Donald Hunsberger's classic edition of this Shostakovich masterpiece has already established itself as abasic repertoire for wind bands. This exciting and masterful work is a wonderful way to showcase a mature band. Recorded by the United States Marine Band - Jack T. Cline conductor. Interlochen Bowl National Music Camp 1978

For The Coronation Scene Of Shakespeare's Henry Viii

Score and Parts

Score

Arias for Soprano-Diction lessons on each aria in the series recorded by top language coaches from the Metropolitan Opera and the Juilliard School plus International Phonetic Alphabet and word for word translations With these book/CDpackages that match the standard aria collections edited by Robert L. Larsen any singer anywhere has access to the best diction coaching available at a very affordable price. Each aria is recorded twice. In the first version thecoach recites the text as an actor would speak it showing flow of the language and the mood. The second version is a slow deliberate lesson allowing time for the student to repeat each line. These experienced language coachesadapt the R in German and French in the slow versions for singers. They also are very sensitive to liaisons between word sounds in the musical settings. The book includes International Phonetic Alphabet for each ariaand word for word translations. The native speaking professional diction coaches from the Metropolitan Opera and the Juilliard School are: Corradina Caporello for Italian Pierre Vallet for French Irene Spiegelmanfor German Kathryn LaBouff for English Yveta Synek Graff for Czech and Gina Levinson for Russian. Companion to 50481097 Arias for Soprano .

This creative pairing of Amanda McBrooms's The Rose with the Praetorius' Lo How a Rose e'er Blooming has become a classic at Conspirare's Christmas at the Carillon concerts. Incredibly moving! Performance time: Approx. 5:35.

From the PBS program A Company of Voices by Conspirare this beloved folk tune is arranged for cello solo soprano mixed voices and piano in a rich and sonorous setting that is simply breathtaking. Cello part included. Duration:ca. 3:45. Recorded by Conspirare Craig Hella Johnson conductor.

Chamber Version- For Percussion duo (not the concerto of the same title). What determines the special character of a piece of music written for percussion instruments is the very choice of sets of instruments. In UdacrepAkubrad I have chosen a similar set of instruments for each of the players: a marimba two Darbuka and a tom-tom. This piece draws its inspiration from the “Eastern” music extending the boundaries of the region as faras the Indian sub-continent. The main source materials in this piece are scales and the rhythms emanating from the traditional classical music of the peoples of the Mediterranean; and repetitive minimalism from the musictradition of the Middle East as well as the recently developed techniques in western music . — Avner Dorman

25 Etudes faciles et progressives Op.100

5 Capriches

Piano Fantasy

Messiah (Oratorio 1741) - Viola Part

I Was Slain

Slumber Song

Pleasure-Dome Of Kubla Khan The

Pastorale

Barter For Trumpet And Two Pianos

Everyone Suddenly Burst Out Singing

Death Of Orpheus Full Score

We Dance