Opera-bouffe in one act (French text).

Missa pro defunctis quinque vocum (messe à 5 voix)(lp65). Par Caurroydusanvoisin aux éditions Leduc. Partition / Livre de chansons pour Voix

SSAATTBB chorus (with piano accompaniment for rehearsal only)

French pianist Jean-Claude Pennetier (b. 1942) studied at the Paris Conservatoire and his since won many prizes for his performances. He also composed and published a variety of works including his unusual yet significant Bruits De Paroles. Pennetier 's Bruits De Paroles is an unusual yet helpful aid to choral singing. The study book provides detailed instruction on the pronunciation of various sounds while singing. For all choirs Pennetier 's Bruits De Paroles is a highly useful aid.

Volume 10 K.458-506- Italian composer Domenico Scarlatti (1685-1757) is well-known for his Keyboard compositions. His 555 Keyboard Sonatas remain ever popular to this day and it is for this reason that this tenth volume is indispensable to performers of the genre. Originally composed for the Harpsichord Organ or early Pianoforte the Sonatas display the riveting use of discords and unconventional modulations to remote keys. It is also thought that much of Scarlatti 's Keyboard music contains influences of Iberian music considering that he spent much of his working life in the service of the Spanish and Portuguese royal families.The tenth volume comprising Sonatas 458-506 includes the popular and recognisable Sonata in F minor (K. 466). Bearing in mind that Domenico Scarlatti was a highly competent and popular Keyboard player in his day so much so that he was employed in the service of two royal families his Sonatas are composed with much experience understanding and expertise creating an essential addition to the repertoire of all Keyboard players of the Baroque genre.

La Lune Est Morte is a piece for SATB containing the score for Mixed voices or Equal voices on music by Georges Liferman . With lyrics by Jacques Mareuil this lyrical piece is quite melancholy: Cry Pierrots Poets and Black cats the Moon is dead being the main recurrent sentence. The chorus is sung by all voices while the verses lyrics are only sung by the Tenor and the Bass accompanied by a melody of o by the two other voices. Georges Liferman is a French composer and writer. His work includes French songs and French musicals mainly with very famous interpretationsin France by artists such as France Gall Juliette Gréco and Yves Montant.

Pour la flûte à bec et le clavecin - 38 pièces de Lulli Destouches Rameau M. A. Charpentier...-As a prominent Recorder player himself Michel Sanvoisin has extensive knowledge of the instrument and has been significantly instrumental in the revival of the instrument. He has compiled numerous prolific works for the instrument Airs Et Danses being no exception. The Soprano and Alto Recorders are the most common Recorders heard today. Sanvoisin 's Airs Et Danses are based on compositions by Lulli Destouches Rameau Charpentier and Marin-Marais. The 38 pieces are realised by Sanvoisin to include Harpsichord accompaniment. For all aspiring players of the Recorder Sanvoisin 's Airs Et Danses provides excellent accessible repertoire. As a prominent Recorder player himself Michel Sanvoisin has extensive knowledge of the instrument and has been significantly instrumental in the revival of the instrument. He has compiled numerous prolific works for the instrument Airs Et Danses being no exception. The Soprano and Alto Recorders are the most common Recorders heard today. Sanvoisin 's Airs Et Danses are based on compositions by Lulli Destouches Rameau Charpentier and Marin-Marais. The 38 pieces are realised by Sanvoisin to include Harpsichord accompaniment. For all aspiring players of theRecorder Sanvoisin 's Airs Et Danses provides excellent accessible repertoire.

Le Ruban Dénoué is one of the most important pieces by Reynaldo Hahn . This set of twelve waltzes for 2 pianos was conceived as entertainment for Hahn's friends and has a strong melodic aspect. It is one of the greatest pieces of work composed by Hahn in terms of harmony and written at the end of his Piano writing period; it is a good transition toward his second period that is more focused on comedies and operas. These twelve waltzes are: 1. Décrets indolents du hazard 2. Les soirs d'Albi 3. Souvenir… Avenir… 4. Dans de l'amour et du chagrin 5. Le demi-sommeil embaumé 6. L'anneau perdu 7. Danse du doute et de l'espérance 8. La cage ouverte 9. Soir d'orage 10. Les baisers 11. Il Sorriso 12. Le Seul Amour A poem by Victor Hugo 'Puisque j'ai mis ma lèvre' built on the theme of the 12th waltz Le Seul Amour.

10 Petites Pièces très faciles

8 Pièces d'Enfants (Medium Difficulty)

Scherzos: Op.20 in B minor; Op.31 in B flat minor; Op.39 in C sharp minor; Op.54 in E major; Fantaisie Op.49 in F minor

from 'Airs mis en Musique à quatre Parties'

from 'Airs mis en Musique à quatre Parties'

Decouvrir l'opera français (livre avec cd) partition seule airs pour tenor et piano. Par Semellaz aux éditions Leduc. Partition / Livre de chansons pour Opera

et autres inédits pour piano- Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn 's Piano Works remain unknown. Pièces D'Amour Et Autres Inédits Pour Piano however shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was a magical art and his Pianocompositions often contain expressions of his otherwise hidden emotions and moods. Suitable for intermediate standard pianists Hahn 's Pièces D'Amour Et Autres Inédits Pour Piano provide pleasant and evocative short pieces incorporating a range of expressions rhythms and other musical features.

from 'Airs mis en Musique à quatre Parties'

Cendrillon (Cinderella) with a libretto by Henri Cain based on Perrault's fairytale premiered in 1899 in Paris. Best known for composing over thirty operas the composer Jules Massenet (1842-1912) purposely did not attend the premiere but received a telegram the following day from baritone Fugère recording its triumph. Incorporating the composer's sense of humour and wit the use of recurrent motifs is subtle and often thought to be inspired by Richard Wagner. Cendrillon contains musical echoes of the 18th century incorporating gallant music the use of the Lute and Viola D'Amore and a series of Balletentrées. The Opera is in four acts with 19 characters and a chorus. The role of Prince Charming is a breeches role whilst the melody lines of the Fairy Godmother are characterised by trills and arpeggios. Massenet 's Cendrillon remains popular to this day and was notably performed at the Royal Opera House in 2011.

from 'Airs mis en Musique à quatre Parties'

Third of the series of Quatre Visages by Darius Milhaud III. La Bruxelloise is a short piece for Alto and Piano. Easy to play it still requires some technique of the instrument and some theory knowledge to read in different keys. The book includes the parts for Viola and Piano and for Viola only. The music quite slow is really delicate and is supposed to represent a Belgian girl coming from Brussels. She is part of the four faces with: I. The Californian girl II. The Wisconsonian and IV. The Parisian girl. Darius Milhaud (1892-1974) was a French modernist composer and a teacher. Hewas also part of Les Six and was strongly influenced by Jazz. His opus list ended at 443.

Opéra en 5 Actes