Whilst making no claims to be stylistically authentic this little piece aims to capture the infectious spirit of mariachi a word whose origins are lost in the mists of time but which describes not only the performers (on guitars vihuelas violins trumpets and harp) but also the music itself. Their music speaks of love passion politics life in the country and revolutionary heroes but is unerringly uplifting in style and immediately recognisable as the spirit of Mexico. A chance to add that Spanish flavour to your concerts.

The singer-songwriter and poet Georges Brassens ' emotional song La Guerre 14-18 arranged for four-part chorus by Passaquet . Often only accompanying himself on acoustic Guitar George Brassens was a poet whose works convey extraordinary beauty with their black humour and their political statements. La Guerre 14-18 is one of his most famous pieces and this arrangement breathes new life into a topic that is always relevant and pertinent.

from Symphony No 6-This beautiful melody is taken from the final movement of Beethoven's sixth symphony which has the title Shepherds' Song: grateful feelings towards God after the storm. Bring the classic period alive with this great arrangement by Philip Sparke.

Ceremonial Ode-For St Cecilia Ceremonial Ode for tenor solo chorus & orchestra; words by Edmund Blunden. The original work was commissioned by the St Cecilia’s Day Festival Committee for the 1947 celebration of music’s patron saint. The ceremonial mood is established with fanfares and the sonorous sweep of the choral writing reflects Finzi’s admiration for Parry and Elgar. The ‘catalogue’ of saints shared between the soloist and chorus are deftly delineated: St Valentine St George St Dunstan St Swithin and St Cecilia herself. In rapt stillness the English composers of the past – Merbecke Byrd Dowland and Purcell – are summoned. To close Finzi creates a festal summation withexultant counterpoint and the saint’s name pealing around the chorus. This ceremonial ode to St. Cecilia was commissioned by the St. Cecilia's Day Festival Committee and was first performed at the Royal Albert Hall in 1947. The text is a beautiful and devout celebration by Edmund Blunden and the work is intended for performance by a large SATB chorus. A Piano reduction of the original orchestral score provides an intricate accompaniment.

Sechs leichte Stücke- Six easy ragtime pieces for piano duet by Mike Cornick. Pieces featured are: The One Minute Rag Modulating Rag Dissonance Rag Intermezzo Classic Syncopations Old Fashioned Rag.

Noget Om Lykke by the Danish composer Mogens Jermiin Nissen arranged for Alto Recorder and SATB Choir by Michael Bojesen . This piece incorporates words by Halfdan Rasmussen . Noget Om Lykke by the Danish composer Mogens Jermiin Nissen arranged for Alto Recorder and SATB Choir by Michael Bojesen . This piece incorporates words by Halfdan Rasmussen .

Work for French Horn and Piano first published in 1954.

The melodies harmonies moods and rhythms of Norwegian folk songs and dance (even the sounds of Norwegian folk instruments) permeate the music of Edvard Grieg (1843-1907). After studying in Leipzig and Copenhagen he returned to Norway and a chance meeting with Norwegian nationalist Rikard Nordraak ignited his interest in folk music and laid the foundation for his compositional style. His most famous orchestral works are the Piano Concerto (1868) and the incidental music to Ibsen’s play Peer Gynt (1875). He wrote many collections of folk music for piano and these two tunes come from his 25 Norwegian Folk Songs and Dances op. 17.

A very simple arrangement of Beethoven's Moonlight Sonata which has been arranged for solo Piano by Allan Small. Part of the Simply Classics series which are carefully adapted and are perfect for the elementary- to intermediate-level students allowing them to enjoy the timeless classics of the masters at an earlier stage in their musical development.

Symfoni nr. 6 Det Himmelrivende. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Composed 1920. BVN165. 'Det Himmelrivende' / The 'Heaven-Rending' - Symphony No. 6 in one movement on one motif by Rued Langgaard . Composed in 1919-20 rev. 1928-30. BVN 165. Instrumentation: 3.3.3.3/4.8.3.1/2 timp/2 perc/Tbells/2 hp/cel/org ad lib./str. Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition Symfoni nr. 6 'Det Himmelrivende' by Rued Langgaard . Critical edition by Bendt Viinholt Nielsen / The Rued Langgaard Edition

Flute Guitar. Diabelli A

This arrangement features the first and final sections of this overture one of the favourites of the orchestral repertoire. The opening Lento is an excellent vehicle for developing clarity and purity of tone at softer dynamic levels. Approx. duration: 4 minutes 40 seconds

12 Pièces brèves

In Classic Hymns Philip Sparke has taken 10 of the best-loved hymn tunes popular around the world and used them as the basis of a collection of short recital pieces ranging from simple descant arrangements to a full-blown theme and variations. Ideal for concert or contest use these charming pieces range in mood from triumphal to reflective and can provide that ‘musical moment’ and a time for meditation in church services and religious occasions of all kinds.

Ferdinand David's Concertino In Eb Op.4 for Trombone and Piano. Edited by Robert Muller.

Work for Reciter Children's Choir and Instruments. Work for Reciter Children's Choir and Instruments.

Orgelbogen - 17 Preludes and Chorale Fantasies (1955- 2014) by Per Nørgård . Edited by Ivan Hansen. A review in the July/August issue of Choir and Organ magazine stated that Orgelbogen is comprised of rigorous works in and uncompromising idiom by a major figure far removed from the world of the Anglican organ loft and choir stalls concluding that [a]nyone with an interest in contemporary composition for organ should investigate this - it's a beacon of clear-minded compositional integrity. A review in the May-July 2016 edition of 'The Organ' Magazine states that the inherent quality of this publication makes it very strongly recommended to organists of all ages andtechnical accomplishment. Orgelbogen - 17 Preludes and Chorale Fantasies (1955- 2014) by Per Norgard . Edited by Ivan Hansen. A review in the July/August issue of Choir and Organ magazine stated that Orgelbogen is comprised of 'rigorous works in and uncompromising idiom by a major figure far removed from the world of the Anglican organ loft and choir stalls' concluding that '[a]nyone with an interest in contemporary composition for organ should investigate this - it's a beacon of clear-minded compositional integrity. A review in the May-July 2016 edition of 'The Organ' Magazine states that 'the inherentquality' of this publication makes it 'very strongly recommended to organists of all ages and technical accomplishment.'

Pièce en 2 Parties

Play Tango Klezmer and SwingWith this edition Cordula Sauter presents an attractive selection of pieces that will appeal to accordion players of every age group. Idiomatic harmonies techniques and embellishments offer a wide-ranging insight into the sound of these popularstyles.Many of the pieces are kept straightforward to facilitate getting started with this collection; others call for greater empathy but their exciting style will soon make them gems on any programme large or small.• Familiar tunes in contrasting styles• Tango klezmer and swing standards• Idiomatic playing techniques such as glissandos appoggiaturas and half-trills Familiar tunes in contrasting styles. Tango klezmer and swing standards. Idiomatic playing techniques such as glissandos appoggiaturas and half-trills. With this edition Cordula Sauter presents an attractive selection of pieces that will appeal to Accordion players of every age group. Idiomatic harmonies techniques and embellishments offer a wide-ranging insight into the sound of these popular styles. The collection is designed for accordionists who have an instrument with at least 72 basses. Many of the pieces are kept straightforward to facilitate getting started with this collection; others call for greater empathy but their exciting style willsoon make them gems on any programme large or small.

from Hymn of the Highlands - Euphonium Solo-The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece written for solo euphonium and brass band reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience. The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece written for solo Euphonium and Brass Band reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the Euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.