Wachet auf ruft uns die Stimme-This enchanting melody is from the fourth movement of Bach’s Cantata 140 which was composed in 1731 using the parable of the wise and foolish virgins as the text. The work is beautiful in its simplicity with only three melodic lines demonstrating Bach’s counterpoint at its best. For greatest effect it is suggested that the cornets and trombones play behind the band or to the right and left of the stage.

Elegy for Band-The initial idea was for a millennium piece which it is but rather than add to the many celebratory pieces that have understandably been written to salute the 3rd millennium Philip Sparke thought it would perhaps be appropriate to think about the aspects of life that are constantly with us (such as faith and philosophy) rather than the exciting changes that the year 2000 has undeniably wrought. This calm meditative work will bring a moment of serenity and reflection to any concert.

from The Danserye-This sparkling dance from the 1500s will bring a unique musical quality to your concert programme. Ancient rhythmic and harmonic sounds will delight your audience as you perform this endearing outdoor piece to be played strong and full of life.

French composer and conductor Henri Tomasi (1901-1971) published Sonatine for solo Flute in 1949. As with his other wind compositions Sonatine was well-received by audiences. Tomasi was born in Marseille but his Father and Mother were originally from La Casinca in Corsica. Despite being pressured into musical studies by his parents Tomasi dreamed of becoming a sailor and during the summer he stayed with his Grandmother in Corsica where he learnt traditional Corsican songs. However in 1921 he began his studies at the Paris Conservatoire and went on to become a high profilecomposer and conductor. Tomasi did not forget his Corsican routes often incorporating themes of the songs he had learnt during the summers with his Grandmother in to his compositions. Sonatine for solo Flute is a highly unusual complex and modern work in three movements; 1) Prelude and Scherzo 2) Pastorale and 3) Finale. This Tomasi piece is suitable to advanced flautsits providing an exciting alternative addition to the instrument's repertoire.

Cantata for Christmas Day- Gelobet seist du Jesu Christ BWV 91 Cantata for Christmas Day The cantata Gelobet seist du Jesu Christ was composed by J. S. Bach for Christmas Day 1724. It belongs to that yearly set of “chorale cantatas” the texts of which were mostly derived from a single chorale. The anonymous author of the text used to retain literally the first and last verses of the selected chorale but paraphrased the middle verses more or less freely in the form of recitatives arias and ariosi. Urtext of the New Bach Edition Performance material (BA10091) Vocal score (BA10091-90) & study score format 22.5 x 16.5cm(TP1091) available for sale

Den Lille Napolean is a collection of four songs composed by Danish composer Erik Fiehn for Voice and Piano. Den Lille Napolean is a collection of four songs composed by Danish composer Erik Fiehn for Voice and Piano.

Easy Jazzy Duets is a collection of contrasting pieces written with aim of introducing music in the Jazz idiom at a very elementary level. All pieces in this book are to be played with four hands at one Piano.

4 Voix Mixtes - Chansons Francaises- SATB chorus

S.L. Weiss' Sonatas No. 11 A Major & No. 15 In F Minor for Baroque Lute.

25 Famous Carols-Philip Sparke’s Classic Christmas brings together 25 of the most popular Christmas carols which can either be played with the CD accompaniments or with organ or piano using the separate accompaniment book which fits with all the instrumental books. They can be performed as solos and are all in suitable keys to accompany congregational singing. Twenty-five famous Christmas carols for Instrumental solos or Ensembles with the same instruments. Includes a Play along CD of accompaniments and demonstration tracks. This edition for Trombone or Euphonium Treble Clef.

Breitkopf Urtext für Flöte und Cembalo / for Flute and Harpsichord-These Sonatas for flute and harpsichord obbligato (Wq 83 - 86) were written in Potsdam between 1745 and 1755 while C. P. E. Bach was in the service of King Frederick II of Prussia. The sonatas also exist in genuine trio Sonata versions. In our present version the right hand of the harpsichordist takes over one of the concertante parts. Only when this part rests does the harpsichord fulfill the function of a thoroughbass. This edition was based an the autograph and an copies by Westphal a friend of the composer. The score reproduces the Urtext thus maintaining the characteristic features of C. P. E. Bachs writing. The articulation suggestions added by the editor inthe flute part have been distinguished by broken lines.(Gerhard Braun Editor)The second volume of sonatas for Flute and Piano (originally for Harpsichord) containing Sonata in D Wq 85 and Sonata in D Wq 86 edited by Gerhard Braun with Continuo realization by Siegfried Petrenz. Volume 1: EB8474

by Antonio Ongarello. Learn Bossa Nova Technique and play 15 brazilian standards. Includes play along CD with high quality backing tracks for solo and rhythm guitar.

Christmas Lullaby is a setting for string orchestra of themes form Johannes Brahms op. 91 Two Songs for Contralto and Piano with Viola. The second of Brahms' songs Geistliches Wiegenlied is based on a traditional German Carol dating from the 15th century and forms the basis of this arrangement. The piece should be performed with a lilting gentle rhythm and a sense of one beat per measure. The piano part is optional. String Orchestra (parts). Dabczynski A

Kyrie and Gloria- Missa brevis (BuxWV 114) for Mixed choir SSATB and Basso continuo Dietrich Buxtehude (1637-1707) was Organist of the St Marien church in Lubeck from 1668 until his death. He wrote many works for specific secular occasions feasts and celebrations etc. and although his positon did not require him to compose vocal music he left over 120 vocal works in a wide range of scorings style and length. Almost all texts are sacred and scorings vary from a single voice with instrument to nine voices with several instruments and continuo. The Missa brevis is written in the 'Stile antico' following 16th century models and consistsof the Kyrie and Gloria of the Ordinarium.

from Hymn of the Highlands - Euphonium Solo-The Summer Isles are a group of islands located off the North West coast of Scotland which are famous for their wildlife. This piece written for solo euphonium and brass band reflects the natural beauty and relaxing atmosphere of the islands. The wonderful melodious nature of the euphonium is displayed in this piece and the opening theme is followed by melodic interplay between the soloist and cornets. This piece will surely be enjoyed by any audience.

for violin and viola

Internationally acclaimed French composer Henri Dutilleux (1916-2013) followed the music traditions of Maurice Ravel and Claude Debussy yet implemented his own distinctive style. His Sarabande et Cortege for Bassoon and Piano displays influences of Debussy 's eschewing of tonality and Ravel 's inventive textures. These combined with Dutilleux 's unique uses of structure and pedal points create a truly riveting piece for Bassoon and Piano. Sarabande et Cortege comes at the beginning of Dutilleux 's career and was composed as part of a set of fourexam pieces for the Paris Conservatoire (1942-1950). Yet the popularity of all four pieces remains and they continue to be performed to this day. Elements like lyrical melodies and furious semiquaver passages make for an exciting piece for bassoonists.

for 2 viola da gambas

Flying the Breeze opens with three repeated B's (representing the initials of the Breeze Brass Band from Japan who commissioned this work). A short introduction leads to a robust theme from the baritones and euphoniums which is taken up by cornets and trombones. A restless bridge passage leads to a syncopated tune from the solo cornet and then to a third theme from a solo trombone. A graceful second subject leads back to a recall of the introductory material before a full-scale recapitulation. An intense allargando leads to a full-band version of the second subject under a running cornet passage which leads to a short coda.

10 Klavierstücke für Kinder - 10 Piano Pieces for Children- These ten pieces written in varying styles (classical pop ballad rock and jazz) are of high musical value displaying quality Piano writing and are at the same time appealing to children. Humorous drawings by Urs Sandmeier will greatly entertain young pianists. From the contents: Apache Song On the Train Step Dance Granny Irish Song The Elephant Kari Basil Boogie Gallop The Ballad of King Henry A Little Night Music . The author: Anita Ramade-Etchebarne (1953) studied Piano at the École Normale de Musique in Paris. She is an experienced Piano teacher and writes arrangements and Piano pieces for her students.