Written for Counter-Tenor Cello and Harpsichord. Words by Swinburne with sentences from the Latin Requiem.

Score for SATB chorus Organ and Solo Trumpet.

Written for SATB choir with anonymous words from 1588.

For Clarinet and String Quartet. Published in 2011. Score. This work was commissioned by Linda Merrick and the Kreutzer Quartet to whom it is dedicated as a project involving commission performance recording and educational and outreach work. It was supported by funds provided by the PRS for Music Foundation RVW Trust The Holst Foundation the Royal Northern College of Music and the Ida Carroll Trust. The first performance was given at the Royal Northern College of Music Manchester on June 15th 2011. For Clarinet and String Quartet. Published in 2011. Score. This work was commissioned by Linda Merrick and the Kreutzer Quartet to whom it is dedicated as a project involving commission performance recording and educational and outreach work. It was supported by funds provided by the PRS for Music Foundation RVW Trust The Holst Foundation the Royal Northern College of Music and the Ida Carroll Trust. The first performance was given at the Royal Northern College of Music Manchester on June 15th 2011.

Easter Carol for SATB Choir and Organ. Text C.A. Alington

Vocal Score For Faith'S Call By Paul Mealor For Baritone Solo Satb Chorus And Orchestra. Vocal Score for Faith's Call by Paul Mealor for Baritone Solo SATB chorus and Orchestra.

Elgar's pastorale Serenade Op.73 No.2 is written for mixed chorus with a Piano accompaniment supplied for rehearsal purposes only.

Edited by Walter Emery and Robert Donington.

A work for Soprano Woodwind 2 Horns and Strings. Duration: circa 15 minutes Programme Note: 'This work was commissioned as a possible companion piece to Mozart’s Exsultate Jubilate and the decision was quickly made to write something as a complete contrast. The poems chosen one anonymous from the early 16th century the other two by the famous Scottish poet William Dunbar [1460?–1513?] describe the promise of salvation after life’s dark passage. Each of the three poems echo this thought: “In celum ther is joy with Thee” “A short torment for infinite gladness” and “Since erdly joy abides never Work for the joy thatlastès ever”. Thus in each poem the poet can overcome the fear of his inevitable death with the certainty of salvation: this work also has its ‘dark’ moments but the overall mood is one of calmness and peace. As with the words there are several musical motives that link the three songs. The musical motive for the refrain “Terribilis mors conturbat me” in the first macaronic poem [also a salute to Mozart since the Exsultate is in Latin] returns a little higher and more despairingly in each verse until the last verse where it is played a whole octave higher. This motive reappears [played mostly by the oboes] in the last song but now the pitch of each repeat goes in reverse that is from high to low. The famous motive of the Gregorian chant Dies Irae [representing death] is used to accompany the prayer of the second song. A musical motive for the joy of Paradise appears in the second song “A free choice given to Paradise or Hell”. There is also a ubiquitous 3-note chordal cluster which is used to illustrate the words: sometimes as a colour and

For SATBB Choir. For SATBB Choir.

Oculus Non Vidit is a work for Unaccompanied SATB chorus by Daniel Rollison a setting of 1 Corinthians 2:9. Please note that the lyrics are in Latin. Oculus Non Vidit is a work for Unaccompanied SATB chorus by Daniel Rollison a setting of 1 Corinthians 2:9. Please note that the lyrics are in Latin.

Written for SATB choir.

Examine Me O Lord is an anthem for two soprano voices with piano or organ accompaniment. Arranged by Watkins Shaw.

The Music Makers is a delightful ode set for Alto solo SATB chorus and orchestra accompaniment using words by Arthur O'Shaughnessy. This edition is the Vocal Score with a Piano reduction of the Orchestra score.

This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors singers and audiences alike. Mostly for mixed voices it includes 16 carols and a further 39arrangements published here for the first time. From Gabrielli to Judith Weir medieval melodies to spirituals the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material availableon hire for 24 of the carols to allow for performances without organ. This major issue of carols is edited by William Llewellyn a well established figure in the world of choral music. This outstanding collection of 90 carols offers a balanced mixture of accompanied and unaccompanied items which will appeal immediately to conductors singers and audiences alike. Mostly for mixed voices it includes 16 carols and a further 39 arrangements published here for the first time. From Gabrielli to Judith Weir medieval melodies to spirituals the range of styles covers a wide spectrum of tastes. Conductors will welcome the availability of optional orchestral material available on hire for 24 of the carols to allow for performances without organ. This major issue of carols is edited by William Llewellyn a well established figure in the world of choral music.

The Vocal Score to Geoffrey Bush's Christmas Cantata for for soprano solo SATB and piano accompaniment.

For trumpet and piano. For trumpet and piano.

Transposition exercises at the keyboard. Suitable for upto ARCO and beyond.

Nicholas Meredith's Five Easy Pieces for Violin and Piano.

Hymnus Paradisi is composed for SATB chorus and orchestra with soprano and tenor soloists and is characterised by an extraordinary depth and power. The text includes lines from the traditional Latin Requiem along with lines from the Anglican burial service as well as the texts of Psalm 23 and Psalm 121. Because of the personal nature of the composition Hymnus Paradisi remained unperformed until 1950. This vocal score includes a piano reduction of the orchestral score.