Joseph Haydn 's Dances Hob. IX:3 8 11 12 for solo Piano.

Schumann’s Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as Second only to Beethoven's Sonata in A. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann’s working manuscripts and – in the case of the 2nd Sonata – the score used by the engravers and extensive correspondence between the composer and the original publishers. Meticulous comparison of these original documents has made itpossible to determine numerous details regarding dynamics and articulation. Schumann’s autograph manuscript has been of significant help in this respect.The edition is part of the ABRSM syllabus (grade 8) Schumann 's Violin Sonatas were taken up with enthusiasm very soon after they were first performed. The Second Sonata was described at the time as 'Second only to Beethoven's Sonata in A'. Sonatas Op. 105 and Op. 121 are now presented in the first volume of this Wiener Urtext edition. It is based on the score in the new complete Schumann edition which draws not only upon the authorised first editions of both works but also upon Schumann 's working manuscripts and - in the case of the 2nd Sonata - the score used by the engravers and extensive correspondence between the composer and the originalpublishers. Meticulous comparison of these original documents has made it possible to determine numerous details regarding dynamics and articulation. Schumann 's autograph manuscript has been of significant help in this respect. The edition is part of the ABRSM syllabus (grade 8).

Violoncello and Piano- Johannes Brahms ' Sonata Op. 38 in E minor for Cello with Piano accompaniment.

Claude Debussy 's Preludes book 1.

Wolfgang Amadeus Mozart 's Sonatas . Volume 1 for Violin with Piano accompaniment.

Friedrich Burgmuller 's 25 Etudes Op.100 .

Newly re-discovered in the run-up to the Schumann Yearabout three years ago a previously unknown manuscript of an album leaf for piano by Robert Schumann was found in the Leopold Sophien Library of Überlingen. The little piano piece entitled 'Ahnung' had been given and dedicated by Klara Schumann to a friend of hers the lithographer and writer Julius Allgeyer. In the Wiener Urtext Edition series this little work is published for the first time in the run-up to the Schumann Year 2010. A print of the rediscovered Schumann autograph is included in the edition. The expressive relatively easy-to-play piece adds to the Romantic piano repertoire. Newly re-discovered in the run-up to the Schumann year. About three years ago a previously unknown manuscript of an album leaf for Piano by Robert Schumann was found in the Leopold Sophien Library of uberlingen. The little Piano piece entitled 'Ahnung' had been given and dedicated by Klara Schumann to a friend of hers the lithographer and writer Julius Allgeyer. In the Wiener Urtext Edition series this little work is published for the first time in the run-up to the Schumann year - 2010. A print of the rediscovered Schumann autograph is included in the edition. The expressive relatively easy-to-play piece adds to theRomantic Piano repertoire.

Johannes Brahms ' Piano Pieces Op. 119 .

Frédéric Chopin 's Nocturne F Minor Op. 55/1 for solo Piano.

Ludwig Van Beethoven 's Piano Sonata - D Op. 10/3 .

Johannes Brahms ' Sonata Op.78 G .

Nach der Originalausgabe. Neuausgabe

This new Wiener Urtext Edition presents Bach's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the harpsichord as well as on the piano. This new Wiener Urtext Edition presents Bach 's Chromatic Fantasy not just in the traditional form but contains two additional versions one late and one early. The early version is based on sources previously ignored and the late version is thought to be probably a late revision by Bach himself. The introduction and critical commentary give a detailed history and further background detail. The performance notes provide information for stylistically correct interpretation on the Harpsichord as well as on the Piano.

Johannes Brahms ' 3 Intermezzos Op. 117 .

Claude Debussy 's Preludes book 2

Johann Sebastian Bach 's Toccatas BWV 910-916 contains early versions of BWV 912 and 913 and an ornamented version Of BWV 916.

When Christa Landon presented her printed edition of Joseph Haydn's piano sonatas for the first time Haydn's sonata works were still overshadowed by the works of Mozart and Beethoven. But Haydn's sonatas left the niche of piano lessons long since and have become established in the concert repertoire; Landon's edition certainly played a major role in that. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition because new sources have been discovered and questions concerning authenticity have been clarified over more than forty years; the editorial principles for 18th-century music in particular have markedly changed in the mean time.The new edition comprises all the works from the previous Wiener Urtext edition plus the Sonata Hob. XVI:16 arranged by Landon as well as a Sonata in F major which was discovered in Bolzano a few years ago and attributed to Joseph Haydn. The new edition too is divided into four volumes the content of which is compatible with that of each of the volumes of the preceding edition. In the notes on interpretation Robert D. Levin explains essential aspects of Haydn's performance practice. When Christa Landon presented the first printed version of her edition of Joseph Haydn 's Piano sonatas Haydn 's sonata oeuvre was still overshadowed by the works of Mozart and Beethoven. Since then Haydn 's sonatas have progressed from the teaching rooms to the concert halls and Landon's edition has played a crucial role in that process. The Haydn anniversary in 2009 is a welcome occasion to thoroughly revise this 'legendary' edition for over the course of more than forty years new sources have come to light and questions of authenticity have been resolved not least because the editorial principles for 18th-centurymusic have changed considerably. The new edition comprises all works of the previous Wiener Urtext edition plus the sonata Hob. XVI:16 edited by Landon along with the Sonata in F major which was rediscovered in Bozen a few years ago and attributed to Joseph Haydn . The new edition is published in four volumes the content of each volume being compatible with the volumes of the previous edition. Volumes 1 and 2 contain the early sonatas. In the Notes on Interpretation Robert D. Levin explains important aspects of Haydn 's performance practice.

Frédéric Chopin 's Ballades for solo Piano.

Franz Schubert 's Fantasy In C - Wanderer-Fantasie C D 760 .

The Sonata in A major Hob. XVI:26 is one of the sonatas by Joseph Haydn which increasingly become the focus of attention of our piano teachers. Thanks to its moderate technical demands it is perfect for piano lessons. At the same time it shows essential features of Haydn's piano style in a condensed form – an expressive musical declamation rhetorical breaks full of tension wit and humour – which culminates not only in one of the shortest final movements of Haydn but also in a minuet the second half of which (in Minuet and Trio) corresponds to the first half when played backwards. A real voyage of discovery for the 'eagle-eyed' ones among the young piano players! The musical textis based on Christa Landon's edition newly revised by Ulrich Leisinger; the notes on interpretation by Robert D. Levin provide assistance for a performance practice in the appropriate style. The Sonata in A major Hob. XVI:26 is one of the sonatas by Joseph Haydn which increasingly become the focus of attention of our piano teachers. Thanks to its moderate technical demands it is perfect for piano lessons. At the same time it shows essential features of Haydn's piano style in a condensed form - an expressive musical declamation rhetorical breaks full of tension wit and humour - which culminates not only in one of the shortest final movements of Haydn but also in a minuet the second half of which (in Minuet and Trio) corresponds to the first half when played backwards. A real voyage of discovery for the 'eagle-eyed' ones among the young pianoplayers! The musical text is based on Christa Landon's edition newly revised by Ulrich Leisinger; the notes on interpretation by Robert D. Levin provide assistance for a performance practice in the appropriate style.