Conteniendo un extracto del arte flamenco con variaciones tonos principales de acompanamiento estudios y explicaciones detalladas de los cantes. Conteniendo un extracto del arte flamenco con variaciones tonos principales de acompanamiento estudios y explicaciones detalladas de los cantes.

An hommage to Alfred Cottin.

A superb collection for violin (with piano acompaniment) by celebrated Spanish composers. Includes the music of Albeniz Granados Mompou and Turina.

The song Cantares sets a poem by philosophical poet Ramon de Campoamor whose words describe a conflicted and unfulfilled love. The transcription from Piano to Guitar enhances the Iberian flavour of the Turina’s song. There are virtuosic passages for the Guitar and quite demanding passages for the Soprano or high Voice.Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms and it is possible to hear the influence of Turina’s years studying in Paris as well as his native Spain combined with the composer’s own unique Voice.The song Cantares sets a poem by philosophical poet Ramon de Campoamor whose words describe a conflicted and unfulfilled love. The transcription from Piano to Guitar enhances the Iberian flavour of the Turina’s song. There are virtuosic passages for the Guitar and quite demanding passages for the Soprano or high Voice.Joaquin Turina is often contrasted with Albéniz and Granados those two proponents of a Spanish national style. Turina strove to write music of a European standard in the conventional major forms and it is possible to hear the influence of Turina’s years studying in Paris as well as his native Spain combined with the composer’s own unique Voice.

Spanish conductor and composer Tomás Bretón (1850 – 1923) became conductor of the Madrid Opera and spent his professional life fighting for the cause of sophisticated Spanish music nationalism. Bretón composed the lively evocative zarzuela La Verbena de la Paloma in just nineteen days and it has remained popular with Spanish audiences since its premiere in 1894 for its humour its music and the characters that recall nineteenth century Madrid.La Verbena de la Paloma is scored for two to three Soprano roles one to two contrAltos one to two Tenors and five to six baritones as well as an actor-singer and actress-singer. The libretto is in Spanish withouttranslation.

Xavier Montsalvatge's Soneto A Manuel De Falla is a setting of a poem by Federico Garcia Lorca for Voice and Piano in the style of great Spanish composer Manuel de Falla.

For Soprano and Piano. For Soprano and Piano.

Jose Padilla's La Violetera written for accordion and harmonica edited by Acheter Biok. Jose Padilla's La Violetera written for accordion and harmonica edited by Acheter Biok.

Written for Violin Viola Cello and Piano. Written for Violin Viola Cello and Piano.

Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism Serialism Modernism and Wagnerism while maintaining a distinctive Catalan character. He first came to prominence in 1940 after the Spanish Civil War and is seen to represent the “lost generation” which was active in the second half of the 1900’s. He helped to advance Spanish music from the Nationalistic style that dominated before the war and began to introduce West Indian influences into European music. Self-Parafrasis for Clarinet and Piano was written around 1968 when Montsalvatge was just coming into the height of his compositional prowess. Itis presented here in a high-quality glossy cover and would make the perfect gift for any clarinettist. Xavier Montsalvatge (1912-2002) was a consummate Spanish composer who explored many 20th century styles including Impressionism Serialism Modernism and Wagnerism while maintaining a distinctive Catalan character. He first came to prominence in 1940 after the Spanish Civil War and is seen to represent the “lost generation” which was active in the second half of the 1900’s. He helped to advance Spanish music from the Nationalistic style that dominated before the war and began to introduce West Indian influences into European music. Self-Parafrasis for Clarinet and Piano was written around 1968 when Montsalvatge was just cominginto the height of his compositional prowess. It is presented here in a high-quality glossy cover and would make the perfect gift for any clarinettist.

Halffter's 1930 mass setting for mixed chorus and organ. Latin text. Halffter's 1930 mass setting for mixed chorus and organ. Latin text.

Weber's two concertos and the concertino for clarinet were written for the clarinettist Heinrich Baermann. It is here written for Alto Saxophone and piano. Carl Maria von Weber1786 - 1826) was a cousin of Mozart's wife Constanze and trained as a musician from his childhood the son of a versatile musician who had founded his own travelling theatre company. Weber's two concertos and the concertino for clarinet were written for the clarinettist Heinrich Baermann. It is here written for Alto Saxophone and piano. Carl Maria von Weber1786 - 1826) was a cousin of Mozart's wife Constanze and trained as a musician from his childhood the son of a versatile musician who had founded his own travelling theatre company.

Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works. Reduction for Harp and Piano written in 1952 for the distinguished harpist Nicanor Zabaleta. This is the fifth of Rodrigo's eleven concertos. This is a cornerstone of the modern harp repertoire and one of the composer's most attractive works.

Credo De La Misa 'Papae Marcelli' by Giovanni Palestrina for six voices.

Conteniendo las mas modernas falsetas y variaciones de toques flamencos al alcance de cualquier aficionado. Conteniendo las mas modernas falsetas y variaciones de toques flamencos al alcance de cualquier aficionado.

Transcribed for guitar by Miguel Llobet. Transcribed for guitar by Miguel Llobet. I. Andante (Fragmento).

Written for chamber ensemble.

The full score including percussion diagrams of this 1958 orchestral work by Xavier Montsalvatge. The full score including percussion diagrams of this 1958 orchestral work by Xavier Montsalvatge.

A choral song by Josquin Des Pres arranged for mixed chorus by P. Samuel Rubio. A choral song by Josquin Des Pres arranged for mixed chorus by P. Samuel Rubio.

A wordless piece for Voice and Piano by Xavier Montsalvatge.