Written for Unison with Piano accompaniment (optional).

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55. A beautifully-presented cloth-bound volume of Elgar's First Symphony Op.55.

West 'Magnificat And Nunc Dimittis' In F for mixed voice choir SATB.

For SATB Chorus and Organ. For SATB Chorus and Organ.

Short anthem for SATB Choir and Organ. Edited by Watkins Shaw.

Viol Consort (Tudor Anthems)- Score and parts for Viol consort.

A superb work for solo Piano Charles Camilleri's Piano Sonata No.2 Op.15 is guaranteed to impress. This work will provide an enjoyable challenge for the advancing pianist with the final third movement drammatico agitato being particularly exciting.

Work for Organ composed in 1961.

Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. Newly edited by Donald Burrows. Parts for Orchestra. Handel's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. Newly edited by Donald Burrows. Parts for Orchestra.

Prelude 'Whence is that goodly fragrance?' and Caprice 'God Rest ye merry gentleman'.

Written for Unison with Piano accompaniment (optional).

For SATB Choir. For SATB Choir.

Francis Jackson's Sing A New Song To The Lord arranged for SATB and Organ.

Leighton's setting of the Morning Canticles was commissioned in 1967 for the centenary service of the Monkton Combe School in Bath. The Venite like all three movements of the setting is scored for Unison Voices SATB Choir and Organ. Kenneth Leighton (1929-1988) was a Yorkshireman and one of the most distinguished post-war composers in Britain. While he is best known for his choral works he also wrote 3 symphonies for orchestra and being a fine pianist himself also wrote regularly for the Piano. His works are often characterised by a warmth and sympathy for the ensemble he is writing for.

Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass and Continuo parts only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739. Ode For Saint Cecilia's Day (Cello Double Bass and Continuo)Cello Double Bass and Continuo parts only. Handel 's majestical setting of John Dryden in a cantata to honour the patron saint of music first performed in London in 1739.

Written for SATB choir with piano accompaniment.

Setting of the Evening Canticles for SATB Choir and Organ.

These editions taken from the acclaimed Tudor Anthems anthology represent some of the most popular musical works from the volume. They include sacred works of various lengths and standards of difficulty for mixed voice choir accompanied and unaccompanied by an array of composers including Batten Byrd Gibbons Philips Sheppard Tallis Taverner and Weelkes. The works are prepared in an easily understood performing edition by Lionel Pike.

In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘O God my strength and fortitude’ from Ravencroft’s Psalter (1621) ‘O for a heart to praise’ from Este’s Whole Book of Psalms (1592) ‘O God of Truth’ from the Scottish Psalter (1635) and Orlando Gibbons’s Song 22 ‘Love of the Father’. These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s worksfor unison Voice and church music – in particular his two settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire. In the Variations on Old Psalm-Tunes for Organ Dyson fully explores the composer’s chosen sources: ‘O God my strength and fortitude’ from Ravencroft’s Psalter (1621) ‘O for a heart to praise’ from Este’s Whole Book of Psalms (1592) ‘O God of Truth’ from the Scottish Psalter (1635) and Orlando Gibbons’s Song 22 ‘Love of the Father’. These works are popular for service voluntaries.Twentieth century composer and educator George Dyson was a writer of ambitious and critically well-received works that due to their unfashionably accessible late Romantic style were allowed to languish and are now in the process of reassessment and renewed performance. However Dyson’s worksfor unison Voice and church music – in particular his two settings of the Magnificat and Nunc Dimittis – have remained active in the Anglican repertoire.