Carl Loewe's Wanderer's Night Song for Bass or Baritone Voice and Piano. Edited by Albert Howe.

Arranged for Organ by Edwin Lemare.

William Boyce ’s Te Deum And Jubilate In C was written for four Voices (SATB) with Bass continuo (Piano) accompaniment and first published in 1790. The lyrics of the two sacred pieces are both in English translation – an early Christian hymn of praise ( Te Deum ) and Psalm 100 ( Jubilate ). As morning canticles they are usually sung at Morning Prayer in the Anglican tradition. Duration if performed together is approximately 6:15 minutes. William Boyce is widely regarded as one of the most important English-born composers of the 18th century however he remains little-performed today. The beauty of his sacredcompositions is proof of his lifelong involvement with various aspects of Church music (as a choirboy organist and composer) since the age of 9.

The Pogues' classic Christmas hit arranged for SATB chorus and Piano. Words and music by Shane MacGowan and Jem Finer.

Piano Quintet.

Commissioned by the Cheltenham Festival Society Malcolm Arnold's Fifth Symphony Op.74 was composed in 1960 and first performed in 1961 (the year of his fortieth birthday). The work was composed towards the end of a period of intense compositional activity. Surrounded by controversy and criticism for its unashamed Neo-Romantic style at the time of composition it is now rightly heralded as a work of art. Edited by Millan Sachania.

This Symphony McCabe's fourth was commissioned by the BBC as part of an exchange scheme with the Australian Broadcasting Corporation. The first performance was given by the Melbourne Symphony Orchestra in Melbourne Concert Hall March 1995.

A setting of the Evening Canticles for SATB Choir and Organ.

Full Orchestra score for Edward Elgar's In The South Overture (Alassio) Op.50. Full Orchestra score for Edward Elgar's In The South Overture (Alassio) Op.50.

This work was first performed at the 1989 Fishguard Festival with funds provided by the Welsh Arts Council. The work has roughly the overall shape of a substantial slow movement followed by a double scherzo interlude another scherzo and a fast finale.

An anthology of fourteen varied performance pieces for four hands at one Piano. Includes popular works as varied as Blue Danube Waltz Op.314 and Londonderry Air . An excellent repertoire resource.

This classic ABBA hit is here arranged for SATB choir with Piano accompaniment. This is a perfect concert piece for all occasions.

The duets in this volume increase in difficulty: more advanced keys and rhythms are introduced and the musical demands are greater. The score format is used to encourage players to be aware of both parts. The duets cover a wide range of styles and introduce pupils to the music of different periods and countries. The two parts of are equal difficulty and the main melodies are shared between the players for equal interest.

With their iconic layered harmonies the music of The Beach Boys is ideal for choirs seeking vivid pop melodies and rich textures. This arrangement of In My Room for SATB chorus with piano accompaniment is a gentle lilting piece featuring an a cappella middle section that offers a key change and some pleasant dramatic contrast. A wonderful Choral Pop for choruses looking to add a tender calming new piece to their repertoire the soft piano backing and four vocal parts that move along in a parallel motion adds to the piece’s dreamy lullaby feel.

Written at the height of Elgar's powers in 1917 The Sanguine Fan was inspired by a scene depicting Pan and Echo that a local artist had drawn in sanguine on a fan. The ballet was originally composed as part of a matinee performance in March 1917 in aid of wartime charities. This study score edition is the ideal choice for both academic study and performance preparation.

The popular Christmas song Jingle Bell Rock was most famously released in 1957 by Bobby Helms . His Version was in the style of the popular '50s country/rock & roll crossover genre known as 'Rockabilly'. Here arranged for SATB and Piano accompaniment get ready to 'rock the night away'!

A book of Unison and Two-part songs. A book of Unison and Two-part songs.

This volume of the Just Voices series includes 10 timeless pop songs that make an ideal introduction to mastering the a cappella style. Complete with piano reductions for easy rehearsal all of the songs in the book can be sung by either a SSA or SAT choir making Just Voices the most enjoyable and flexible introduction to unaccompanied choral singing available.

Do a deer ' sang Maria von Trapp in The Sound of Music. That method of a capella pedagogy is called tonic sol-fa a form of solfege invented in the early 1800's by one Sarah Ann Glover and later developed by John Curwen Zoltan Kodaly and others over the years.The basic precept was that do' was a moveable tonic note for any key. Each note in the scale had a name and with some simple punctuation any Vocal line could be rendered.This score of Handel's Messiah is a fascinating glimpse into an inventive notation system that proved useful and popular for many years. The score contains a discussion of performance issues and an explanation ofthe tonic sol-fa system.

Ten short and attractive unison songs with simple tuned percussion accompaniment for young children. Words and music by Jean Hofmann.