Having been considered as a 'fashionable' and 'cliché' composer of his day Hahn 's compositions are possibly not as well-known as they ought to be. If My Verses Had Wings! for Voice & Piano however is one of many compositions that shatter these prejudices held representing the engaging diversity of the composer's music. Venezuelan-born Reynaldo Hahn (1875-1947) entered the Paris Conservatoire at 10 years old. He received a high standard of musical education from Decombes Lavignac Dubois and Massenet before becoming a prolific and versatile composer himself writing works for all genres. For Hahn music was amagical art and his compositions often contain expressions of his otherwise hidden emotions and moods. If My Verses Had Wings! is based on the poetry of Victor Hugo. Moreover this edition of Hahn 's If My Verses Had Wings! contrains transcriptions in three different keys making it versatile to a range of voices. Hahn 's If My Verses Had Wings! contains a variety of different features making for a pleasant and evocative work for singers and pianists.

MzB soli 'As-tu souffert? as-tu pleuré'

Cycle Apres Pentecote-Dom.22 Post Pentecoste-Orgue- 1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Postlude alleluiatique

Reynaldo Hahn 's Songs And Madrigals for three- and four-part choir. The time machine has no secrets for Reynaldo Hahn (1874-1947). After plunging his contemporaries into the delights of Renaissance revelry with the Bal De Béatrice D'Este' the composer continued to explore the past with a tribute in 1907 to Rameau (in the final drumroll of the Sonatine' for Piano). He also published Songs And Madrigals composed on a selection of texts written by famous 15th and 16th century poets: Charles d'Orléans Jean-Antoine de Baïf and Agrippa d'Aubigné.Composed for three- and four-part choir (with optional Piano accompaniment duplicating the Vocals) these six Songs And Madrigals radiate a powerful charm that preserves them from affectation: Un Loyal Coeur envelops the listener in the polyphonic latticework of an enchanting melancholy while Vivons Mignarde borrows rhythmically from Lully to exalt the 'sweet life' that Coralie's lips promise to make even more voluptuous. With its seductive melody and expressive delays Pleurez Avec Moi! bestows heartrending accents upon the sighs of a desolate soul. En Vous Disant Adieu Comment Se Peut-il Faire Ainsi and Les Fourriers D'Eté round off this collection of deliberately archaic songs that exhale an irresistible freshness.

Pays de Langue française (from 'Anthologie du Chant scolaire et post-scolaire - 2ème Série')

Esquisse symphonique (musical argument by C.Teissier)

Cycle Apres Pentecote-Festum Omn.Sanctorum-Orgue- 1.Introït; 2.Offertoire; 3.Elévation; 4.Communion; 5.Choral

1.Animé et Vigoureux; 2.Vif et Léger; 3.Décidé et Joyeux (for string orchestra)

Invention; Pastorale; Canon; Louange de l'Oiseau; Choral; Mouvement

Opéra de Poupée

4 Voix Mixtes - Chansons Francaises- SATB chorus

4 Chansons pour Enfants - 1.Pas bien grand; 2.Haut comme trois Pommes; 3.La Tortue naine; 4.Il faut obéir

for 17 instruments

SA recorders

for viola da gamba solo

SATB chorus khalam (or harp) and tam-tam

Concertos n01(re majeur)et n05 (sol majeur) Flûte traversière et orchestre partition lp42. Par Devienne aux éditions Leduc. Partition / Livre de chansons pour Orchestre

Roll De Ol'Chariot Along - Roule Vieux Chariot- SATB chorus

For Recorder and Basso Continuo. Volume one contains Sonate Op.1 No.1 in A minor and Sonate Op.1 No.12 in E minor.

Leçons De Ténèbres à 1 Et 2 Voix by Francois Couperin is a volume for Soprano and Organ or Harpsichord and Continuo. First published as part of the Harpsichord book in 1713 and 1717 this volume also includes the part for Viola da Gamba. It features two tenebrae lessons. For upper intermediate players this volume was edited and commented by Pierre Daniel Vidalt . François Couperin is a very famous French composer who played the Harpsichord the Organ. Coming from a famous family of musicians he was nicknamed Couperin le Grand('Couperin the Great').