Oper in 3 Akten-Libretto. Tschaikowsky Pi Libretto. Tschaikowsky Pi

Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra. Cheryl Frances-Hoad's I Am You Brave And Strong for Orchestra.

Violin Piano. Dvorak A.

Arminio- Antonio Salvi's Arminio is one of the best-loved operatic librettos of the Baroque period. Against the historical background of the so-called Battle of the Teutoburg Forest in 9 AD in which the Cherusci leader Arminius as Liberator of Germany (Tacitus) inflicted a devastating defeat on the Romans Handel's opera first performed in 1737 is about the disputes between the Chatti and the Cherusci. Arminius has married the daughter of his arch-enemy Segestes. When he is imprisoned Segestes who has conspired with the Romans sees his opportunity for revenge. - Urtextedition based on the Halle Handel Edition - Libretto in Italian with singable German translation - Comprehensive foreword (Ger/Eng) with important information on the history of the libretto as well as on the genesis and the performance history of the work. A detailed resume of the plot is also contained. - Extensive appendix with richly ornamented versions of two arias - Idiomatic piano reduction in the vocal score - Full score (BA4100) and vocal score (BA4100-90) available for sale - Performance material (BA4100-72) for hire

for the Left Hand for Piano and Orchestra- In 1929 Paul Wittgenstein a pianist and war veteran who lost his right arm in the Great War commissioned Maurice Ravel to write a concerto for him to perform. The result was one of Ravel ’s most thrilling compositions and for Wittgenstein the most important of the many works he commissioned over the course of his career. This scholarly-critical edition of Ravel ’s Piano Concerto For The Left Hand is based on previously inaccessible and unknown sources. The editor Douglas Woodfull-Harris was able to consult manuscripts in the private library of the Paul Wittgenstein Estate which allowed him to retrace the work’s evolutionfrom Ravel ’s autograph working copy to the first printed edition. A source of key importance to our new edition is a handwritten French copy of Ravel ’s own Piano reduction (the autograph is inaccessible) that he gave to Wittgenstein to facilitate rehearsing the work. This copy is the sole source reflecting Wittgenstein’s own interpretation and containing his changes to the final cadenza. It also helps us to understand omissions in the first edition of the score as well as the Piano reduction and enabled the editor amongst other things to correct a great many notes which could be found in previous editions including the solo Piano part. The Piano reduction in our edition contains both Ravel ’s and Wittgenstein’s fingering. Also included is a solo part without fingering thereby giving pianists the opportunity to enter their own fingering after having studied those of Ravel and Wittgenstein. Score and orchestral parts in large format (25.5 x 32.5 cm) Includes source descriptions and a Critical Commentary with alternative readings (Eng) Informative Introduction on the work’s history and genesis (Ger/Eng/Fr) With facsimile pages Piano reduction with separate Urtext solo part enclosed Full score & parts (BA7881) and two-Piano reduction (BA7881-90) available for sale

The main body of this work consists of an extended invocation in the style of a polychoral motet based on an anonymous Latin text and ending with a plea for peace. This is preceded by a briefer introductory section based on passages from the Old Testament in which the horrors of violence and oppression are described. This section features the use of several extra-musical effects (whispering hissing finger- and tongue-clicks foot-stamping and indeterminate clusters) most of which form part of the South African choral tradition.SSSSAAAA. Hofmeyr H

A collection of seventy-three short well known unaccompanied pieces for Clarinet players of all ages arranged in progressive order of difficulty. The tunes ranges from popular themes to timeless melodies.

The third in a series of works for Organ students the Third Easy Album for the Organ contains excerpts and movements of works arranged for the student Organist by Patrick Williams.The pieces are in the keys of C G D and D minor and the composers are Arne J S Bach Buxtehude Corelli Guilmant Liszt Pachelbel Walther and Samuel Wesley.

Suite-Flute Percussion. Anunciacao La

Cuba is one of the word’s few remaining communist countries and has a turbulent history behind it in no small part due to the charismatic Fidel Castro who has steered a more Western course in the last few years. Willy Fransen wrote a musical travel piece about the real Havana with illustrations from the local scene enjoying a daiquiri while a live band plays in the Buena Vista Social Club.

The matching folio for the second album by the nostalgic Jazz singer-songwriter. Cincotti presents his original songs along with a selection of evergreen standards in the dinner-jazz style popularised by Jamie Cullum Michael Buble and celebrated by Robbie Williams and Rod Stewart. Cincotti's cool New York-style arrangements are captured here for Piano Voice and Guitar with every song from the album that entered the Billboard Jazz Charts in the top five! The songs include Some Kind Of Wonderful I Love Paris and St. Louis Blues .

Mass in Time of War- Haydn was in England in 1795 when he received word from his new Prince Nicolaus II Esterházy that the Esterházy orchestra was to be reformed and Haydn was to serve again as active Capellmeister. Prince Nicolaus II demanded little from his Capellmeister except the usual routine of administration; but Haydn was to compose every year a new Mass for the name day of the Princess Josepha Maria which was celebrated the Sunday afterwards in the Bergkirche at Eisenstadt. It is known that a new Haydn mass was performed before a packed congregation in the Piaristenkirche in Vienna on St. Stephen’s Day (26 December) 1796. The writer of these notes examined – when preparingthis edition – the music archives of the church and found contemporary parts on the Missa in tempore belli in the church; and it seems certain that this (and not the Heiligmesse) was the work performed on that occasion and thus also the work which Haydn had just finished and performed in Eisenstadt. Urtext from Joseph Haydn Werke Full score parts (BA4652) vocal score (BA4652-90) and study score format 22.5 x 16.5cm (TP94) available for sale

Featuring Melody contains a collection of melodic studies for all treble clef Bass Instruments as composed by Peter Lawrance. These studies will help to develop smooth playing technical control and stylistic awareness. Ideal for the elementary to intermediate player.

Five solo pieces for Trumpet with Piano accompaniment.

SSA unaccompanied Arranged by Gustav Holst.

SSA [TB ad lib.] and String Quartet [Double Bass ad lib.]-As the name suggests the “Missa Popularis” has its musical roots in folk music.This becomes clear in the very first bars of the Kyrie where the violin plays a melody in the style of a Swedish folk tune above a bass ostinato. The musical charm of the Mass derives from the combination of choir [SSA(TB)] and string quartet.The choral parts enable performances by female choir or mixed choir. In the latter case the string quartet is reinforced by a double bass.The version for female choir was premièred in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki Girls Choir.(Level of difficulty: moderate) Missa Popularis for Choir [SSA (TB ad lib.)] (Lat.) and String Quartet (Double Bass ad lib.) As the name suggests the Missa Popularis has its musical roots in folk music. This becomes clear in the very first bars of the Kyrie where the Violin plays a melody in the style of a Swedish folk tune above a Bass Ostinato. The musical charm of the Mass derives from the combination of Choir [SSA(TB)] and String Quartet. The choral parts enable performances by female choir or mixed choir. In the latter case the String Quartet is reinforced by a Double Bass. The version for Female Choir was premièred in Poznan on 25 April 2015 with Alicja Szeluga conducting the Skowroniki Girls Choir. Full score (BA7420) set of parts (BA7420-22) & vocal score (BA7420-90) available for sale

Piano score for mixed choir solo voice and piano. Soli: STB - Choir: SATB

Techno Treat-Easy solo pieces in pop styles with state of the art CD accompaniments. Play the solo piece straight or add the backing tracks and enter a whole new world of sound. Chris Norton does it again with his unique blend of traditional technique with popular styles. Students will learn all about technique - rhythm co-ordination and listening but they'll be having so much fun they won't know they're doing it! Big Beats is available in six great-tasting flavours. 'Microjazz for the next generation more dramatic more interactive. It looks and sounds great - another surefire success' (Piano Magazine December 2001) Big Beats is a brand new concept from Chris Norton composer of the hugely successful Microjazz series. This fantastic series features elementary pieces that develop musicianship and technique in contemporary styles. The accompanying CD contains brilliant playalong tracks. <

Method for Baritone / Euphonium TC-Edited by acclaimed educator Philip Sparke these exciting method book/CD packs for beginners contain songs music puzzles games to increase your understanding of music information about your instrument and lots of fun pieces to play - either with the CD provided or with other students. Books include helpful diagrams and fun illustrations throughout. These exciting educational books contain songs puzzles and games to increase your understanding of music information about your instrument and lots of fun pieces to play with either the CD provided or with other students.

Es kommt ein Schiff geladen est un célèbre choral allemand du temps de l’Avent dans lequel la Nativité s’exprime par la métaphore du bateau portant la cargaison divine jusque sur la terre où il jette l’ancre. Daté du début du XVe siècle ce choral a la particularité d’être à la fois en ternaire et en binaire. Utilisant différentes ornementations Roland Kernen a réalisé un arrangement de quatre des six strophes du cantique auxquelles ont été ajoutés un prélude un postlude et des interludes. La pièce constitue ainsi une composition variée qui installe un climat de mystère étonnant avant de fêter la naissance de Jésus à Noël.