In this sparkling joyful composition for three flutes with band accompaniment the emphasis lies on the predominantly syncopated structure with the supporting percussion group giving the Latin effect a little extra emphasis. This attractive short concert work with the flute section in the spotlight is technically uncomplicated and can be easily performed by three reasonably advanced flautists!

Toute la musique que j'aime - Quelque chose de Tennessee - Allumer le feu - Laura - Noir c'est noir-Contemporary French singer songwriter and actor Johnny Hallyday is one of France’s biggest stars who has gained considerable international success. His 2009 farewell tour will mark the culmination of his almost 50 year career. This medley featuresfive of his biggest hits: Toute la musique que jaime - Quelque chose de Tennessee - Allumer le feu - Laura - Noir cest noir.

'You Are The New Day' written for Soprano Alto Tenor and Bass.

Freedom of the Eagle-The city of Mantua holds significant historical importance for the southern Italy’s region of Tyrol. In this dramatic work Otto M Schwarz tells the tale of the Tyrolian freedom fighter Andreas Hofer who was executed in Mantua in 1809. The composer follows the life of this great folk hero from his humble beginnings as an innkeeper to his death. This piece has all the energy of an exciting adventure movie - just without the pictures of course!

Mass G minor BWV 235 'Lutheran Mass No.3' for Alto solo Tenor solo Bass solo mixed choir (SATB) and orchestra Often overshadowed by the more famous Mass in B minor the four Lutheran Masses feature glorious choruses and sincerely moving arias. They are largely taken from various cantata movements and adapted to the Mass texts. Urtext of the New Bach Edition Full score performance material and vocal score for all 4 Masses (BA5182-BA5185) available for sale

Ballad for Band-Man as an individual and the significance of family and friends - this is the theme that the young talented composer Thiemo Kraas focuses on in One Life. The result is a touching work that describes life from the moment of conception to the final sadness of death. In the work as in life melancholic and cheerful sounds alternate which result in a truly masterful composition.

Seven concertos based on works by Vivaldi and others-About Keyboard Arrangements Of Works By Other Composers Volume II(Seven Concertos After Vivaldi And Others) By Johann Sebastian Bach (1685-1750) edited by Karl Heller. Collection for solo piano (or harpsichord). Urtext of the New Bach Edition. 73 pages. Published by Baerenreiter-Ausgaben (German import). (BA.BA5222) ISBN M006505418. With introductory text (does not include words to the songs). Baroque. 9x12 inches. Contents:Concerto In C Major BWV 984 composed by Jonhann Ernst Prinz von Sachsen-WeimarConcerto In G Minor BWV 983 composed by unknownConcerto In Bb Major BWV 982 composed by Jonhann Ernst Prinz von Sachsen-Weimar from Op. 1 No. 1.Concerto In C Minor BWV 981composed by Benedetto Marcello from Op. 1 No. 2.Concerto In F Major BWV 978 composed by Antonio Vivaldi from Op. 3 No. 3 (RV 310).Concerto In G Major BWV 980 composed by Antonio Vivaldi from RV 381.Concerto In B Minor BWV 979 composed by Giuseppe Torelli

Ševcík ’s complete work covers every area of Violin technique from the most elementary level and special exercises concerning individual technical problems right through to analytical studies of the standard concertos. Today more than 130 years later his “Violin School” still numbers among the most important teaching methods for violinists. This revised edition of Ševcík ’s “School of Violin Technique” Op.1 comprises four books and is essentially based on the first edition published at the beginning of the twentieth century. Other sources from Ševcík ’s posthumous papers have also been taken into account. Jaroslav Foltýn Violin professorat Prague Conservatory (like Ševcík at one time) has provided an accurate methodological commentary. A revised edition of a Violin method which has been used by generations of violinists. Seminal work by a leading Violin educator. Each book contains a methodological commentary by the editor (Cz/Eng/Ger).

Second Piano Accompaniments-These books are to be used with the corresponding volumes of the Suzuki Piano School to produce duet or duo versions of the pieces in the original series. Volume 1 titles include: Allegro * Chant Arabe * Christmas Day Secrets * Clair de Lune * French Children's Song * Go Tell Aunt Rhody * Goodbye to Winter * The Honeybee * London Bridge * Long Long Ago * Lightly Row (Alberti Bass) * Little Playmates * Mary Had a Little Lamb * Musette * Twinkle Twinkle Little Star Variations and more.

It is not entirely sure where the melody originates that forms the basis for Norwegian Overture. Most sources point in the direction of a certain J.H. Nebelong in about 1881. It is also possible that he was the first to note down this traditional melody and put his name to it.The lyrics are by a certain A.H. Brorson and were set to the music at a later date. The original title is store hvide flok which means the big white herd. Several composers have used this theme including Edvard Grieg and the Danish Carl Nielsen.

Book 4-Eleven compostitions for 1-3 voices and/or instruments from the mid-fifteenth Century

Copland 2000 separate part - trumpet (piano accompaniment available separately = BHI102644)-The edition is part of the Trinity syllabus 2007 (grade 8)The edition is part of the ABRSM Summer 2006 syllabus (grades 4 7 8) This is a fantastic book based on the music of Aaron Copland. Many of these solos have been taken from his vocal works and have been carefully arranged by Quincy C. Hilliard to preserve the lyrical and expressive qualities so evident in Copland's works. Suitable for Trumpet Tenor Saxophone and Baritone Saxophone. Piano accompaniment available seperately.

James Rae presents five of Joplin's popular Ragtime pieces arranged for Clarinet And Piano including the ever-popular Weeping Willow and of course The Entertainer James Rae presents five of Joplin's popular Ragtime pieces arranged for Clarinet And Piano including the ever-popular Weeping Willow and of course The Entertainer

Op. 31 Mwv A 9- Psalm ' Non nobis Domine ' / ' Nicht unserm Namen Herr ' Op.31 MWV A 9 Mendelssohn's first great orchestral psalm took almost six years to complete from the initial sketches and the first version of 1830 to the final version of 1835. Its premiere which took place at the Leipzig Gewandhaus did not take place until 1838. Unlike his other orchestral psalms Mendelssohn took the Latin words from the Vulgate as his principal text which stems from Psalm 113. When he later prepared his own German translation he made use of Psalm 115 from the Luther Bible. This edition by the leading Mendelssohn authorityJohn Michael Cooper incorporates all the relevant sources. In accordance with the work's genesis the vocal parts are underlaid with the Latin text and the German text appears underneath. Rounding off this Urtext edition are an informative Foreword and detailed Critical Commentary. The piano reduction stems from Mendelssohn himself. - Informative Foreword in the score (Ger/Eng) - Text underlay in two languages (Lat/Ger) - Piano reduction by the composer - Full score & parts (BA9079) and vocal score (BA9079-90) avaialble for sale

Trompeten-Ouvertüre- The Overture in C major the so-called Trumpet Overture with its brass fanfare was composed in 1826 and a second version with considerable revisions was made in 1833 for performances in Dusseldorf and London. The Overture in C major was first published posthumously in 1867. Christopher Hogwood's Urtext edition takes into account both Mendelssohn's autograph now held in the Bibliothèque nationale in Paris which has two endings as well as the London manuscript copy made for the performance there in 1834; this manuscript contains three separate trombone parts in Mendelssohn's hand. The newBärenreiter edition presents the work as found in Mendelssohn's autograph for the first time. Christopher Hogwood also documents the development of the overture with facsimiles from the 1826 version. Full score & parts (BA9052) available for sale

The Notebook For Wilhelm Friedemann Bach is a collection of Keyboard music compiled by Johann Sebastian Bach for his eldest son Wilhelm Friedemann. The collection consists of versions of the Two- and Three-part Inventions plus earlier versions of 11 preludes from the Well-Tempered Klavier along with several chorale preludes a few transcriptions of other composers' works and possibly some original compositions by Wilhelm Friedemann himself. BA5021-014 is a scholarly hardback edition. BA5163 is a paperback performing edition.

The legends surrounding Saint Catherine of Alexandria also known as the Great Martyr Saint Catherine were the source of inspiration for this work. It depicts events surrounding her life in five musical episodes. The first episode presents the Emperor’s procession and theme. All is well until a heathen sacrificial ritual is heard in the second movement. After the sacrifice Catherine and her lyrical reflective theme make an appearance. A dispute breaks out between Catherine and the Emperor which can be heard in the heated exchange between their respective themes. Catherine is sentenced to die by the breaking wheel. The voices of angels can be heard in the finale asCatherine ascends to heaven.

Bach's suites are considered the most artistic and profound keyboard music ever written. The six suites bearing the nickname - French Suites - are considered the most lyrical and pleasurable to the ear. They are also the least technically demanding.

Hawkes Pocket Scores HPS 1280-Study Score - Hawkes Pocket Score. Birtwistle H

Five States of Change was commissioned by Kunstfactor for the 4th section of the Dutch National Brass Band Championships (NBK) 2011. It is dedicated to Jappie Dijkstra and the Music Information Centre (MUI) Arnhem Holland in acknowledgement of their outstanding work in developing band repertoire.The composer writes: The idea for the piece came when I was reading an article about a branch of Chinese philosophy which is abbreviated as Wu Xing* which has no exact translation but can mean for example five elements five phases or five states of change . It is central to all elements of Chinese thought including science philosophy medicine andastrology and in simple terms tries to create various cyclic relationships between five elements in all walks of life.An example is: Earth - Metal - Water - Wood - Fire - (Earth) etc. where (in one cycle) earth bears metal metal changes to liquid (water) when heated water helps trees grow wood burns to create fire fire produces ash (earth) and the cycle continues.I was particularly interested in the cycle of emotions:- Meditation - Sorrow - Fear - Anger - Joy - (Meditation) etc. and thought this cyclic principle would provide an effective emotional journey for a piece of music. So Five States of Change has five equal sections which loosely characterise this emotional cycle. I have tried to make the music grow organically with minimal repetition and each movement evolves from the musical elements at the end of the previous one with the opening material appearing transformed at the end of the piece to complete the cycle. *in full Wu zhong liu xing zhi chi or the five types of chi dominating at different times