I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman . This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. This is the Full Score and is arranged for Voice and Piano Quintet. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engaged in sexual intercourse which caused outrage among authorities at the time. At the world premiere of Nyman 's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted by Michael Nyman himself. I Sonetti Lussuriosi is a collection of pieces by world-renowned composer Michael Nyman . This work is a setting of 8 pieces of erotic poetry by Italian poet Pietro Aretino. This is the FullScore and is arranged for Voice and Piano Quintet. I Sonetti Lussuriosi was inspired by Renaissance engravings of couples engaged in sexual intercourse which caused outrage amongauthorities at the time. At the world premiere of Nyman 's work Marie Angel voiced both the male and female characters with the Orchestra di Santa Cecilia conducted by Michael Nyman himself.

Respond For Michelmas for six voices.

Just Brass No. 10- Canzon Cornetto (1621) is a classic Baroque era piece for four Trumpets showcasing the fugal capabilities of a brass ensemble yet still incorporating a delightful fanfare-style middle section. SamuelScheidt (1587-1654) was a German composer and organist who helped lay the foundations of the Baroque style. Today he is best remembered for his sacred vocal works and his organ music. Edited by Philip Jones & ElgarHowarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. Supplied as score and parts together.

Cheryl Frances-Hoad's Love Song For Dusty for solo Piano. Duration: 4 minutes Cheryl Frances-Hoad's Love Song For Dusty for Piano. Love Song for Dusty was commissioned by Joanna Lumley as part of William Howard's Love Song Project and was given its first performance by William Howard on 6June 2016 at the Forge Camden Town. Duration: 4 minutes

Piano reduction of Wood Cello Concerto Op.12. Includes score and part. Duration 20 minutes.

Solo Cello part for Rolf Wallin's Ground for Cello and Strings.

Kevin Volans ' Trumpet Vibe Cello Piano . Score and parts for the Trumpet Vibraphone Cello and Piano. Kevin Volans ' Trumpet Vibe Cello Piano . Score and parts for the Trumpet Vibraphone Cello and Piano.

Raymond Briggs' 'The Snowman' is a charming Christmas story about the adventures of a boy and his snowman who comes to life. A modern children's classic the tale's popularity has been further enhanced by frequent televisionbroadcasts of the award-winning illustrated film. Here the classic 'Walking In The Air' made popular by Aled Jones is arranged for Voice and Piano in a French language version. Music and lyrics by HowardBlake .

Just Brass No. 45-Edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. (Dodgson) 5 Part Contains: 1 Trumpet in Bb 2 Trumpet in Bb 3 Horn in F 4 Trombone 5 TubaEdited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than 100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together. (Dodgson) 5 Part Contains: 1 Trumpet in Bb 2 Trumpet in Bb 3 Horn in F 4 Trombone 5 Tuba

Kevin Volans' L'Africaine for Piano solo. Duration: 22 minutes. Composers Note: Most of the piano music I have written has focussed on a number of 20th century musical concerns: withcomplex rhythmic patterning a- and poly-tonality multiple layering of parts on occasion introducing different tone colours (like playing inside the instrument or electronic modulation) - but above all resonance. The development of the piano in 19th century with its increased size pitch and dynamic range led above all to an instrument capable of rich and full resonance that could rival even an orchestra. All centred around thepedal - in Anton Rubinstein's words: The soul of the piano. This time I thought it would be interesting to write a piece which pays no attention to this tradition; to write a piece from the point of view ofsome African compositional methods and ways of patterning - mainly interlocking parts which result in shifting downbeats. For a large part of the piece I treat the left and right hands as two complementaryperformers. So hardly any pedal no concerns with contemporary harmony style structure or technology. I did slip in a slightly concealed reference to Debussy's L'Isle Joyeuse however. The pieceis roughly 22 minutes long in three sections and the title is a slightly tongue-in-cheek reference to Couperin.

Commissioned by the Philharmonia Orchestra and Esa-Pekka Salonen for the Universe of Sound project. First perfromed at the Royal Festival Hall on 8th July 2012 by the Philharmonia Orchestra and PhilharmoniaVoices conducted by Esa-Pekka Salonen. Instrumentation. 4 Flutes (3rd doubling Alto Flute Piccolo; 4th doubling Piccolo) 3 Oboes (3rd doubling Bass Oboe) Cor Anglais 2 Clarinets in Bflat Clarinet in A Bass Clarinet in B flat 3 Bassoons Contrabassoon 6 Horns in F 4 Trumpets in C 2 Tenor Trombones Bass Trombone Tenor Tuba in B flat (Euphonium) Bass Tuba 2 Timpani (2nddoubling Suspended Cymbals China Cymbal) 4 Percussion (Meditation Bowls Bass Drum Crotales Marimba Vibraphone Small & Large Tam-tam Glockenspiel Xylophone Side Drum Mark Tree SizzleCymbal) Celesta Organ 2 Harps Chorus (SSSAAAA) Strings

March Waltz And Polka were first composed in 1915 as a collection of three Piano duets Three Easy Pieces by the Russian composer Igor Stravinsky . They were written for the composer to playwith his children as they were learning the Piano so had a considerably easier second part. They have been arranged for Clarinet and Piano by the American musician Ray Jackendoff a Professor of Linguistics who has also had awide-ranging performance career s a classical clarinettist. Igor Stravinsky (1882-1971) was born and brought up in Saint Petersburg before settling first in Paris and finally in America. Despite his classical musicaleducation he is best remembered as one of the main proponents of serialism.

These studies by Boehm for solo flute were written in July 1852 and have become one of the foundation stones of good technique which are used throughout the world by flute players who wish to reach a high degree of fluency.This edition of the twenty-four Capriccios is edited by Trevor Wye.

Commissioned by the Amsterdam Municipality for the Concertgebouw Orchestra. World Premier in October 0976 conducted by the composer. Duration c.15 mins. Full score and orchestral parts available on hire from the publisher.

A ghost story telling of the mysterious disappearance of three lighthouse keepers in the Hebrides. This is a mystery story in the form of a chamber opera. The prologue is set as a court of enquiry into the unexplaineddisappearance of the three keepers from a lighthouse. Questions are posed by a solo horn which may sound from among the audience and three officers give answer. Gradually they move from straight testimony into fantasticalimaginings of evil during a 'flashback' to the lighthouse; but then we snap back to the courtroom. In the main act the three singers become the vanished keepers. They have been together for months long enough to be fullyaware of each other's weaknesses; petty bickerings suggest a relationship which is stable but liable to become highly unstable at any moment. They sing songs to reduce the tension Blazes beginning with a rough ballad of streetviolence accompanied by violin and banjo. Sandy's song with cello and out-of-tune upright piano is a thinly disguised description of sexual bliss and Arthur's with brass and clarinet is a tub-thumping hymn. But the songsserve only to resurrect in their minds ghosts from the past and as the fog descends each of the keepers becomes convinced that he is being claimed by the Beast. They prepare to meet its dazzling eyes which become the lights ofthe relief vessel and the three men reappear as officers met at the lighthouse only by an infestation of rats. They leave and at the end the last hours of Blazes Sandy and Arthur begin to play over again. Vocal score withpiano reduction of the instrumental score. Duration c. 1h 25mins.

Peter Maxwell Davies ' Symphony No. 9 for Orchestra. Study score. This work is dedicated to Her Majesty The Queen in celebration of her Diamond Jubilee. It received its premiere in June 2012 bythe RLPO in Liverpool conducted by Vasily Petrenko. In addition to the Orchestra the symphony calls for a virtuoso Brass Quintet.

Fly is a song by Ludovico Einaudi from his bestselling album 'Divenire'. Scored for Piano and Electronics Fly was featured on the soundtrack for the French film 'The Intouchables'. The first bar should be sampled and looped continuously throughout the piece. Alternatively this could be played live on Piano Harp Marimba or similar instrument by another performer. A series of electronic sound effects feature towards the end of the piece. These are contained on the pre-recorded track which should be played from bar 81 onwards. The effects continue for a short time after the pianist has finished playing and fade out with the Piano sample. An accompanying CD is included withthis score. Fly is a song by Ludovico Einaudi from his bestselling album 'Divenire'. Scored for Piano and Electronics Fly was featured on the soundtrack for the French film 'TheIntouchables'. The first bar should be sampled and looped continuously throughout the piece. Alternatively this could be played live on Piano Harp Marimba or similar instrument byanother performer. A series of electronic sound effects feature towards the end of the piece. These are contained on the pre-recorded track which should be played from bar 81 onwards. The effects continue for a short time afterthe pianist has finished playing and fade out with the Piano sample. An accompanying CD is included with this score.

Just Brass No. 23- Four Swiss Tunes arranged by Elgar Howarth and edited by Philip Jones & Elgar Howarth. The Just Brass series is regarded by brass players worldwide as the most important brass ensemble series available. There are more than100 titles subdivided into Just Brass (mainstream) Junior Just Brass Just Brass Lollipops and Giant Just Brass. Supplied as score and parts together.

Soprano Saxophone And Double Bass Parts-John Harle 's Lookout! is scored for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard. These are the parts for Saxophone and Double Bass. Lookout! was written for The Folkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from Creative Foundation. ' Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for 'Complaints Choirs' the lyric material is drawn from actual notes made by the residents of Folkestone about living intheir town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to be able to be rehearsed and performed on a minimum ofrehearsal time as the logistics of large-scale community events means that the singers andmusicians often come together only on the day of performance.The accompanying instrumental parts are straightforward the role of the saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forces or simply a keyboard or pianoaccompaniment.' - John Harle John Harle 's Lookout! is scored for Children’s Voices Mixed Chorus Soprano Saxophone Double Bass and Keyboard. These are the parts for Saxophone and Double Bass. Lookout! waswritten for The Folkestone Futures Choir and was realised by The Sidney de Haan Research Centre for Arts and Health Canterbury Christ Church University at the invitation of Folkestone Triennial 2014 with a grant from CreativeFoundation. ' Lookout! is a set of five songs written for the Folkestone Futures Choir for FolkestoneTriennial 2014. Within the culture of songs written for 'Complaints Choirs' the lyric material isdrawn from actual notes made by the residents of Folkestone about living in their town - its beauty its community spirit - and of course its drawbacks.It has been purposely written to be able to be rehearsed and performed on aminimum ofrehearsal time as the logistics of large-scale community events means that the singers andmusicians often come together only on the day of performance.The accompanying instrumental parts are straightforward the role ofthe saxophone line being tosupport the vocal line most of the time. Future performances of the work could involvearrangement of the musical material for other instrumental forces or simply a keyboard or pianoaccompaniment.' - John Harle

This is the Oboe Part for Witold Lutoslawski 's Double Concerto arranged for Oboe Harp and Chamber Orchestra. Originally commissioned by Paul Sacher the work was finished in1980.