first performance of this work took place at the Snape Maltings Concert Hall in Suffolk 1988 conducted by the composer.

For SA soli strings and organ. This book contains voice parts and a organ accompaniment historical and documentary introduction by Watkins Shaw and a preface and liturgical introduction by editor Graham Dixon. For SA soli strings and organ. This book contains voice parts and a organ accompaniment historical and documentary introduction by Watkins Shaw and a preface and liturgical introduction by editor Graham Dixon.

The King Shall Rejoice is a Coronation Anthem for King George II. Scored for six-part choir SAATBB although with some modifications can be used for SATB. The accompaniment presents a practical keyboard representation of the orchestral accompaniment. Edited by Damian Cranmer.

Shortly before his death Giovanni Pergolesi moved to the Franciscan monastery in Pozzuoli where he composed his last works. Among these is his Stabat mater which reveals the infusion into church composition of the operatic style. Pergolesi's grand work features a lively declamation of the text and great melodic appeal and expressiveness. Underlying everything is the contrapuntal background that was expected in music composed for the church at this time. The original version was for two soloists and small ensemble; this version has been arranged by Desmond Ratcliffe to include SATB Chorus Organ and Strings - but here the accompaniment is replaced by aPiano reduction.

Dream-Songs is a short cycle of settings of Walter De La Mere suitable for solo voice but ideal also for children's voices to sing in unison. Bennett's atmospheric music provides an imaginative foil to de la Mare's wonderful poems and a stimulating work for classroom study or concert performance.

Francis Jackson's Remember For Good arranged for SATB and Organ.

The Rose-Bud is composer William Cole 's setting of William Browne's poem for unaccompanied SATB chorus. The Rose-Bud is composer William Cole 's setting of William Browne's poem for unaccompanied SATB chorus.