Three Choral Songs from William Shakespeare's As You Like It in a setting for SATB choir by Joseph Horovitz .

Theodora on a libretto by Thomas Morell was composed between 28 June and 31 July 1749 when Handel was in his 65th year. This oratorio was written for SMATB soli (with a small supporting part for the tenor) SATB chorus and orchestra. This vocal score edited by Watkins Shaw contains all voice parts and a piano accompaniment and includes a lengthy preface by the editor on the history and the staging of the work.

For mixed voice choir SATB. For mixed voice choir SATB.

John Joubert 's Leaves Of Life Op. 41. Vocal score.

Bagatelles is a work for two Bb Clarinets composed in 1965 by John McCabe . There are eight in total each lasting around a minute: Con fuoco ma non troppo allegro - Andante - Allegro giocoso - Fugatississimo - Adagio - Bossa Nova - Crescendo - Fantasy . John McCabe (1939-2015) was a British composer pianist and music administrator. He studied at the Royal Manchester College of Music (now the RNCM) and built a career as a virtuoso pianist. However he also wrote several hundred musical compositions ranging from large-scale orchestral works to chamber music and solo instrumental pieces - it is said the only classical genrehe did not write for was opera. He also held positions at numerous educational institutions across the UK Australia and the United States.

POD-The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SATB Choir. A setting of a traditional carol a full performance lasts around 3 minutes. The Boar's Head Carol is a work by Malcolm Williamson for Unaccompanied SATB Choir. A setting of a traditional carol a full performance lasts around 3 minutes.

Stephen Cleobury's original carol-setting for mixed voices and organ accomapniment was commssioned by the Worshipful Company of Musicians in 2004 for the Company’s annual carol service at St. Michael’s Church Cornhill London. Stephen Cleobury's Be Merry for SATB and Organ accompaniment. Duration: c. 5 minutes

This oratorio for SATB soli SATB chorus and orchestra is a masterpiece from one of the most influential composers of the classical era. Vocal score including piano accompaniment arranged by Vincent Novello.

Let God Arise is one of the twelve anthems which Handel wrote for the Duke of Chandos in the period 1716-1718. This anthem was written for soprano and tenor soli SATB chorus and orchestra. This vocal score edited by Janet Beat includes a piano accompaniment.

For ATTB Choir.

For SATB Chorus and Organ. For SATB Chorus and Organ.

Arthur Bliss Pastoral for Clarinet and Piano was composed around 1916. It is one of two pieces for clarinet and piano the other is unpublished.'Pastoral'is composed for either clarinet in A or Bflat. The duration of the work is 3'30.

Written for SATTB choir.

This collection presented in a performance ready spiral bound book features ten songs from the vast repertory of the Victorian and Edwardian Music Hall from the rich legacy left by the artistes lyricists and composers who flourished primarily in London in the second half of the 19th century and the first quarter of the 20th century. Arranged for solo or unison singing with choruses arranged for SATB by Geoffrey Brawn. Notes on the songs by Robert Meadwell.

Unite To Praise Thy Maker's Name is a composition by William Lloyd Webber for SATB chorus and Organ Accompaniment featuring words by Bryn Rees based on Psalm 103. This hymn-anthem is suitable for Harvest or General Thanksgiving. Unite To Praise Thy Maker's Name is a composition by William Lloyd Webber for SATB chorus and Organ Accompaniment featuring words by Bryn Rees based on Psalm 103. This hymn-anthem is suitable for Harvest or General Thanksgiving.

A sacred oratorio written in 1738 arranged for SSATBB edited and the piano accompaniment arranged by Mendelssohn.

For Unison Voices and Piano. For Unison Voices and Piano.

For SATB Choir and Organ. For SATB Choir and Organ.

Work for Cello and Piano composed in 1956.

The Light Of Life Op.29 (Lux Christi) a short oratorio for soli chorus and orchestra. Words written by Rev. E. Capel-Cure. First performed at the Worcester Festival September 1896. Full score and parts are available on hire.