Solo Piano Part-Michael Nyman 's The Piano Concerto is based entirely on material selected from his soundtrack to Jane Campion's film 'The Piano.' The original Orchestral score was commissioned by the Festival de Lille in 1993 and first performed that same year. This is the Solo Piano Part of the reconsideration for Two Pianos. A full performance lasts around 32 minutes. Michael Nyman 's The Piano Concerto is based entirely on material selected from his soundtrack to Jane Campion's film 'The Piano.' The original Orchestral score was commissioned by the Festival de Lille in1993 and first performed that same year. This is the Solo Piano Part of the reconsideration for Two Pianos. A full performance lasts around 32 minutes.

Descant And Treble Teacher's Book-Easy mixed duets for descant and treble recorders to play together suitable for two players or for class ensembles. The 22 duets feature a wide range of well-known arrangements including folk songs spirituals Latin Americandances blues and classical favourites as well as original pieces by John Pitts. The material is precisely graded so that both the descant and treble parts progress gradually in difficulty and range of notes. The Teacher's bookcontains piano accompaniments for all the pieces as well as some additional pitched/unpitched percussion parts.

Easy classics for violin with piano accompaniment. Over 20 all-time favourites including Beethoven's 'Minuet In G' 'Eine Kleine Nachtmusik' and 'The Four Seasons'. Grades 3-5.

This first version was compiled from sketches by musicologist Antonio Gallego in 1986. Originally written in 1914-15.

The concept of this piece is based on a harmonic lay-out it has been composed using huge chordal succsessions out of which the music follows meanderlike paths alternating between layers. Duo Concertante is outlined by soloists yet the ensemble articulates deeper levels in the musical material. The composer wanted to focus very much on the musical Style of the piece and there are elements of puristic serial music on display as well as minimalistic approaches recognizable. Lindberg sums up the piece by describing it as a kaleidoscopic writing based on a maximal variety brought out from limited musical material. Work for Solo Clarinet and Cello with Chamber Ensemble.The concept of this piece is based on a harmonic lay-out it has been composed using huge chordal succsessions out of which the music follows meanderlike paths alternating between layers. Duo Concertante is outlined bysoloists yet the ensemble articulates deeper levels in the musical material. The composer wanted to focus very much on the musical Style of the piece and there are elements of puristic serial music on display as well asminimalistic approaches recognizable. Lindberg sums up the piece by describing it as a kaleidoscopic writing based on a maximal variety brought out from limited musical material. Work for Solo Clarinet and Cello withChamber Ensemble.

Geoffrey Brace. Light-hearted musical about a group of 16 year-olds on a school cruise - with all the elements of romance comedy dance routines and full choruses. Sixteen songs. 90mins.

Work for String Orchestra.

This is the first piece from Suite en Forme de Sonate Op.60 for piano This is the first piece from Suite en Forme de Sonate Op.60 for piano

Sketches In Time by Haflidi Hallgrimsson seven short pieces for young pianists encompassing a wide range of styles from the quiet and atmospheric Venetian Waltz to lyrical pieces such as My Own Song . Forthe student to develop a strong sense of rhythm.

Unusually for him Davies starts his Bassoon Concerto not with slow music but with speed and brilliance: the opening is a Presto initiated by the strings and only at the entry of the soloist does the tempo relax to thatof a real introduction. Out of this grow a big dancing Allegro. The slow movement begins and ends with a simple song around fantastical ornamentation from the soloist. The finale is again a recitative and dance with a slow coda.The whole work is an immense show of stamina poetry and athleticism for the bassoon set against an orchestra coloured by low wind (alto flute clarinet in A bass clarinet contrabassoon horns). Bassoon part with pianoreduction of the orchestral score.

A selection of 13 popular repertoire pieces including show tunes pop hits and TV themes. Graded progressively to reach Grade 3 standard.

These variations are based on the concept of Beethoven's 32 variations in C Minor. In Beethoven's work all the variations are eight bars long without any changes in tempi or time signature. Each variation is complete in itself but the variations are carefully grouped and juxtaposed to have a cummalitive effect. His individual variations are always very clearly connected with the original theme both melodically and harmonically. Rather than occupyinghimself solely with decoration of the original melody Beethoven's concern was with piano figuration and technique. In following the principles Beethoven created in this work Elias has attempted to concern himself with the samepreoccupations; by using clealy audible motifs that permit him to concentrate on writing for the instrument and by using short sharply defined phrases (always of eight bars) to build up a larger structure.

Geoffrey Brace. Light-hearted musical about a group of 16 year-olds on a school cruise - with all the elements of romance comedy dance routines and full choruses. Sixteen songs. 90mins.

'Pantomime' arranged for two Pianos by Dougherty. 'Pantomime' arranged for two Pianos by Dougherty.

For Cello with Piano accompaniment. For Cello with Piano accompaniment.

Chester Music edition.

Composed in 1990 for solo Clarinet Timpani Percussion and Strings John Tavener's The Repentant Thief was inspired by the biblical story of the two criminals who were crucified alongside Jesus atGolgotha. This work contrasts dance-like material with melancholy laments bound together by a refrain with a recitative-like character recalling Greek folk and Orthodox traditions. This edition is for Clarinet withPiano reduction.

String Quartet No.3 was written for and first performed by the Balanescu Quartet February 1990 at the Queen Elizabeth Hall London. Duration 16 minutes. Instrumental parts are available on sale. Quoting composer: In thesummer of 1989 I composed a choral work Out of the Ruins for Agnieszka Piotrowska’s BBC2 documentary which dealt with the physical and emotional responses of some inhabitants of Leninakhan to the earthquake whichdevastated Armenia the previous December. When he heard the recording of the work that I made with the Holy Echmiadzin Chorus under the fervent conducting of Khoren Meykhanejian Alex Balanescu suggested turning Out of the Ruinsinto a string quartet. There seemed no reason or opportunity to do this until I felt the need to add to the intensity of my experiences in Armenia the no less profound experience of witnessing the images of the Romanianrevolution on television during the later part of December 1989. The compositional procedure was as follows: to take Out of the Ruins as a template on which the Romanian vocal or instrumental music would be superimposed quite often stretched into new intervallic shapes though the demands of the completely performed harmonic structure.

John Ireland 'Piano Concerto In E Flat' arranged for two pianos. John Ireland 'Piano Concerto In E Flat' arranged for two pianos.

This work comprises of two linked songs setting extracts of Rimbaud's L'Orgie parisienne composed in 1989 for La Traversée de Paris an audio-visual exhibition held at the Grande Arche de la Défense to celebrate the bicentennial of the French Revolution. This work comprises of two linked songs setting extracts of Rimbaud's L'Orgie parisienne composed in 1989 for La Traversée de Paris an audio-visual exhibition held at the Grande Arche de la Défense to celebrate thebicentennial of the French Revolution.