This work for SATB voices was written in memory of those who died resisting Hitler in Germany 1933-45. This is a special item which is made to order. Please e-mail our Mail Order Department for further information. This work for SATB voices was written in memory of those who died resisting Hitler in Germany 1933-45. This is a special item which is made to order. Please e-mail our Mail Order Department for further information.

The Life Of C.S. Lewis In The Planets Of The Middle Ages-The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The Seven Heavens - The Life Of C.S. Lewis In The Planets Of The Middle Ages is a work by James Whitbourn for SATB Chorus and Orchestra. The piece was commissioned by the Belfast Philharmonic Society onthe occasion of their 140th Anniversary Season 2014-5 and first performed in the Ulster Hall on 30th May 2015 by Belfast Philharmonic Choir. The work lasts around 31 minutes and this is the VocalScore . This Vocal Score is compatible with both the Orchestral version and the Chamber Ensemble version. The libretto is a 'musical portrait of C.S. Lewis' viewed through thelens of the seven heavens of the pre-Copernican model of the solar system in which Lewis had a deep interest. The seven movements follow these seven planets which also correspond to the days of the week telling the story ofLewis's life. The text itself is drawn from a variety of sources including the Orphic hymns Psalms Shakespeare Shelley C.S. Lewis himself and others.

This piece for solo classical guitar was composed in 1998-1999 when the composer was a student living in Paris. Fingerings are suggested and performers should feel free to use open strings and campanella as needed. Bryce Dessner's Four Blue Poles for Classical Guitar. Duration: c. 16 minutes

Duration 7 minutes. Orchestral accompaniment available on hire. English version by Steuart Allin.

Premiered at the 1978 Bath Festival by the Lindsay Quartet. Parts available: SOS01004

Lennox Berkeley's Sonatine for Clarinet and Piano. Duration: 12 minutes

Chamber opera in a prologue and one act. A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a courtof enquiry into the unexplained disappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move from straighttestimony into fantastical imaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months long enough to be fully aware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginning with arough ballad of street violence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is a tub-thumpinghymn. But the songs serve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes whichbecome the lights of the relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to play overagain. Libretto only. Duration c. 1h 25mins.

Carefully selected and edited trios by Gervaise Praetorius Quantz Boismortier Walkiers and Kummer.

The River Cam by Eric Whitacre first performed at the Royal Festival Hall London on 14 April 2011 by Julian Lloyd Webber (Cello) and the Philharmonia Orchestra conducted by Eric Whitacre . The River Cam by Eric Whitacre first performed at the Royal Festival Hall London on 14 April 2011 by Julian Lloyd Webber (Cello) and the Philharmonia Orchestra conducted by Eric Whitacre .

These three pieces for cello and piano are meditations - personal secular and musical - on images from religious poetry. The title of No. 1 Angels bending near the earth comes from a carol which beginsIt came upon the midnight clear' by the Massachusetts pastor and poet Edmund Sears. The full reference is to angels bending near the earth/to touch their harps of gold and this is the inspiration forthe music with piano arpeggios swooping down over the rich central band of sound produced by the cello. No. 2's title In death's dark vale is a brief paraphrase (from a Scottish hymnal) of Psalm 23; thefull quotation is yea though I walk through the valley of the shadow of death I will fear no evil. The image here is of human life lived against the prospect of impending death. The cello plays a hasty self-absorbed continuo whilst around it piano motifs and chords of different height and depth create an evolving backdrop. No. 3 O sapientia is the only movement which quotes a musical original; Hildegard ofBingen's hymn O virtus sapientiae -O strength of wisdom. This is a calm elegaic set of variations for the cello on Hildegard's melody accompanied by mostly bright optimistic refl ections from thepiano. Commissioned by cellist Jonathan Miller of Boston MA. First performance on 23 September 2016 at Hamilton Hall Salem MA by Jonathan Miller (cello) and Randall Hodgkinson (piano)

Just Brass No. 6-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.

Motet scored for SATB Choir for Christmas and the Circumcision. Edited by H.B. Collins.

The Vocal Score for Judith Weir 's Truly I Tell You a setting of three different Biblical passages from Psalms and Mark's gospel. This work was first performed by the Choir of Westminster Abbey at the Commonwealth Day Observance on the 9th of March 2015. It is arranged for SSATB Chorus and Organ. Truly I Tell You is a setting of Psalms 8: 4-10 and 34: 1-4 and Mark 10: 15. The thread that marries these three texts together is the comparison between man and the name of God the literal exposition of the word of God (working beautifully within the context of such a brilliantly-composed piece of music) and the hopeful entering of God's kingdom in general. In theDecember 2015 edition of RSCM Church Music Quarterly Magazine the reviewer states that this piece is highly recommended and is a useful church anthem that is not too difficult. Judith Weir is a British composer whose music often draws influence from her many extra-musical interests such as medieval history and Scottish traditional music. In 2005 Weir received a CBE for her services to music and in 2014 she was appointed the Master of the Queen's Music becoming the first female holder of a post which dates back to 1626. The Vocal Score for Judith Weir 's Truly I Tell You a setting of three different Biblical passages from Psalms and Mark's gospel. This work was first performed by the Choir of Westminster Abbey at theCommonwealth Day Observance on the 9th of March 2015. It is arranged for SSATB Chorus and Organ. Truly I Tell You is a setting of Psalms 8: 4-10 and 34: 1-4 and Mark 10: 15. The thread thatmarries these three texts together is the comparison between man and the name of God the literal exposition of the word of God (working beautifully within the context of such a brilliantly-composed piece of music) and thehopeful entering of God's kingdom in general. In the December 2015 edition of RSCM Church Music Quarterly Magazine the reviewer states that this piece is 'highly recommended' and is a 'useful churchanthem that is not too difficult'. Judith Weir is a British composer whose music often draws influence from her many extra-musical interests such as medieval history and Scottish traditionalmusic. In 2005 Weir received a CBE for her services to music and in 2014 she was appointed the Master of the Queen's Music becoming the first female holder of a post which dates back to 1626.

Four traditional Polish children's songs for unison voices and piano with music by Witold Lutos awski. Translated and arranged by Richard Steinitz.

Arranged for Easy Piano

String Quartet No.2 is a work by Gabriel Prokofiev for String Quartet commissioned by The Elysian Quartet with support from the PRS for Music Foundation. The work lasts around 17 minutes. This is the Full Score and Parts . String Quartet No.2 is a work by Gabriel Prokofiev for String Quartet commissioned by The Elysian Quartet with support from the PRS for Music Foundation. The work lasts around 17 minutes. This is the Full Score and Parts .

Saxophone solos for B Flat Tenor with piano accompaniment. Edited by Paul Harvey. Includes music by Saint-Saens Granados and Handel.

Junior Just Brass No. 8-Score and Parts for Ian MacDonald's Three Miniatures edited by Philip Jones & Elgar Howarth for the Junior Just Brass series. The Just Brass series is regarded by brass players worldwide as the most important brass ensembleseries available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. Junior titles have been specificallychosen and edited for young players. The pieces are scored for four or five players and in some there are optional percussion parts. A large number of alternate parts are given allowing for maximum flexibility in instrumentsrequired.

The Voices Stilled (Agnus Dei) by James Whitbourn was commissioned by John Snelling and the Shipley Arts Festival (director Andrew Bernardi) and first performed on 14 July 2013 in Lancing College Chapel by the Westminster Williamson Voices (director James Jordan) choirs from across West Sussex and the Bernardi Chamber Orchestra with Bruce Martin (flute) conducted by the composer. The Voices Stilled (Agnus Dei) by James Whitbourn was commissioned by John Snelling and the Shipley Arts Festival (director Andrew Bernardi) and first performed on 14 July 2013 in Lancing College Chapel by the Westminster Williamson Voices (director James Jordan) choirs from across West Sussex and the Bernardi Chamber Orchestra with Bruce Martin (flute) conducted by the composer. Full Score.

Love And Marriage-The Chester Books Of Madrigals offer an exciting collection of secular European madrigals partsongs and rounds from the 16th and early 17th centuries newly edited from early sources by Anthony G. Petti who contributescopious historical notes to each volume. The majority of the settings are for SATB and simplified keyboard reductions. Texts are in the original languages with an English translation (for non-English texts) provided at thehead of each piece.